HUGIJENOT ARTISTS DESIGNERS AND CRAYPSNEN IN GREAT ...

More documents

Recommendations

Info

4. 13k. Hogarth's Dog Trump, Chelsea Porcelain, based on a model by L.F. Roubiliac, c. 17k9-50. 135. The Virgin, St. Mary Magdalen and St.John the Evangelist, Derby Porcelain, c. 1760. 136. Pluto and Cerberus, Derby Porcelain, c.1755. 137. Medal commemmorating William III's victory at Namur, Simon Gribelin, 1695. 138. Group symbolizing Sight, Derby Porcelain, c.1750-3. 139. Bust of Queen Anne, back of silver pair-case watch [by David Lesturgeon, 1702. 1' 'h Earl of Devonshire, af'---- miniaturc by Dan 4 ' 'T-utier, Simon Gribelin. 11+1. William Delacour, Self-portrait, 1765. 1k2. Charles II on Horseback, Jean Cavalier, 168k. 1k3. Mary II, Jean Cavalier, 1690. ikk. Matthew Raper, David Le Marchand, 1720. 1k5. Sir Christopher Wren, David Le Marchand 1kG. Daniel Garnault, David Le Marchand. 1k7. Isaac Gosset Junior, Isaac Gosset. 1 1,8. Equestrian Portrait of Charles I, Jean Obrisset. 1k9. James, 2nd Duke of Ormonde, Simon Gribelin, 1713. 150. Engraving based on above, Simon Gribelin. 151. William Trumbull, Drawing by Simon Gribelin, 1726. 152. Frederick, Prince of Wales, Philip Mercier, c.1736.. 153. Sir John Ligonier, Philip Mercier, c. 1735. 15k. Henriette Le Fanu, Philip Mercier, c.1747. 155. Sir Marmaduke Fothergill, James Parmentier, 1717. 156. Viscountess Bolingbroke, detail of plate 88, L.F.Roubiliac. 157. Viscount Ligonier, drawing after L.F.Roubiliac. 158. Viscount Ligonier, L.F.Poubiliac, c.1759.
5. ACKNOWLEENEWPS I would like to acknowledge the assistance of a grant from Central Research Fund, University of London, without which I would have been unable to carry out the field work necessary to complete thia research. I would also like to thank the Governors of Sir John Cass'e Foundation for the award of a bursary to assist with the costs of photography, thus enabling me to illustrate this thesis more fully. I would like to thank my supervisor, Dr. David Bindman, for encouragement and helpful criticism; Miss Scouloudi, the Hon. Secretary, and Mr. Marmoy, the Hon. Librarian of the Huguenot Society of London; the staff of the British Library, the National Art Library, the Department of Prints and Drawings at the British Museum and at the Victoria and Albert Museum for their help in answering my enquiries. Amongst those who have helped to further my research, I would like to thank in particular; Brian Allen of the Paul Mellon Centre for Studies in British Art; Dr. Charles Avery; Malcolm Baker of the Department of Sculpture, Victoria and Albert Museum; ..Howard Blackmore of the krmouries, Tower of London; Elaine Barr; Dr. Terry Friedman of Temple Newsam House, Leeds; Dr. Mark Girouard; Arthur Grimwade; John Hardy of the Department of Furniture and Woodwork at the Victoria and Albert Museum; Miss Susan Hare, Librarian at the Goldsmiths' Company; Gervase Jackson-Stops of the National Trust; John Kerslake and Miss Wimbush at the National Portrait Gallery; Dr. Rosalind Marshall of the Scottish National Portrait Gallery; John Mallet of the Department of Ceramics at the Victoria and Albert Museum; Patrick Noon at the Yale Center for British Art; Dr. Robert Raines; Dr. Michael Snodin of the Department of Prints and Drawings at the Victoria and Albert Museum; Dr. William Vaughan, Department of History of Art, University College, London; and Christian Theuerkauff of the Staatliche Museen, Berlin. I would also like to mention the helpful response that I have received from private owners, in particular His Grace, the Duke of Buccleuch. Lastly, I would like to thank my colleagues, Dr. Celina Fox and Mrs. Rosemary Weinstein for their patience and encouragement.
