Issue 22 - 1992
Issue 22 - 1992
Issue 22 - 1992
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Coe Review • <strong>Issue</strong> <strong>22</strong><br />
suspended mysteriously in the archway-FLESHY PILLOW, now<br />
sharp, now diffuse-beyond and through all this, we see the distant<br />
teats, hanging in the wind, blowing in the dawn wind, oh, therefore<br />
she came down wonderfully, her last end forgotten, heavy teats<br />
ready for milking, their fat nipples swollen with promise. They sway<br />
in the wind, and something is indeed falling from them, yes, like<br />
frozen milk: snow! snow is falling, falling from the big teats, snow<br />
is swirling in the bitter wind, under the pale corrugated belly of the<br />
wintry dawn, blowing out of the ANUS and the VAGINAL<br />
CANAL, it is snowing on the city.<br />
0 Lord, behold my affliction! A vast desolation, the city, the<br />
afflicted city, far as the eye can see, stones heaped up to the end of<br />
the earth, lying dead in the winter, dead in the storm, whose hands<br />
could have raised up so much emptiness? the enemy hath magnified<br />
himself. Yet decrescendo this, spreading his hand on her pleasant<br />
things, diminuendo, the intervals blurred now by the grinding whine<br />
of low-geared motors, for in spite of everything dim towers, rubytipped,<br />
rise obstinately through the blowing snow, a multitude of<br />
lamps blink red and green in fugal progressions down below,<br />
chimneys puff out black inversions and raise a defiant clamor of<br />
colliding steel, and the snow itself is swallowed up by a million dark<br />
alleys, just as their fearful obscurities are obliterated by the blinding<br />
snow.<br />
Through the city, through the snow, under the gray belly of<br />
metropolitan morning, walks a man, walks the shadow of a solitary<br />
man, like the figure in pedestrian-crossing signs, a photogram of a<br />
walking man, caught in an empty white triangle, a three-sided<br />
barrenness, walking alone in a life-like parable of empty triads,<br />
between a pair of dotted lines, defined as it were by his own purpose:<br />
forever to walk between these lines, snow or no snow, taking his<br />
risks-or rather, perhaps that is a pedestrian-crossing sign, blurred by<br />
the blowing snow, and yes, the man is just this moment passing<br />
under it, trammeling the imaginary channel, the dotted straight and<br />
narrow, at right angles. There he is, huddled miserably against the<br />
snow and wind and the early hour, shrinking miserably into his own<br />
wraps, meeting the pedestrians, those shadows of men making their<br />
dotted crossings, at right angles, meeting some head on as well,<br />
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