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BoxOffice® Pro - December 2010

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FRONT OFFICE AWARD<br />

RISING SON<br />

His brother, the movie theater<br />

by Cole Hornaday<br />

In 1973, Vic Skolnick and Charlotte Skye<br />

moved their little family from the city to<br />

the wilds of Long Island. They anticipated<br />

a readjustment. They didn’t foresee the<br />

whole family becoming the community’s<br />

spearhead for arthouse and independent<br />

film.<br />

“My parents were accustomed to having<br />

a wide range of movies to see,” says Dylan<br />

Skolnick, Vic and Charlotte’s son. “All you<br />

could see out on Long Island was the latest<br />

Hollywood movies—there really wasn’t<br />

much else.”<br />

In the days predating VHS and cable<br />

television, a true film connoisseur was hard<br />

pressed to whet their appetite. The Skolnicks<br />

were not only driven, they were resourceful.<br />

“They decided to do something,”<br />

says Dylan. “They borrowed a projector and<br />

film from the Huntington Library, hung up<br />

a bed-sheet on the wall, made up some fliers<br />

and advertised the movies.”<br />

And audiences came. The Skolnicks<br />

rented a dance studio and threw their energy<br />

into the makeshift theater. “They started<br />

showing more and more films and adding<br />

more days,” says Dylan. “First it was just<br />

once a week. Then it became two days, then<br />

four days—eventually it was seven days<br />

a week, and it kept growing.” The theater<br />

was a hit in part of Long Island’s layout.<br />

Explains Dylan, “Everyone has to travel by<br />

car and there’s not much life on the streets.<br />

Therefore, what we’re doing is even more<br />

important because it creates a place to<br />

bring people out of their houses.”<br />

Decades, later, the town offered the<br />

Skolnicks’ film society a permanent space<br />

at a disused elementary school.<br />

“At this point we were known as the<br />

New Community Cinema,” says Dylan.<br />

“The elementary school was in pretty bad<br />

shape, but we moved in. It was a big auditorium.<br />

We fixed it up and built a projection<br />

room and started showing films. From<br />

there it really started growing and getting<br />

much more professional.”<br />

The New Community Cinema became<br />

the Cinema Arts Center, a 501(c)(3) not-forprofit<br />

facility sporting three theaters, 35mm<br />

Dylan Skolnick Co-Director<br />

Cinema Arts Center / Huntington, NY<br />

Nominated By Paul Kazee<br />

House Manager/<strong>Pro</strong>grammer<br />

<strong>Pro</strong>ctors Theatre, Schenectady, NY<br />

projectors, digital sound and comfy chairs.<br />

Partially supported by a body of 8,000 annual<br />

contributors, the Cinema Arts Center<br />

has hosted guest filmmakers and speakers<br />

from David Lynch and George A. Romero to<br />

Kenneth Anger and Wim Wenders.<br />

In many ways, the Cinema Arts Center<br />

is Dylan’s younger sibling.<br />

“I’m older than the cinema, so I was here<br />

when it started and I’ve just continued,” he<br />

says. Dylan made the natural move to study<br />

film at the School of Visual Arts in New<br />

York, completing his degree in 1987. “I focused<br />

on filmmaking for a while, but kept<br />

getting pulled back here,” says Dylan. “Now<br />

I’m here full-time and this is what I do.”<br />

As his industry peers will testify, Dylan<br />

does that job very well. “Dylan is the go-to<br />

guy for proper procedures on everything<br />

exhibition,” says <strong>Pro</strong>ctors Theatre House<br />

Manager and <strong>Pro</strong>grammer Paul Kazee. “If<br />

you have a question or concern about the<br />

availability of a title or where to locate it,<br />

Dylan is the man to ask. If he doesn’t know<br />

how to deal with a situation, nobody does.”<br />

“Dylan works hard to bring interesting<br />

cult celebs to Long Island and throw exciting<br />

events,” says colleague Clinton Mc-<br />

Clung, the programmer of Seattle’s Central<br />

Cinema. “In lots of small towns, the art theater<br />

is just doing standard current films, but<br />

Dylan works to stretch the programming<br />

with midnight movies, fun events and even<br />

some cool prestige screenings.”<br />

Sadly, though Dylan and his mother<br />

Charlotte continue to act as co-directors of<br />

the thriving movie house, Cinema Arts Co-<br />

Founder and Director Vic Skolnick passed<br />

away suddenly on June 10, <strong>2010</strong>. Dylan says<br />

Vic was working up until the last moments<br />

of his life. Though a tremendous void was<br />

left in their lives, now more than ever<br />

Dylan is convinced that his choice to pursue<br />

a path in exhibition was the right one.<br />

“We do feel we serve an important role<br />

in the community,” says Dylan. “A big part<br />

of our mission is to get people out of the<br />

house and down here doing something<br />

communally—doing something together.”<br />

32 BOXOFFICE DECEMBER <strong>2010</strong>

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