Page 1 and 2: HUGIJENOT ARTISTS DESIGNERS AND CRA
Page 3 and 4: List of Illustrations TABLE OF CONT
Page 5 and 6: 40. Detail of above showing the eng
Page 7: 105. Sea Children and Sea Horses, M
Page 11 and 12: 7. could not purchase land, and tha
Page 13 and 14: 9. respect and self-confidence' 11
Page 15 and 16: II. in 1685. All three buildings we
Page 17 and 18: 13. offered or taking up an English
Page 19 and 20: 15. The letters of Giuseppi Baretti
Page 21 and 22: 17. Intrigueingly some families mad
Page 23 and 24: 19. with the french artists Roubili
Page 25 and 26: 21. Artillery, which closed in 1695
Page 27 and 28: 23. TIlE HUGUENOT CONTRThUTION TO M
Page 29 and 30: 25. Jean Montigny is another French
Page 31 and 32: 27. ecplains that they were built b
Page 33 and 34: 29. Rocque's surveys were character
Page 35 and 36: 31. An original impression of this
Page 37 and 38: 33. whether to employ him to engrav
Page 39 and 40: 35. Petworth Archives, headed 'Bill
Page 41 and 42: 3?. this country with the publicati
Page 43 and 44: 39. has reattribued this, with the
Page 45 and 46: If 1. The Huguenot contributions to
Page 47 and 48: 14.3. THE HtTGUENOT CONTRIBUTION TO
Page 49 and 50: If and 1690. However, Louis Chron h
Page 51 and 52: If 7 whole series complemented the
Page 53 and 54: Lf 9 'You remember her figure is in
Page 55 and 56: 51. and that the panels from the la
Page 57 and 58: 53. versions of the same story, Apo
Page 59 and 60:
55. round headedwindow and door ope
Page 61 and 62:
57. yards of panelling with the 'fi
Page 63 and 64:
59. specialist architectural and la
Page 65 and 66:
61. practised as a drawing master i
Page 67 and 68:
63. Triumph of Galatea, and is base
Page 69 and 70:
65. later executed a series of plat
Page 71 and 72:
67. Sir James Thornhifl - Mr. Chero
Page 73 and 74:
69. Knoweley, now in the British Mu
Page 75 and 76:
71. engravings were based on drawin
Page 77 and 78:
73. Belgium). Vertue comments on hi
Page 79 and 80:
75. Another example in this vein, i
Page 81 and 82:
77. is in the Bibliothque Nationale
Page 83 and 84:
79. Roubiliac's assistants, Nichola
Page 85 and 86:
810 Other vestiges of R0ubiliac's s
Page 87 and 88:
83. Anne Protin at the Knightsbridg
Page 89 and 90:
85. Huguenot minister of the Savoy
Page 91 and 92:
87. when the chu±ch in which the m
Page 93 and 94:
89. The 2nd Duke of Montagu had mad
Page 95 and 96:
91. Hampton villa. 'The garden is l
Page 97 and 98:
93. purchased the bronzes of Fame a
Page 99 and 100:
95. The latter is signed 'L.F.Roubi
Page 101 and 102:
97. There is, however, concrete evi
Page 103 and 104:
99. s'appliquerent aux beaux arts',
Page 105 and 106:
101. maison particulier de Paris',
Page 107 and 108:
103. On February 23, 1694, Jean de
Page 109 and 110:
105. the execution of Bodt's design
Page 111 and 112:
107. A similar commission survives
Page 113 and 114:
109. It seems probable that tis let
Page 115 and 116:
Ill. Samuel Hauduroy produced desig
Page 117 and 118:
113. includes 'the friez in ye grea
Page 119 and 120:
115. Whereas in the first half of t
Page 121 and 122:
117. that the owner chould'make use
Page 123 and 124:
119. joined by John Price and Batty
Page 125 and 126:
121. was cancelled. Marquand's excu
Page 127 and 128:
123. In 1720 the 'Corps des Ingenie
Page 129 and 130:
125. OUR SONS SHALL GROW UP AS THE
Page 131 and 132:
127. THE HIJGTJENOT CONTRIBUTION TO
Page 133 and 134:
129. as there was a Huguenot commun
Page 135 and 136:
131. Daniel Marot's influence as a
Page 137 and 138:
133. of 'Rene & Thomas Pellet±e...
Page 139 and 140:
1:55. For varniohing the Room in Gr
Page 141 and 142:
137. freize and checks all molded a
Page 143 and 144:
139. deposited £500 with Ralph Mon
Page 145 and 146:
iki. Derignee, and indeed Jean Pell
