14:14, 13 October 2012 - Monoskop

364 Harun Farocki
search fellowships from the NEH, the Howard Foundation and the Alexander
von Humboldt Stiftung.
Christa Blümlinger teaches at the University Sorbonne Nouvelle, Paris. She is
also a writer, art critic, and curator. She has written for many magazines including
Trafic, Iris, and Blimp, and her most recent books are Ohne Untertitel:
Fragmente einer Geschichte des österreichischen Kinos (Vienna 1996; together with
Ruth Beckermann); Von der Welt ins Bild. Augenzeugenberichte eines Cinephilen
(Berlin 2000, an edition of writings by Serge Daney); and Das Gesicht im
Zeitalter des bewegten Bildes (Vienna: Sonderzahl, 2002, together with Karl
Sierek).
Wolfgang Ernst (1959) studied history, archaeology and Latin at the University
of Cologne, London University and Bochum. After teaching at the Media
Academy in Cologne, and at the Universities of Weimar, Bochum, Paderborn,
and Berlin, he is now Professor for Media Theories at Humboldt University,
Berlin. Among his publications are: Medium Foucault: Weimarer Vorlesungen
über Archive, Archäologie, Monumente und Medien (Weimar 2000); Das Rumoren
der Archive: Ordnung aus Unordnung (Berlin 2002); Sammeln – Speichern –
Er/zählen: Infrastrukturelle Konfigurationen des deutschen Gedächtnisses (Munich
2003).
Rembert Hüser was a research fellow at the Institute for Media Studies and Cultural
Communication at the University of Cologne, 1999-2001, during which
he worked on the history of the Hollywood credit sequence. Since 2001, he has
been Visiting Professor of Film Studies at the University of Visual Arts,
Braunschweig.
Tom Keenan is Associate Professor of Comparative Literature and Director of
the Human Rights Project at Bard College. He has translated the works of philosophers
such as Derrida and Foucault and is the author of articles on deconstruction
and postmodernism. His publications include Fables of Responsibility:
Aberrations and Predicaments in Ethics and Politics (Stanford, 1997); as editor: The
End(s) of the Museum/Els limits del museu (1996); as editor, American Imago, special
issue on ‘Love’, Fall 1993; as co-editor with Werner Hamacher and Neil
Hertz, Paul de Man, Wartime Journalism, 1939-1943 (Nebraska, 1988) and Responses
(1989). He is presently writing a book called Live Feed: Crisis, Intervention,
Media, about the news media and contemporary conflicts (Somalia,
Rwanda, Bosnia-Herzegovina, and beyond).