14:14, 13 October 2012 - Monoskop

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Farocki: A Filmography 327 scriptwriter Rote Zelle Technik der TU Berlin production DFFB, Berlin-West length 40 min. format 1-Zoll Ampex, b/w 1:1.37 1969 Nicht löschbares Feuer (Inextinguishable Fire) director, scriptwriter, editor Harun Farocki assistant director Helke Sander cinematographer Gerd Conradt sound Ulrich Knaudt cast Harun Farocki, Hanspeter Krüger, Eckart Kammer, Caroline Gremm, Gerd Volker Bussäus, Ingrid Oppermann production Harun Farocki, Berlin-West, for WDR, Köln length 25 min. format 16 mm, b/w, 1:1.37 first broadcast 27.07.69, West 3 Untitled or: Nixon kommt nach Berlin director, scriptwriter cinematographer production Harun Farocki Giorgios Xylandreu Larabel Film Harun Farocki, Berlin-West, Sozialistische Filmemacher Cooperative West-Berlin 2 min. length format 16 mm, b/w, 1:1.37 note The film is presumed lost Anleitung, Polizisten den Helm abzureißen director, scriptwriter, editor Harun Farocki cinematographer Michael Geißler production Larabel Film Harun Farocki, Berlin-West, Rote Zelle Germanistik (FU Berlin), Sozialistische Filmemacher Cooperative West-Berlin length 2 min. format 16 mm, b/w, 1:1.37 note The film is presumed lost
328 Harun Farocki 1970 Die Teilung aller Tage (The Division of All Days) director, scriptwriter, editor Hartmut Bitomsky, Harun Farocki assistant director Petra Milhoffer, Ingrid Oppermann pedagogic programme Petra Milhoffer, Wolfgang Lenk, based on texts by Karl Marx Cinematographer Carlos Bustamante, Adolf Winckelmann assistent cinematographer Georg Lehner animation camera Helmut Herbst, Carlos Bustamante technicians Klaus W. Bunser, Gerhard Braun sound Johannes Beringer mixing Gerhard Jensen production Cinegrafik, Helmut Herbst, Hamburg, WDR, Köln producer Helmut Herbst length 65 min. format 16 mm, b/w, 1:1.37 first screening 17.04.70, Oberhausen first broadcast 19.04.70, West 3 distributor Freunde der Deutschen Kinemathek 1971 Eine Sache, die sich versteht (15 mal) director, scriptwriter Hartmut Bitomsky, Harun Farocki, based on texts by Karl Marx and Friedrich Engels cinematographer Carlos Bustamante, David Slama sound Johannes Beringer editor Hasso Nagel production Larabel Film Harun Farocki , Berlin- West, with financial support from Kuratorium junger deutscher Film, Wiesbaden length 64 min. format 16 mm, b/w 1:1.37 first screening Juni 1971, Berlin-West, Internat. Forum des Jungen Films distributor Freunde der Deutschen Kinemathek
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FILM CULTURE IN TRANSITION Harun Fa
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Harun Farocki Working on the Sightl
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Contents Introduction Harun Farocki
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Contents 7 From the Surveillance So
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Harun Farocki: Filmmaker, Artist, M
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Image In(ter)ventions
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44 Harun Farocki perpetual state of
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46 Harun Farocki missing, and Bauma
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48 Harun Farocki the status of an a
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50 Harun Farocki Becoming Interchan
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52 Harun Farocki tory. The techniqu
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54 Harun Farocki 5. Conny Voester,
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56 Harun Farocki imparted and secur
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58 Harun Farocki ing oriented to an
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60 Harun Farocki tion of work, and
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62 Harun Farocki temporal one, beca
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64 Harun Farocki act: a twofold tho
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66 Harun Farocki these temporalitie
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Passage along the Shadow-Line: Feel
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78 Harun Farocki dance competitions
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80 Harun Farocki [W]hy does dramatu
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82 Harun Farocki cannot know how th
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84 Harun Farocki if today televisio
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86 Harun Farocki managed to maintai
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88 Harun Farocki there in a pinstri
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90 Harun Farocki off his cap, pulls
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Between Wars, Between Images
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96 Harun Farocki by Alfred Sohn-Ret
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98 Harun Farocki ‘disappears from
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100 Harun Farocki cal perspective).
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102 Harun Farocki Farocki’s film
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104 Harun Farocki Voice of Robert:
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106 Harun Farocki rents out a cinem
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Dog from the Freeway Harun Farocki
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Dog from the Freeway 111 In the win
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Dog from the Freeway 113 however, d
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Dog from the Freeway 115 The spark
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Dog from the Freeway 117 This wisdo
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Dog from the Freeway 119 The villag
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Dog from the Freeway 121 peace, the
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Dog from the Freeway 123 MACV NLF P
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Dog from the Freeway 125 there is b
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Dog from the Freeway 127 published
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Dog from the Freeway 129 thought of
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Dog from the Freeway 131 ‘For rea
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Political Filmmaking after Brecht:
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ack to the 1960s is necessary, when
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The Road Not Taken: Films by Harun
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164 Harun Farocki with Peter Nestle
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166 Harun Farocki why were there so
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168 Harun Farocki thus strikes at t
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170 Harun Farocki shard that finall
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172 Harun Farocki In the laboratory
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174 Harun Farocki This is, of cours
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Making the World Superfluous: An In
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Reality Would Have to Begin Harun F
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Reality Would Have to Begin 195 The
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Reality Would Have to Begin 197 the
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Reality Would Have to Begin 199 in
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Reality Would Have to Begin 201 roo
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Light Weapons Tom Keenan ... Scan F
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Light Weapons 205 pressed together.
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Light Weapons 207 ment’s opening
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Light Weapons 209 3. The image is a
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The Political Im/perceptible: Faroc
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Film: Media: Work: Archive
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238 Harun Farocki 1895, the Lumièr
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240 Harun Farocki Metropolis (1927)
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242 Harun Farocki worst acts of vio
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On Media and Democratic Politics: V
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Towards an Archive for Visual Conce
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Page 276 and 277: Towards an Archive for Visual Conce
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Page 289 and 290: 290 Harun Farocki more important to
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Page 293 and 294: 294 Harun Farocki tive’ nuclear o
Page 296 and 297: Nine Minutes in the Yard: A Convers
Page 314 and 315: Harun Farocki: Critical Strategies
Page 322 and 323: Acknowledgements The editor wishes
Page 324 and 325: Farocki: A Filmography 1966 Zwei We
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Page 354 and 355: Farocki: A Filmography 355 Das Thea
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Page 358 and 359: Farocki: A Filmography 359 length 6
Page 360: Farocki: A Filmography 361 2002 Eye
Page 363 and 364: 364 Harun Farocki search fellowship
Page 366 and 367: Index of Names Achternbusch, Herber
Page 368 and 369: Index 369 Ernst, Wolfgang 37-38, 26
Page 370 and 371: Index 371 Lumières, Auguste and Lo
Page 372: Index 373 Truffaut, François 82, 3
Page 375 and 376: 376 Harun Farocki Das Prinzip Hoffn
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378 Harun Farocki Nick’s Film - L
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