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PART II<br />

Italian pera in<br />

THE Italian Opera proper commenced at Hawkins-street<br />

in the year 1829. Many old playgoers will insist that the<br />

" Don Giovanni" at Crow-street might claim the priority ;<br />

but the cast was not complete, the troupe not perfect,<br />

nor was the Opera produced in its integrity. Much mis-<br />

apprehension also exists with reference to the number of<br />

nights of the " run." It has been seriously asserted that<br />

it amounted to "hundreds of nights ;" but facts are stub-<br />

born things, and in referring to the bills of the day, it is<br />

found that twelve or fifteen nights make up the whole<br />

amount.<br />

Were it not for the name of Ambrogetti, whose great<br />

performance of the Don created such a. furore, all recollec-<br />

tion of the event might have passed away. It may not<br />

be out of place to repeat here the legend with reference<br />

to Signer Ambrogetti. It is recorded that during the<br />

performance of the last scene, when the Don descends to<br />

" Hades," one demon more than the regulation number<br />

appeared on the stage. Ambrogetti referred to the<br />

prompter, who told him there should be six. The Signer

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