HUGIJENOT ARTISTS DESIGNERS AND CRAYPSNEN IN GREAT ...

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I 9k. close relation8hip between the different art forms for which the Huguenot craftsmen were responsible. It is this exemplary relationship between the different art forms, that is arguably the most significant aspect of the Huguenot contribution to art, design, and craftsmanship in Great Britain and Ireland, 1680-1760.
<strong>IN</strong>TRODUCTION 195. NOTES TO THE TEXT 1. A.J.Grant, The Hugienots, London, 193k, p.162ff 2. Rev. David C.A.Agnew, Proteant Exiles from france in the Reign of Louis XIV, London, 1871, p.5 3. An Accurate Description of the United Netherlands, 1691, pp.27,111. 4. Robin Gwy-nn, James II: His Treatment of Huguenot Refugees, 1685-1686, Proceedings of the Huguenot Society of London, Vol. XXIII, No.4, 1980, pp.212-224. 5. Robert Haisband, The Life of Lady Mary Wortley Montagu, Oxford, 1960,p.9 6. Abel Bayer, History of the Life and Reign of Queen Anne, London, 1722, p.369 7. Troeltsch, Ernst, The Economic Ethic of Calvinism, in Protestantism and Capitalism, The Weber Thesis and Its Critics 1 Boston, 1959, pp.21-28 8. Thid., p.22. 9. Georgia Harkness, John Calvin, The Man and his Ethics, New York, 1931, p.16k 10. For a fuller account of De Bry, see Proceedings of the Huguenot Society of London, Vol. XI, 1915-1917, pp.204-226. For Isaac Oliver, Jean Petitot and Hubert Le Sueur, see The Age of Charles I, Tate Gallery Exhibition Catalogue, 1972; Paul Hulton, The Work of Jacques Le Moyne de Morgues, a Huguenot Artist in France, Florida and England, London, 1977; Charles Avery is preparing a full account of the work of Hubert Le Sueur for the Walpole Sosciety, 1982. 11. Christopher Hill, Protestantism and the Rise of Capitalism, Essays in the Economic and Social History of Tudor and Stuart En gland in Honour of R.K.Tawney, Oxford, 1961, pp.15-39,p.27 12. Robin Gwynn, The Distribution of Huguenot Refugees in England, II: London and its Environs, Proceedings of the Huguenot Society of London, Vol. XXII, No. 6, 1975-6 , pp . 509-568 13. Samuel Pepys, The Diaries, edited by R.C.Latham and W.Matthews, London 1970, Vol. III, p.2O'7, entry for 28 September, 1662. 14. P.RIO. M.P.A. 41. 15. R.Soxnerv±lle, The Savoy, 1960, p.229 16. H.B.Wheatley, Hogarth's London, 1909, p.137 17. Dr.M.Maty, The Miscellaneous Works of' the late Phili p )ormer Stanhoie Earl of Chesterfield, 1777, Vol.1, pp. 99-10k. 18. London County Council, Survey of London, Vol. XXVII, Spitalfield.s and Mile End New Town, 1957, p.223 19. E.A.Jones, The Old Silver Sacramental Vessels of Foreign Protestant Churches in England, 1908, pp.5,10, plates III, VI. 20. Thomas Major, Ms. Life of Andrew Lawrence, British Museum, Department of Prints and Drawings. 21 • A diary of the j ourney through the North of England made b y William and John Blathwayt of Dyrham Park in 1703, edited by Nora Hardwick, 1977. 22. G.C.Gibbs, Some Intellectual and Political Influences of the Huguenot Emigres in the United Provinces, c.1680-1730, Bidragen en Medelingen Betreffende de Geachiedenis Der Nederlanden, Vol. 90, 1975, pp . 255-287 ,p.29 23. Gladys Scott-Thomson, The Pussells in Bloomsbury, 166-1771, IS+0, pp.83 ff.
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HUGIJENOT ARTISTS DESIGNERS AND CRA
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List of Illustrations TABLE OF CONT
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40. Detail of above showing the eng
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105. Sea Children and Sea Horses, M
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5. ACKNOWLEENEWPS I would like to a
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7. could not purchase land, and tha
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9. respect and self-confidence' 11
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II. in 1685. All three buildings we
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13. offered or taking up an English
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15. The letters of Giuseppi Baretti
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17. Intrigueingly some families mad
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19. with the french artists Roubili
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21. Artillery, which closed in 1695
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23. TIlE HUGUENOT CONTRThUTION TO M
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25. Jean Montigny is another French
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27. ecplains that they were built b
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29. Rocque's surveys were character
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31. An original impression of this
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33. whether to employ him to engrav
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35. Petworth Archives, headed 'Bill
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3?. this country with the publicati
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39. has reattribued this, with the
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If 1. The Huguenot contributions to
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14.3. THE HtTGUENOT CONTRIBUTION TO
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If and 1690. However, Louis Chron h
Page 51 and 52:
If 7 whole series complemented the
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Lf 9 'You remember her figure is in
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51. and that the panels from the la
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53. versions of the same story, Apo
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55. round headedwindow and door ope
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57. yards of panelling with the 'fi
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59. specialist architectural and la
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61. practised as a drawing master i
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63. Triumph of Galatea, and is base
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65. later executed a series of plat
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67. Sir James Thornhifl - Mr. Chero
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69. Knoweley, now in the British Mu
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71. engravings were based on drawin
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73. Belgium). Vertue comments on hi
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75. Another example in this vein, i
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77. is in the Bibliothque Nationale
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79. Roubiliac's assistants, Nichola
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810 Other vestiges of R0ubiliac's s
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83. Anne Protin at the Knightsbridg
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85. Huguenot minister of the Savoy
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87. when the chu±ch in which the m
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89. The 2nd Duke of Montagu had mad
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91. Hampton villa. 'The garden is l
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93. purchased the bronzes of Fame a
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95. The latter is signed 'L.F.Roubi
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97. There is, however, concrete evi
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99. s'appliquerent aux beaux arts',
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101. maison particulier de Paris',
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103. On February 23, 1694, Jean de
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105. the execution of Bodt's design
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107. A similar commission survives
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109. It seems probable that tis let
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Ill. Samuel Hauduroy produced desig
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113. includes 'the friez in ye grea
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115. Whereas in the first half of t
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117. that the owner chould'make use
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119. joined by John Price and Batty
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121. was cancelled. Marquand's excu
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123. In 1720 the 'Corps des Ingenie
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125. OUR SONS SHALL GROW UP AS THE
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127. THE HIJGTJENOT CONTRIBUTION TO
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129. as there was a Huguenot commun
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131. Daniel Marot's influence as a
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133. of 'Rene & Thomas Pellet±e...
