14:14, 13 October 2012 - Monoskop

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Farocki: A Filmography 349 Kinostadt Paris (Cine City Paris) director, scriptwriter, commentary interviews cinematographer editor sound researcher narrator production production manager TV-producer Length first broadcast 05.03.1990, West 3 Manfred Blank, Harun Farocki; drawing on a quotation from ‘Ein Ethnologe in der Metro’ by Marc Augé Manfred Blank Helmut Handschel Edith Perlaky Thomas Schwadorf Ursula Langmann Corinna Belz, Helmut Grieser WDR, Köln Friedhelm Maye Werner Dütsch 60 min., format: video BetaSp, col., 1:1.37 1989 Image und Umsatz oder: Wie kann man einen Schuh darstellen? director, scriptwriter Harun Farocki cinematographer Ingo Kratisch editor Egon Bunne, Rosa Mercedes (Harun Farocki) sound Klaus Klingler location manager Michael Trabitzsch production Harun Farocki Filmproduktion, Berlin- West, for SWF, Baden-Baden producer Harun Farocki TV-producer Ebbo Demant length 52 min. format video BetaSp, col. and b/w, 1:1.33 first broadcast 29.08.1989, ARD 1990 Leben – BRD (How to Live in the FRG) director, scriptwriter assistant director cinematographer Harun Farocki Michael Trabitzsch Ingo Kratisch
350 Harun Farocki editor Rosa Mercedes (Harun Farocki), Irina Hoppe negative cut Elke Granke sound Klaus Klingler mixing Gerhard Jensen-Nelson researcher, assistant Michael Trabitzsch researcher Ronny Tanner production Harun Farocki Filmproduktion, Berlin- West, ZDF, Mainz, La Sept, Paris producer Harun Farocki TV-producer Eckart Stein, Claire Doutriaux length 83 min. format 16 mm, col., 1:1.37 first screening 10.02.1990, Internationales Forum des Jungen Films, Berlin-West distributor Basis first broadcast 20.02.1990, ZDF awards Deutscher Dokumentarfilmpreis der AG der Filmjournalisten, 1990 1991 Was ist los? (What’s Up?) director, scriptwriter, interviews Harun Farocki cinematographer Ingo Kratisch second cinematographer Arthur Ahrweiler editor Rosa Mercedes (Harun Farocki), Irina Hoppe sound Gerhard Metz sound assistant Klaus Klingler, Ronny Tanner mixing Gerhard Jensen-Nelson researcher Michael Trabitzsch production Harun Farocki Filmproduktion, Berlin, for WDR, Köln producer Harun Farocki TV-producer Werner Dütsch length 60 min. format 16 mm, col., 1:1.37 first screening 12.11.1991, Duisburg (Duisburger Filmwoche) first broadcast 18.11.1991, West 3
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FILM CULTURE IN TRANSITION Harun Fa
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Harun Farocki Working on the Sightl
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Contents Introduction Harun Farocki
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Contents 7 From the Surveillance So
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Harun Farocki: Filmmaker, Artist, M
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Image In(ter)ventions
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44 Harun Farocki perpetual state of
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46 Harun Farocki missing, and Bauma
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48 Harun Farocki the status of an a
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50 Harun Farocki Becoming Interchan
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52 Harun Farocki tory. The techniqu
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54 Harun Farocki 5. Conny Voester,
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56 Harun Farocki imparted and secur
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58 Harun Farocki ing oriented to an
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60 Harun Farocki tion of work, and
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62 Harun Farocki temporal one, beca
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64 Harun Farocki act: a twofold tho
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66 Harun Farocki these temporalitie
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Passage along the Shadow-Line: Feel
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78 Harun Farocki dance competitions
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80 Harun Farocki [W]hy does dramatu
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82 Harun Farocki cannot know how th
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84 Harun Farocki if today televisio
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86 Harun Farocki managed to maintai
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88 Harun Farocki there in a pinstri
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90 Harun Farocki off his cap, pulls
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Between Wars, Between Images
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96 Harun Farocki by Alfred Sohn-Ret
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98 Harun Farocki ‘disappears from
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100 Harun Farocki cal perspective).
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102 Harun Farocki Farocki’s film
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104 Harun Farocki Voice of Robert:
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106 Harun Farocki rents out a cinem
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Dog from the Freeway Harun Farocki
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Dog from the Freeway 111 In the win
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Dog from the Freeway 113 however, d
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Dog from the Freeway 115 The spark
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Dog from the Freeway 117 This wisdo
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Dog from the Freeway 119 The villag
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Dog from the Freeway 121 peace, the
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Dog from the Freeway 123 MACV NLF P
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Dog from the Freeway 125 there is b
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Dog from the Freeway 127 published
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Dog from the Freeway 129 thought of
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Dog from the Freeway 131 ‘For rea
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Political Filmmaking after Brecht:
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ack to the 1960s is necessary, when
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The Road Not Taken: Films by Harun
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164 Harun Farocki with Peter Nestle
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166 Harun Farocki why were there so
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168 Harun Farocki thus strikes at t
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170 Harun Farocki shard that finall
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172 Harun Farocki In the laboratory
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174 Harun Farocki This is, of cours
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Making the World Superfluous: An In
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Reality Would Have to Begin Harun F
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Reality Would Have to Begin 195 The
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Reality Would Have to Begin 197 the
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Reality Would Have to Begin 199 in
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Reality Would Have to Begin 201 roo
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Light Weapons Tom Keenan ... Scan F
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Light Weapons 205 pressed together.
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Light Weapons 207 ment’s opening
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Light Weapons 209 3. The image is a
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The Political Im/perceptible: Faroc
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Film: Media: Work: Archive
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238 Harun Farocki 1895, the Lumièr
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240 Harun Farocki Metropolis (1927)
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242 Harun Farocki worst acts of vio
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On Media and Democratic Politics: V
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Towards an Archive for Visual Conce
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From the Surveillance Society to th
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290 Harun Farocki more important to
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292 Harun Farocki breastplates, and
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294 Harun Farocki tive’ nuclear o
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Nine Minutes in the Yard: A Convers
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Page 314 and 315: Harun Farocki: Critical Strategies
Page 322 and 323: Acknowledgements The editor wishes
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Page 354 and 355: Farocki: A Filmography 355 Das Thea
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Page 363 and 364: 364 Harun Farocki search fellowship
Page 366 and 367: Index of Names Achternbusch, Herber
Page 368 and 369: Index 369 Ernst, Wolfgang 37-38, 26
Page 370 and 371: Index 371 Lumières, Auguste and Lo
Page 372: Index 373 Truffaut, François 82, 3
Page 375 and 376: 376 Harun Farocki Das Prinzip Hoffn
Page 377 and 378: 378 Harun Farocki Nick’s Film - L
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