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2l6 ANNALS OF THE<br />

are not aware of the extreme pains exercised, and the<br />

perfect understanding which must exist between two<br />

even of the most finished artistes, to ensure the precision<br />

which is indispensable for public performance. Grisi,<br />

was, however, on this occasion prompted more by kind-<br />

ness for the young Dublin Adalgisa than from any selfish<br />

motives, and displayed a nervous anxiety which gave<br />

strong evidence of a kindness of heart worthy of a great<br />

artiste.<br />

This Engagement'was not a marked success.<br />

On Tuesday, October yth, 1862, the following Com-<br />

pany: Mdlle. Titiens, Mdme. Louise Michal, Mdlle.<br />

Florio, Mdme. Lemaire, Mdme. Pauline Castro, Sign or<br />

Badiali, Herr Formes, Signor Casaboni, Signer Soldi,<br />

Signor Bossi, SignorJGiuglini. Conductor, Signor Arditi.<br />

On Tuesday,<br />

"<br />

II Trovatore ;" with Titiens, Louisa<br />

Michal, Badiali, Formes and Giuglina.<br />

On Wednesday, " Lucia ;" with Mdlle. Pauline Castro,<br />

Signor Badiale, Herr Formes, Giuglini.<br />

On Friday, "Puritani." Titiens, Giuglini, Badiali,.<br />

Formes.<br />

On Saturday, i ith, Marta." Titiens, Pauline Castro,.<br />

Giuglini, Badiali, Formes.<br />

Monday, i3th, " Lucrezia Borgia." Lucrezia, Titiens ;<br />

Orsino, Mdme. Lemaire ; Gennaro, Giuglini ; II Duca,<br />

Badiali.<br />

Tuesday, i4th, " Don Giovanni." Donna Anna, Titiens;<br />

Elvira, Louise Michal ; Zerlina, Pauline Castro ; Lepo-<br />

rello, Herr Formes ; Giovanni, Badiali ; Masetto, Bossi ;.<br />

Commendatore, Casaboni ; Ottavio, Giuglini.

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