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1:55. For varniohing the Room in Gr
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137. freize and checks all molded a
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139. deposited £500 with Ralph Mon
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iki. Derignee, and indeed Jean Pell
Page 147 and 148: 143. commissioned for the Hall of L
Page 149 and 150: 145. serves as a three dimensional
Page 151 and 152: I 4. To conclude, the published des
Page 153 and 154: I T}IE HETGUENOT CONTRIBtTTION TO P
Page 155 and 156: 151. The obvious prototypes for tab
Page 157 and 158: 153. a 'Mr. Bryand, a stranger, tha
Page 159 and 160: 155. that he has no sort of Connexi
Page 161 and 162: a French Clock £30.O.O. a Snuff bo
Page 163 and 164: 159. was tenant of a house on the N
Page 165 and 166: 161. assistance of Joseph Willems,
Page 167 and 168: 163. judging from both the sculptor
Page 169 and 170: 165. son of Andrew Planch and Magar
Page 171 and 172: 167. that Janssen opened hi factory
Page 173 and 174: 169. THE HUGIJENOT CONTRIBUTION TO
Page 175 and 176: 171. 'A Medall upon the apy/ Union
Page 177 and 178: 173. John L'Admiral, born of Huguen
Page 179 and 180: 175. Le Marchand also executed a sm
Page 181 and 182: 177. 'a representation of ye Court
Page 183 and 184: 179. medallic prototype , Obrisset
Page 185 and 186: 71 the print. 181. Jean Simon also
Page 187 and 188: 183. dated 1701, and a copy is in t
Page 189 and 190: 185. A plaster model of Dr. Bentley
Page 191 and 192: 187. to England in 17k0, and it is
Page 193 and 194: 189. No models directly related to
Page 195 and 196: 191. CONCLUSION It has been shown t
Page 197: 193. artists and craftsmen had to a
Page 201 and 202: 197. 51. I am most grateful to Elai
Page 203 and 204: 199. 55. Hugh Phillips, John Rocque
Page 205 and 206: 201. 39. Huguenot Societ y Ouarto P
Page 207 and 208: 203. 58. John Physick, Designs for
Page 209 and 210: 205. 45. W.T.Whitley Papers, Britis
Page 211 and 212: 207. Bodt and Stainborough, Archite
Page 213 and 214: 2 9. 6. Dublin Record Office, Minut
Page 215 and 216: 211. 69. Ibid., Vol.IV, f.216, Duff
Page 217 and 218: 213. k7. Ibid.,p.lk k8. O.Glendinni
Page 219 and 220: 215. 33. I am indebted to Gervase J
Page 221 and 222: 217. 10k. L.Farrer, Biographical Di
Page 223 and 224: 219. Bazin, Pierre, Lea Ivoiriers D
Page 225 and 226: 221. Croft-Murray, Edward, Decorati
Page 227 and 228: 223. Gardener, Dr. Bellamy, ??urthe
Page 229 and 230: 225. Hayward, Dr. John, English Wat
Page 231 and 232: 227. Joy, Edward T., Huguenot Cabin
Page 233 and 234: 229. Meteyard, Eliza, Wedgewood and
Page 235 and 236: 231. Raines, Robert, Philip Mercier
Page 237 and 238: 233. Tait, Hugh, The Bow Factory un
Page 239 and 240: 235. Webb, M.I., Henry Cheere, Henr
Page 241 and 242: 237. THE PROFESSIONS OF EMIGRE CRAP
Page 243 and 244: Joubert, Rene (49) Lejeune, Etienne
Page 245 and 246: GOLDSMITHS Arache, Abraham (26) Bar
Page 247 and 248: Peres, Denis (30) Perigal, Gedeon (
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Marechal, Jean Pierre (26) Massienn
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Peynel, Paul (25) Podevin, Francois
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SCULPTORS 2k9. Andre, Mathieu (29,3
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TURNERS Alleaume, Pierre (16) De Be
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253. De Caux, Lucas (42) 1697-1703,
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OTHERS Baudry, Etienne (29) Benoist
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257. ALPHABETICAL LIST OF ARTISTS A
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Du Breuill, Michel flu Chene, Danie
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Neelz, Jacob Nel, Pierre Noe, Charl
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SPECCHI'S HIGH ALTAR FOR THE PANTHE
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UBILIAC AS AN ARCHITECT? THE BILL F
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. '. ;:E;; y 1 •- :.7 1; . 1. :jv
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UBILIAC AS AN ARCHITECT? THE BILL F
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The Real Value of ENGRAVED SILVER E
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) fig 1 lurnet. Bishop of v (1643-1
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KUGUENOT ARTISTS DE.IGNEi ANI) CFAS
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