The 186 words were then grouped into 49 groups <strong>using</strong> the synset structure in WordNet. Tags in each group were synonyms according to WordNet. After that, the two experts further merged several tag groups which were deemed <strong>music</strong>ally similar. For instance, the group of (“cheer up,” “cheerful”) was merged with (“jolly,” “rejoice”); (“melancholic,” “melancholy”) was merged with (“sad,” “sadness”). This resulted in 34 tag groups, each representing a <strong>mood</strong> category for this dataset. Finally, the author manually screened a number of <strong>tags</strong> that did not exactly match words in WordNet-Affect but were most frequently applied to the songs in the dataset. Some of those <strong>tags</strong> had exactly the same meaning as matched words in WordNet-Affect <strong>and</strong> thus were added into corresponding categories. For instance, “sad song” <strong>and</strong> “feeling sad” were added into the category of (“sad,” “sadness”); “<strong>mood</strong>: happy” <strong>and</strong> “happy songs” were added into the category of (“happy,” “happiness”). In addition, there were some very popular <strong>tags</strong> with affect meanings in the <strong>music</strong> domain but were not included in WordNet-Affect, such as “mellow” <strong>and</strong> “upbeat.” The experts recommended including these <strong>tags</strong> in the categories of the same meaning. For example, “mellow” was added to the (“calm,” “quiet”) category, <strong>and</strong> “upbeat” was added to the category of (“gleeful,” “high spirits”). For the <strong>classification</strong> experiments, each category should have enough samples to build <strong>classification</strong> models. Thus, categories with fewer than 30 songs were dropped, resulting in 18 <strong>mood</strong> categories containing 135 <strong>tags</strong>. These categories <strong>and</strong> their member <strong>tags</strong> were then validated for reasonableness by a number of native English speakers. Table 5.3 lists the categories, their member <strong>tags</strong> <strong>and</strong> number of songs in each category (see next subsection). 59
Table 5.3 Mood categories <strong>and</strong> song distributions Categories calm, comfort, quiet, serene, mellow, chill out, calm down, calming, chillout, comforting, content, cool down, mellow <strong>music</strong>, mellow rock, peace of mind, quietness, relaxation, serenity, solace, soothe, soothing, still, tranquil, tranquility, tranquillity Number of <strong>tags</strong> Number of songs 25 1,680 sad, sadness, unhappy, melancholic, melancholy, feeling sad, <strong>mood</strong>: sad – slightly, sad song 8 1,178 glad, happy, happiness, happy songs, happy <strong>music</strong>, <strong>mood</strong>: happy 6 749 romantic, romantic <strong>music</strong> 2 619 gleeful, upbeat, high spirits, zest, enthusiastic, buoyancy, elation, <strong>mood</strong>: upbeat gloomy, depressed, blue, dark, depressive, dreary, gloom, darkness, depress, depression, depressing 8 543 11 471 angry, anger, choleric, fury, outraged, rage, angry <strong>music</strong> 7 254 mournful, grief, heartbreak, sorrow, sorry, doleful, heartache, heartbreaking, heartsick, lachrymose, mourning, plaintive, regret, sorrowful 14 183 dreamy 1 146 cheerful, cheer up, festive, jolly, jovial, merry, cheer, cheering, cheery, get happy, rejoice, songs that are cheerful, sunny 13 142 brooding, contemplative, meditative, reflective, broody, pensive, pondering, wistful 8 116 aggressive, aggression 2 115 anxious, angst, anxiety, jumpy, nervous, angsty 6 80 confident, encouraging, encouragement, optimism, optimistic 5 61 hopeful, desire, hope, <strong>mood</strong>: hopeful 4 45 earnest, heartfelt 2 40 cynical, pessimism, pessimistic, weltschmerz, cynical/sarcastic 5 38 exciting, excitement, exhilarating, thrill, ardor, stimulating, thrilling, titillating 8 30 TOTAL 135 6,490 60
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IMPROVING MUSIC MOOD CLASSIFICATION
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concatenation and late fusion (line
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ACKNOWLEDGMENTS I would have never
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TABLE OF CONTENTS LIST OF FIGURES .
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7.2.2 Best Hybrid Method ..........
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LIST OF TABLES Table 3.1 Mood categ
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music itself and creating the socia
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the ultimate judge. Thus ground tru
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The advantages have attracted resea
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CHAPTER 9: CONCLUSIONS AND FUTURE R
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different strengths. Lyric-based sy
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close relationship with music mood.
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available, it is interesting to exp
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Byrd, D., & Crawford, T. (2002). Pr
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Hu, X., Sanghvi, V., Vong, B., On,
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McEnnis, D., McKay, C., Fujinaga, I
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Thayer, R. E. (1989). The Biopsycho
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48. Segment annotation plus specifi