Page 147 and 148:
143. commissioned for the Hall of L
Page 149 and 150:
145. serves as a three dimensional
Page 151 and 152:
I 4. To conclude, the published des
Page 153 and 154:
I T}IE HETGUENOT CONTRIBtTTION TO P
Page 155 and 156:
151. The obvious prototypes for tab
Page 157 and 158:
153. a 'Mr. Bryand, a stranger, tha
Page 159 and 160:
155. that he has no sort of Connexi
Page 161 and 162:
a French Clock £30.O.O. a Snuff bo
Page 163 and 164:
159. was tenant of a house on the N
Page 165 and 166:
161. assistance of Joseph Willems,
Page 167 and 168:
163. judging from both the sculptor
Page 169 and 170:
165. son of Andrew Planch and Magar
Page 171 and 172:
167. that Janssen opened hi factory
Page 173 and 174:
169. THE HUGIJENOT CONTRIBUTION TO
Page 175 and 176:
171. 'A Medall upon the apy/ Union
Page 177 and 178:
173. John L'Admiral, born of Huguen
Page 179 and 180:
175. Le Marchand also executed a sm
Page 181 and 182:
177. 'a representation of ye Court
Page 183 and 184:
179. medallic prototype , Obrisset
Page 185 and 186:
71 the print. 181. Jean Simon also
Page 187 and 188:
183. dated 1701, and a copy is in t
Page 189 and 190:
185. A plaster model of Dr. Bentley
Page 191 and 192:
187. to England in 17k0, and it is
Page 193 and 194:
189. No models directly related to
Page 195 and 196:
191. CONCLUSION It has been shown t
Page 197 and 198:
193. artists and craftsmen had to a
Page 199 and 200:
INTRODUCTION 195. NOTES TO THE TEXT
Page 201 and 202:
197. 51. I am most grateful to Elai
Page 203 and 204:
199. 55. Hugh Phillips, John Rocque
Page 205 and 206:
201. 39. Huguenot Societ y Ouarto P
Page 207 and 208:
203. 58. John Physick, Designs for
Page 209 and 210:
205. 45. W.T.Whitley Papers, Britis
Page 211 and 212:
207. Bodt and Stainborough, Archite
Page 213 and 214:
2 9. 6. Dublin Record Office, Minut
Page 215 and 216:
211. 69. Ibid., Vol.IV, f.216, Duff
Page 217 and 218:
213. k7. Ibid.,p.lk k8. O.Glendinni
Page 219 and 220:
215. 33. I am indebted to Gervase J
Page 221 and 222:
217. 10k. L.Farrer, Biographical Di
Page 223 and 224:
219. Bazin, Pierre, Lea Ivoiriers D
Page 225 and 226:
221. Croft-Murray, Edward, Decorati
Page 227 and 228:
223. Gardener, Dr. Bellamy, ??urthe
Page 229 and 230:
225. Hayward, Dr. John, English Wat
Page 231 and 232:
227. Joy, Edward T., Huguenot Cabin
Page 233 and 234:
229. Meteyard, Eliza, Wedgewood and
Page 235 and 236:
231. Raines, Robert, Philip Mercier
Page 237 and 238:
233. Tait, Hugh, The Bow Factory un
Page 239 and 240:
235. Webb, M.I., Henry Cheere, Henr
Page 241 and 242:
237. THE PROFESSIONS OF EMIGRE CRAP
Page 243 and 244:
Joubert, Rene (49) Lejeune, Etienne
Page 245 and 246:
GOLDSMITHS Arache, Abraham (26) Bar
Page 247 and 248:
Peres, Denis (30) Perigal, Gedeon (
Page 249 and 250:
Marechal, Jean Pierre (26) Massienn
Page 251 and 252:
Peynel, Paul (25) Podevin, Francois
Page 253 and 254:
SCULPTORS 2k9. Andre, Mathieu (29,3
Page 255 and 256:
TURNERS Alleaume, Pierre (16) De Be
Page 257 and 258:
253. De Caux, Lucas (42) 1697-1703,
Page 259 and 260:
OTHERS Baudry, Etienne (29) Benoist
Page 261 and 262:
257. ALPHABETICAL LIST OF ARTISTS A
Page 263 and 264:
Du Breuill, Michel flu Chene, Danie
Page 265 and 266:
Neelz, Jacob Nel, Pierre Noe, Charl
Page 268 and 269:
SPECCHI'S HIGH ALTAR FOR THE PANTHE
Page 270 and 271:
UBILIAC AS AN ARCHITECT? THE BILL F
Page 272 and 273:
. '. ;:E;; y 1 •- :.7 1; . 1. :jv
Page 274 and 275:
UBILIAC AS AN ARCHITECT? THE BILL F
Page 276 and 277:
The Real Value of ENGRAVED SILVER E
Page 278 and 279:
) fig 1 lurnet. Bishop of v (1643-1
Page 280:
KUGUENOT ARTISTS DE.IGNEi ANI) CFAS
show all

HUGIJENOT ARTISTS DESIGNERS AND CRAYPSNEN IN GREAT ...

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?