14:14, 13 October 2012 - Monoskop

Acknowledgements
The editor wishes to thank the authors and their publishers for kindly permitting
the following essays to be reprinted:
Painting Pavements (Volker Siebel): originally published as ‘Rettung in
Seenot’, in Rolf Aurich, Ulrich Kriest (eds.), Harun Farocki: Der Ärger mit den
Bildern (Konstanz: UVK-Medien, Close Up, 1998): 95-110. Translated by Roger
Hillman.
Images and Thoughts, People and Things, Materials and Methods (Jörg
Becker): originally published in Harun Farocki: A Retrospective (Goethe Institutes
of the United States and Canada: New York, 1991): 15-18. Translated by
Neil Christian Pages.
Incisive Divides and Revolving Images: On the installation Schnittstelle
(Christa Blümlinger): originally published as ‘Bilder(kreis)läufe’, in Rolf
Aurich, Ulrich Kriest (eds.), Harun Farocki: Der Ärger mit den Bildern (Konstanz:
UVK-Medien, Close Up, 1998): 307-316. Translated by Roger Hillman and
Timothy Mathieson.
Passage along the Shadow-Line (Olaf Möller): originally published as ‘Passage
entlang der Schattenlinie’ in Rolf Aurich, Ulrich Kriest (eds.), Harun
Farocki: Der Ärger mit den Bildern (Konstanz: UVK-Medien, Close Up, 1998):
197-206. Translated by Roger Hillman.
The Green of the Grass (edited by Rainer Knepperges): originally published as
‘Das Grün des Rasens’ in Rolf Aurich, Ulrich Kriest (eds.), Harun Farocki: Der
Ärger mit den Bildern (Konstanz: UVK-Medien, Close Up, 1998): 145-154. Translated
by Roger Hillman and Timothy Mathieson.
Staking His Life: Holger Meins (Harun Farocki): originally published as ‘Sein
Leben einsetzten: Holger Meins’, in Jungle World December 1998. Translated
by Laurent Faasch-Ibrahim.
Film as a Form of Intelligence (Thomas Elsaesser): originally published as
‘Working at the Margins: Two of three things not known about Harun Farocki’
in Monthly Film Bulletin (BFI, London no. 597, February 1983): 269-273.
Dog from the Freeway (Harun Farocki): originally published as ‘Hund von der
Autobahn’, in Filmkritik no 301 (January 1982): 5-32. Translated by Laurent
Faasch-Ibrahim.
Political Filmmaking after Brecht: Farocki, for Example (Thomas Elsaesser):
originally published as ‘“Mit diesen Bildern hat es angefangen”: Anmer-