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THEATRE ROYAL, DUBLIN. 105<br />

learned that Mr. Pigott had gone to the " Temperance<br />

Hotel," whence Mr. Mitchell repaired. He entered a<br />

rather dingy parlour, rang the bell, no answer ; rang again,<br />

with like result. He proceeded to the drawing-room (it<br />

was Sunday evening), rang three times, some minutes in-<br />

tervening between each sound. At length a very ruddy-<br />

visaged waiter staggered in, saying, in broken accents<br />

"<br />

D-d-id you r-r-ing,<br />

sir ? wh-wh-who d-d-d-i-u want ?" and<br />

fell right down on Mr. Mitchell's arm in a glorious state.<br />

Mr. Mitchell, who was rather slow and formal in ex-<br />

pression, was naturally surprised, and asked, " Is not this<br />

the *<br />

Temperance Hotel ? ' " " O-o-f c-u-u-r-se it is,"<br />

was the reply. The impresario made the best of<br />

his way out, and never forgot the event, as he renewed<br />

the recollection at a dinner-party at Mr. Bussell's table on<br />

his last visit to Dublin, about 1865.<br />

The next Italian engagement occurred in September,<br />

1838, when Signor De Angioli announced that, " in com-<br />

pliance with many applications from distinguished parties,<br />

and the general accommodation of the public, he has en-<br />

gaged the Theatre Royal from Mr. Calcraft for one night<br />

only, this present Thursday, 6th September, 1838, on<br />

which occasion the performance will include an unprece-<br />

dented combination of musical talent Madame Persian!<br />

(Cantante di Camera di S. M. I. e R. LTmperatore di<br />

Austria), and Signor Rubini (being his last season pre-<br />

vious to his retirement from the stage), Signor Nigri<br />

(Basso Cantante from Naples), and the violinist, Signor<br />

Emiliani."<br />

A grand vocal and instrumental Concert commenced

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