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196<br />

ANNALS OF THE<br />

ziani ; Sheriffo, Kinni ; Lady Henrietta, Grisi ; Nancy,<br />

Viardot Garcia.<br />

Monday, nth.<br />

" Marta," repeated.<br />

Tuesday, i2th. "Trovatore."<br />

Wednesday, 1 3th. "Macbeth."<br />

Thursday, i4th.<br />

"<br />

Marta."<br />

Saturday, i6th.<br />

"<br />

Marta," repeated. Grisi's benefit,<br />

and last night of the engagement.<br />

The first performance of " Macbeth " formed a special<br />

feature during this engagement. This work contains<br />

some of Verdi's best writing and scoring, but the absence<br />

of a soprano part has prevented the Opera from be-<br />

coming as popular as others by the same eminent com-<br />

poser. Lady Macbeth is a mezzo-soprano indeed,<br />

almost a contralto part and the interpretation was such as<br />

might be expected from the musical and dramatic powers<br />

of a Viardot. Her " make-up " was evidently formed on<br />

that of Mrs. Siddons ; and in the bedroom scene the<br />

likeness to the received portraits of the latter great<br />

actress was very striking ; and some very old playgoers,<br />

who had seen the sister of the great Kemble act the part<br />

in Crow-street Theatre, gave evidence to this effect, and<br />

were much struck with Viardot's magnificent perform-<br />

ance, which was, indeed, a high Shakesperean study, well<br />

worthy of witnessing, even if deprived<br />

of the beautiful<br />

music. Graziani, also, added much to his already great<br />

reputation as a vocalist by his excellent reading, and, in<br />

some parts, powerful efforts to do justice, in a histrionic<br />

point of view, to the grand part of the great English poet,<br />

as far as the crippled medium of a rather weak translation

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