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Farocki: A Filmography 343 production Harun Farocki Filmproduktion, Berlin- West, for WDR, Köln length 30 min. format 16 mm + 2-inch-VTR (excerpts from L’Argent ) col., b/w, 1:1.37 first broadcast 30.11.1983, WDR 3 note commissioned for the TV series ‘Kino ’83’ 1984 Peter Lorre Das doppelte Gesicht (The Double Face of Peter Lorre) director, scriptwriter, commentary cinematographer animation camera sound production Harun Farocki, Felix Hofmann Wolf-Dieter Fallert, Ingo Kratisch Ronny Tanner Klaus Klingler, Gerhard Metz Harun Farocki Filmproduktion, Berlin- West, for WDR, Köln, Transtel, Köln 59 min. length format 16 mm, col., b/w , 1:1.37 first broadcast 05.09.1985, West 3 1985 Betrogen (Betrayed) director, scriptwriter Harun Farocki assistant director Ronny Tanner script Victoria Esch cinematographer Axel Block assistant cinematographer Michael Tötter, Christoph Oberdieck light design, stage Holger Greiss, Joachim Scholz, Peter Arndt editor Renate Merck assistant editor Dagmar Haferi sound Rolf Müller sound assistant Ernst-Hermann Marell mixing Richard Borowski music Andreas Köbner set designer Ursula Lefkes, Hermann Pitz, Raimund Kummer props Michael Möldner, Inken Planthaber costume designer, make up Peter Guttenberg, Jues Justin
344 Harun Farocki location manager Sandra Wulff, Michael Danilow cast Roland Schäfer, Katja Rupé, Nina Hoger, Rolf Becker, Marquard Bohm, Gerd Volker Bussäus, Gerd David, Michael Dick, Peter Franke, Dietmar Mues, Burkhard Röschmann, Michael Schönborn, Peter Stadlmayer, Angelika Thomas production Common Film production GmbH, Berlin- West, with Cinegrafik Helmut Herbst, Hamburg, Winkelmanns Filmproduktion, Dortmund, BR, München, with financial support from Hamburgische Filmförderung/ Hamburger Filmbüro/ Bundesministerium des Innern producer Helmut Wietz associate producer Helmut Herbst, Adolf Winkelmann executive producer Raphael Bürger length 99 min. format 35 mm, Fujicolor, 1:1.66 first screening 26.10.1985, Hof (Filmtage) first broadcast 09.06.1989, Bayern 3 Filmtip: Tee im Harem des Archimedes director, scriptwriter, commentary Harun Farocki production WDR, Köln length 7 min. format 1-inch-MAZ col., 1:1.37 first broadcast 12.12.1985, West 3 note commissioned for the TV series ‘Filmtip’ 1986 Filmbücher director, scriptwriter, commentary Harun Farocki production WDR, Köln length 15 min. format video-U-Matic, col., 1:1.37
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FILM CULTURE IN TRANSITION Harun Fa
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Harun Farocki Working on the Sightl
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Contents Introduction Harun Farocki
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Contents 7 From the Surveillance So
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Harun Farocki: Filmmaker, Artist, M
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Image In(ter)ventions
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44 Harun Farocki perpetual state of
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46 Harun Farocki missing, and Bauma
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48 Harun Farocki the status of an a
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50 Harun Farocki Becoming Interchan
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52 Harun Farocki tory. The techniqu
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54 Harun Farocki 5. Conny Voester,
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56 Harun Farocki imparted and secur
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58 Harun Farocki ing oriented to an
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60 Harun Farocki tion of work, and
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62 Harun Farocki temporal one, beca
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64 Harun Farocki act: a twofold tho
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66 Harun Farocki these temporalitie
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Passage along the Shadow-Line: Feel
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78 Harun Farocki dance competitions
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80 Harun Farocki [W]hy does dramatu
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82 Harun Farocki cannot know how th
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84 Harun Farocki if today televisio
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86 Harun Farocki managed to maintai
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88 Harun Farocki there in a pinstri
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90 Harun Farocki off his cap, pulls
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Between Wars, Between Images
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96 Harun Farocki by Alfred Sohn-Ret
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98 Harun Farocki ‘disappears from
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100 Harun Farocki cal perspective).
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102 Harun Farocki Farocki’s film
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104 Harun Farocki Voice of Robert:
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106 Harun Farocki rents out a cinem
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Dog from the Freeway Harun Farocki
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Dog from the Freeway 111 In the win
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Dog from the Freeway 113 however, d
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Dog from the Freeway 115 The spark
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Dog from the Freeway 117 This wisdo
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Dog from the Freeway 119 The villag
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Dog from the Freeway 121 peace, the
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Dog from the Freeway 123 MACV NLF P
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Dog from the Freeway 125 there is b
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Dog from the Freeway 127 published
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Dog from the Freeway 129 thought of
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Dog from the Freeway 131 ‘For rea
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Political Filmmaking after Brecht:
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ack to the 1960s is necessary, when
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The Road Not Taken: Films by Harun
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164 Harun Farocki with Peter Nestle
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166 Harun Farocki why were there so
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168 Harun Farocki thus strikes at t
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170 Harun Farocki shard that finall
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172 Harun Farocki In the laboratory
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174 Harun Farocki This is, of cours
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Making the World Superfluous: An In
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Reality Would Have to Begin Harun F
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Reality Would Have to Begin 195 The
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Reality Would Have to Begin 197 the
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Reality Would Have to Begin 199 in
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Reality Would Have to Begin 201 roo
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Light Weapons Tom Keenan ... Scan F
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Light Weapons 205 pressed together.
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Light Weapons 207 ment’s opening
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Light Weapons 209 3. The image is a
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The Political Im/perceptible: Faroc
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Film: Media: Work: Archive
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238 Harun Farocki 1895, the Lumièr
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240 Harun Farocki Metropolis (1927)
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242 Harun Farocki worst acts of vio
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On Media and Democratic Politics: V
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Towards an Archive for Visual Conce
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From the Surveillance Society to th
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290 Harun Farocki more important to
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Page 293 and 294: 294 Harun Farocki tive’ nuclear o
Page 296 and 297: Nine Minutes in the Yard: A Convers
Page 314 and 315: Harun Farocki: Critical Strategies
Page 322 and 323: Acknowledgements The editor wishes
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Page 348 and 349: Farocki: A Filmography 349 Kinostad
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Page 352 and 353: Farocki: A Filmography 353 awards n
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Page 358 and 359: Farocki: A Filmography 359 length 6
Page 360: Farocki: A Filmography 361 2002 Eye
Page 363 and 364: 364 Harun Farocki search fellowship
Page 366 and 367: Index of Names Achternbusch, Herber
Page 368 and 369: Index 369 Ernst, Wolfgang 37-38, 26
Page 370 and 371: Index 371 Lumières, Auguste and Lo
Page 372: Index 373 Truffaut, François 82, 3
Page 375 and 376: 376 Harun Farocki Das Prinzip Hoffn
Page 377 and 378: 378 Harun Farocki Nick’s Film - L
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14:14, 13 October 2012 - Monoskop

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