14:14, 13 October 2012 - Monoskop

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Index of Names Achternbusch, Herbert 134 Adorno, Theodor W. 60n, 136-137, 206, 210n, 211, 215-216, 218, 220, 223, 225, 229-231n, 233n Agamben, Giorgio 245, 320, 322n Akerman, Chantal 61 Akzin, Benjamin 200 Alambert, Jean-Baptiste le Rond d’ 262 Alpers, Svetlana 272 Alsheimer, Georg H. 111 Alter, Nora 26, 33, 36, 38, 232n Althusser, Louis 139, 215, 229n Amelunxen, Alexander von 311 Amin, Idi 130n Amira, Karl von 268, 284n Anders, Günther 169, 182, 193, 202n, 225 Anschütz, Ottmar 30 Antonioni, Michelangelo 48, 241, 267, 278 Apollinaire, Guillaume 150, 153n Arendt, Hannah 169, 174, 220 Aristotle 262 Astruc, Alexandre 179, 226 Aurich, Rolf 38, 66n, 152n, 227n, 284n Bach, Johann Sebastian 186, 273, 309 Bachtin, Mikhail 265 Balasz, Bela 181 Balibar, Étienne 229n, 254, 259- 260n Barthes, Roland 31, 55, 63, 66n, 100, 140, 150, 163, 166, 269, 320 Baruchello, Gianfranco 309 Battiata, Mary 257n Baudelaire, Charles 11 Baudrillard, Jean 33, 149, 247, 249, 255, 258n, 260n Baudry, Jean Louis 138, 268 Baumgärtel, Tilman 17, 39n, 227n, 229n, 313 Baute, Michael 307 Baxandall, Michael 272 Bazin, André 31, 163, 167, 175n Beatt, Cynthia 72, 158, 187 Becher, Bernd and Hilla 143 Becker, Jörg 26, 36, 60n Beethoven, Ludwig van 186 Belvaux, Remy 231n Benjamin, Walter 26, 28-29, 56, 143, 152n-153n, 173, 212, 253, 302, 316, 321 Bentham, Jeremy 292 Bergman, Ingrid 241, 299-300 Beringer, Johannes 56, 58, 60n Bertolucci, Bernardo 133 Bestic, Alan 202n Billard, Pierre 268 Bitomsky, Hartmut 44, 69-70, 72- 75, 146, 160, 163, 177, 211-212, 229n, 267 Blanchot, Maurice 207, 210n Blank, Manfred 69, 72 Blanke, Ludger 307 Blau, Herbert 321n Bloch, Ernst 137
368 Harun Farocki Block, Axel 279 Blumenberg, Hans 273, 289, 299 Blümlinger, Christa 18, 26, 36-39n Böll, Heinrich 279 Borges, Jorge Luis 100 Bourke-White, Margaret 219 Bowie, David 139 Brecht, Bertolt 12, 44, 53n, 59, 85, 99, 133-140, 143-145, 153n, 169, 179, 209n, 214, 226, 234n, 308 Bresson, Robert 58, 79, 96, 158, 179, 320 Brugioni, Dino A. 202n, 210n Bühler, Wolf-Eckart 69-70, 72, 74-75 Buñuel, Luis 18 Burch, Noel 153n, 158 Bürgel, Roger 298 Busch, Ernst 237 Bush, Vannevar 285n Cain, James M. 82 Carné, Marcel 301 Carré, John le 132n Caruth, Cathy 259n Cash, Johnny 74 Cassavetes, John 313 Ceauçescu, Nicolae 15, 166-167, 245-246, 252, 256-260n, 319 Céline, Louis-Ferdinand 84 Chanoff, David 132n Chaplin, Charlie 23, 241, 308 Chivers, E.W. 209n Classen, Inge 312 Clausewitz, Carl von 115 Clouzot, Henri-Georges 178 Clover, Carol 37 Cocteau, Jean 85 Collins, Richard 153n Conrad, Joseph 74 Coppola, Francis Ford 160 Costard, Hellmuth 177, 306-307 Crane, Cathy 289, 310 Crary, Jonathan 228-229n Daney, Serge 315, 320-321, 322n Daves, Delmer 71 Davis, Angela 300 Dean, James 86 DeCordova, Richard 284n Delahaye, Michel 163 Deleuze, Gilles 61, 65-66n, 168- 169, 175n, 294, 298, 300, 317, 321n Derrida, Jacques 251, 253, 258- 259n, 307 Descartes, René 204 Deutscher, Isaac 129n Diderot, Denis 262-263 Dienst, Richard 259n Dieterle, William 133 Dietrich, Marlene 309 Doane, Mary Ann 232n, 256 Doan van Toai 119, (120-121), 132n Dreyer, Carl 58, 96, 158 Dudow, Slatan 59, 99, 136 Duras, Marguerite 140-141, 146, 153n Dürer, Albrecht 270 Dütsch, Werner 312 Eisler, Hanns 136 Eisenschitz, Bernard 158 Eisenstein, Sergei 23, 98, 181, 217, 262, 264 Elsaesser, Thomas 36-37, 58, 60n, 153n, 157, 159, 209n, 211, 216, 227-228n, 230n, 233-234n, 283- 284n, 308 Engström, Ingemo 69-70, 72 Ensslin, Gudrun 222 Enzensberger, Hans Magnus 212, 313 Ernst, Max 32
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FILM CULTURE IN TRANSITION Harun Fa
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Harun Farocki Working on the Sightl
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Contents Introduction Harun Farocki
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Contents 7 From the Surveillance So
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Harun Farocki: Filmmaker, Artist, M
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Image In(ter)ventions
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44 Harun Farocki perpetual state of
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46 Harun Farocki missing, and Bauma
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48 Harun Farocki the status of an a
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50 Harun Farocki Becoming Interchan
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52 Harun Farocki tory. The techniqu
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54 Harun Farocki 5. Conny Voester,
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56 Harun Farocki imparted and secur
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58 Harun Farocki ing oriented to an
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60 Harun Farocki tion of work, and
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62 Harun Farocki temporal one, beca
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64 Harun Farocki act: a twofold tho
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66 Harun Farocki these temporalitie
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Passage along the Shadow-Line: Feel
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78 Harun Farocki dance competitions
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80 Harun Farocki [W]hy does dramatu
