HUGIJENOT ARTISTS DESIGNERS AND CRAYPSNEN IN GREAT ...

205.
45. W.T.Whitley Papers, British Museum, Department of Prints and Drawings,
under Garrick, David.
46. Quoted by Cecil Price, Theatre in the Age of Garrick, 1973,p.18.
47. Ibid.,p.15.
48. K.A.Esdaile, op.cit., p.110, mentions that it was dated 1758.
149. Sale of Garrick's Effects, Christie's 23 June, 1823(72); See Wimsatt,
The Portraits of Alexander Pop e, 1965, pp.241-k, nos 60-1, 60-2.
50. Archives of the Royal Bank of Scotland, 49 Charing Cross.
1752, f 296.
1755, f 220,419.
1754, f 208.
1756, f 286,392.
1 757, f 227.
51. Ambrose Heal, Londor Goldsmiths,1200-1800, 1972,p.l69.
52. K.A.Esdaile, op.cit., p.168. The will was witnessed by Francis Xavier
Vispr, who, Mrs. Esdaile suggested was also of Huguenot origin. Roubiliac'
portrait by Vispr is in the Yale Center for British Art, see plate 72.
53. Heal Collection, Department of Prints and Drawings, British Museum.
54. Archives of the Royal Bank of Scotland, 1753, f 367; 1755, f 220;
1757, f 227.
55. These two bronzes are now in the City Museum and Art Gallery, Plymouth.
They were mentioned in the title of the sale catalogue of Roubiliac's
effects, auctioned by Mr.Langford in May, 1762 as 'two large and capital
BRONZES of FAXE and MERCURY.'
56. John Hayes, Kensington Palace. a history and guide, 1975, p.k0.
57. Quoted by Edward Croft Murray, The Ingenious Mr.Clay, Countr y Life,
Vol. 104, 1948, pp.1378-80.
8. The engraving is reproduced by John Hayes, op.cit., p. 140, fig.42.
59. Lisa Clinton, op.cit., Department of Furniture and Woodwork,
Victoria and Albert Museum.
60. Sheila Biddle, olingbroke and Harley, New York, 1974, p.64.
61. Nikolaus Pevsner, he Buildings of England, London, except the Cities
of London and Westminster, 1953, p.422.
62. See p.10.
63. Maty, Mathieu, The Miscellaneous Works of the late Philip Dormer
Stanhope, Earl of Chesterfield consisting of letters to his friends never
belore nrinted and various other articles to which are prefixed Memoirs of
his life tending to illustrate the Civil, Literary and Political History of
flj j, 1777, 2 vole.
64. ames Parker, The Caryatid Chimney-Piece from Chesterfield House,
Bulletin of the Metropolitan Museum of Art, February, 1963, pp.2O2-13.
65. K.A.Esdaile, op.cit.,p.106.
66. Isaac Ware, A Complete Body of Architecture, 1756,pp.508,520; pie. 78-80.
67. M.I.Webb, ?!ichael Rysbrack Sculptor. 1954, p. 176.
68. Rex Whitworth, Field Marshal Lord Li gonier. A story of the British Army,
1702-1770, 1958, p.380.
69. Archives, National Portrait Gallery, letter from Geoffrey de Bellaigue,
30 March, 1972. Whitworth,op.cit., Appendix,p. i+O5, Ligonier's granddaughter
Elizabeth Graham married Francis Lloyd.
70. Richard Ormonde, The Face of Monarchy, 1977, pp.29, 193, Plate 108.
71. Archives, National Portrait Gallery.
72. Kirby, E.E., Bill for the Monument to George Lynn, Country Life. Vol.
132, p.1589.
73. I.Scouloudi, A Huguenot the first President of the Spalding Gentleman's
Society, Proceedings of the Huguenot Society of London, Vol.21, No.1, 1965,
p.96.