14:14, 13 October 2012 - Monoskop

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Farocki: A Filmography 353 awards note Adolf-Grimme-Preis, 1995 (category ‘General films/ Information and culture’) commissioned for the TV series ‘Leben lernen inklusive’ Die führende Rolle director, scriptwriter, commentary Harun Farocki researcher Tanja Baran editor Max Reimann narrator Harun Farocki production Tele Potsdam, Berlin, 3sat , Mainz producer Lew Hohmann executive producer Marco Mundt TV-producer Inge Classen length 35 min. format video BetaSp, col. 1:1.37 first broadcast 04.12.1994, 3sat 1995 Arbeiter verlassen die Fabrik (Workers Leaving the Factory) director, scriptwriter, commentary Harun Farocki assistant Jörg Becker editor Max Reimann narrator Harun Farocki researcher Janny Léveillé (Paris), Marina Nikiforova (Moscow), David Barker (Washington), Kinemathek im Ruhrgebiet – Paul Hoffmann (Duisburg) production Harun Farocki Filmproduktion, Berlin, WDR, Köln with contributions by ORF, Wien, Dr. Heinrich Mis, LAPSUS, Paris, Christian Baute, DRIFT, New York, Chris Hoover producer Harun Farocki TV-producer Werner Dütsch length 36 min. format video BetaSp, col. and b/w, 1:1.37 first broadcast 02.04.1995, 3sat; 18.12.1995, West 3
354 Harun Farocki Schnittstelle (Section/Interface) director, scriptwriter, commentary Harun Farocki cinematographer Ingo Kratisch second cinematographer Leo Borchard editor Max Reimann sound Klaus Klingler assistant Jan Ralske cast/narrator Harun Farocki production Musée d’art Moderne de Villeneuve d’Ascq, Harun Farocki Filmproduktion, Berlin producer Harun Farocki length 23 min. format video BetaSp, col., 1:1.37 German premiere 08.11.1995, Duisburg (Duisburger Filmwoche) first broadcast 25.06.1995, 3sat 1996 Die Küchenhilfen director, scriptwriter, interviews cinematographer second cinematographer editor sound sound assistant mixing researcher production producer TV-producer length format 16 mm, col., 1:1.37 first broadcast 26.01.1996, arte Harun Farocki Ingo Kratisch Arthur Ahrweiler Rosa Mercedes (Harun Farocki), Irina Hoppe Gerhard Merz Klaus Klingler, Ronny Tanner Gerhard Jensen-Nelson Michael Trabitzsch Harun Farocki Filmproduktion, Berlin, for WDR, Köln Harun Farocki Werner Dütsch 60 min.
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FILM CULTURE IN TRANSITION Harun Fa
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Harun Farocki Working on the Sightl
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Contents Introduction Harun Farocki
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Contents 7 From the Surveillance So
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Harun Farocki: Filmmaker, Artist, M
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Image In(ter)ventions
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44 Harun Farocki perpetual state of
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46 Harun Farocki missing, and Bauma
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48 Harun Farocki the status of an a
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50 Harun Farocki Becoming Interchan
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52 Harun Farocki tory. The techniqu
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54 Harun Farocki 5. Conny Voester,
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56 Harun Farocki imparted and secur
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58 Harun Farocki ing oriented to an
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60 Harun Farocki tion of work, and
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62 Harun Farocki temporal one, beca
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64 Harun Farocki act: a twofold tho
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66 Harun Farocki these temporalitie
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Passage along the Shadow-Line: Feel
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78 Harun Farocki dance competitions
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80 Harun Farocki [W]hy does dramatu
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82 Harun Farocki cannot know how th
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84 Harun Farocki if today televisio
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86 Harun Farocki managed to maintai
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88 Harun Farocki there in a pinstri
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90 Harun Farocki off his cap, pulls
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Between Wars, Between Images
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96 Harun Farocki by Alfred Sohn-Ret
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98 Harun Farocki ‘disappears from
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100 Harun Farocki cal perspective).
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102 Harun Farocki Farocki’s film
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104 Harun Farocki Voice of Robert:
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106 Harun Farocki rents out a cinem
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Dog from the Freeway Harun Farocki
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Dog from the Freeway 111 In the win
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Dog from the Freeway 113 however, d
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Dog from the Freeway 115 The spark
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Dog from the Freeway 117 This wisdo
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Dog from the Freeway 119 The villag
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Dog from the Freeway 121 peace, the
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Dog from the Freeway 123 MACV NLF P
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Dog from the Freeway 125 there is b
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Dog from the Freeway 127 published
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Dog from the Freeway 129 thought of
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Dog from the Freeway 131 ‘For rea
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Political Filmmaking after Brecht:
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ack to the 1960s is necessary, when
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The Road Not Taken: Films by Harun
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164 Harun Farocki with Peter Nestle
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166 Harun Farocki why were there so
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168 Harun Farocki thus strikes at t
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170 Harun Farocki shard that finall
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172 Harun Farocki In the laboratory
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174 Harun Farocki This is, of cours
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Making the World Superfluous: An In
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Reality Would Have to Begin Harun F
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Reality Would Have to Begin 195 The
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Reality Would Have to Begin 197 the
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Reality Would Have to Begin 199 in
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Reality Would Have to Begin 201 roo
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Light Weapons Tom Keenan ... Scan F
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Light Weapons 205 pressed together.
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Light Weapons 207 ment’s opening
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Light Weapons 209 3. The image is a
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The Political Im/perceptible: Faroc
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Film: Media: Work: Archive
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238 Harun Farocki 1895, the Lumièr
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240 Harun Farocki Metropolis (1927)
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242 Harun Farocki worst acts of vio
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On Media and Democratic Politics: V
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Towards an Archive for Visual Conce
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From the Surveillance Society to th
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290 Harun Farocki more important to
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292 Harun Farocki breastplates, and
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294 Harun Farocki tive’ nuclear o
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Nine Minutes in the Yard: A Convers
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Page 302 and 303: Nine Minutes in the Yard: A Convers
Page 314 and 315: Harun Farocki: Critical Strategies
Page 322 and 323: Acknowledgements The editor wishes
Page 324 and 325: Farocki: A Filmography 1966 Zwei We
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Page 328 and 329: Farocki: A Filmography 329 1972 Rem
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Page 332 and 333: Farocki: A Filmography 333 Die Arbe
Page 334 and 335: Farocki: A Filmography 335 1977 Ein
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Page 346 and 347: Farocki: A Filmography 347 quotatio
Page 348 and 349: Farocki: A Filmography 349 Kinostad
Page 350 and 351: Farocki: A Filmography 351 1992 Vid
Page 354 and 355: Farocki: A Filmography 355 Das Thea
Page 356 and 357: Farocki: A Filmography 357 Stillebe
Page 358 and 359: Farocki: A Filmography 359 length 6
Page 360: Farocki: A Filmography 361 2002 Eye
Page 363 and 364: 364 Harun Farocki search fellowship
Page 366 and 367: Index of Names Achternbusch, Herber
Page 368 and 369: Index 369 Ernst, Wolfgang 37-38, 26
Page 370 and 371: Index 371 Lumières, Auguste and Lo
Page 372: Index 373 Truffaut, François 82, 3
Page 375 and 376: 376 Harun Farocki Das Prinzip Hoffn
Page 377 and 378: 378 Harun Farocki Nick’s Film - L
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14:14, 13 October 2012 - Monoskop

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