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82 Harun Farocki cannot know how th
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84 Harun Farocki if today televisio
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86 Harun Farocki managed to maintai
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88 Harun Farocki there in a pinstri
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90 Harun Farocki off his cap, pulls
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Between Wars, Between Images
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96 Harun Farocki by Alfred Sohn-Ret
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98 Harun Farocki ‘disappears from
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100 Harun Farocki cal perspective).
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102 Harun Farocki Farocki’s film
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104 Harun Farocki Voice of Robert:
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106 Harun Farocki rents out a cinem
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Dog from the Freeway Harun Farocki
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Dog from the Freeway 111 In the win
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Dog from the Freeway 113 however, d
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Dog from the Freeway 115 The spark
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Dog from the Freeway 117 This wisdo
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Dog from the Freeway 119 The villag
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Dog from the Freeway 121 peace, the
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Dog from the Freeway 123 MACV NLF P
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Dog from the Freeway 125 there is b
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Dog from the Freeway 127 published
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Dog from the Freeway 129 thought of
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Dog from the Freeway 131 ‘For rea
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Political Filmmaking after Brecht:
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ack to the 1960s is necessary, when
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The Road Not Taken: Films by Harun
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164 Harun Farocki with Peter Nestle
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166 Harun Farocki why were there so
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168 Harun Farocki thus strikes at t
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170 Harun Farocki shard that finall
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172 Harun Farocki In the laboratory
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174 Harun Farocki This is, of cours
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Making the World Superfluous: An In
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Reality Would Have to Begin Harun F
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Reality Would Have to Begin 195 The
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Reality Would Have to Begin 197 the
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Reality Would Have to Begin 199 in
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Reality Would Have to Begin 201 roo
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Light Weapons Tom Keenan ... Scan F
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Light Weapons 205 pressed together.
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Light Weapons 207 ment’s opening
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Light Weapons 209 3. The image is a
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The Political Im/perceptible: Faroc
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Film: Media: Work: Archive
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238 Harun Farocki 1895, the Lumièr
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240 Harun Farocki Metropolis (1927)
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242 Harun Farocki worst acts of vio
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On Media and Democratic Politics: V
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Towards an Archive for Visual Conce
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From the Surveillance Society to th
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290 Harun Farocki more important to
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292 Harun Farocki breastplates, and
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294 Harun Farocki tive’ nuclear o
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Nine Minutes in the Yard: A Convers
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Page 314 and 315: Harun Farocki: Critical Strategies
Page 322 and 323: Acknowledgements The editor wishes
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Page 360: Farocki: A Filmography 361 2002 Eye
Page 363 and 364: 364 Harun Farocki search fellowship
Page 368 and 369: Index 369 Ernst, Wolfgang 37-38, 26
Page 370 and 371: Index 371 Lumières, Auguste and Lo
Page 372: Index 373 Truffaut, François 82, 3
Page 375 and 376: 376 Harun Farocki Das Prinzip Hoffn
Page 377 and 378: 378 Harun Farocki Nick’s Film - L
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