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ALL TIED UP<br />
This Rapunzel uses her hair as a weapon<br />
Tangled<br />
A pretty awesome princess<br />
DISTRIBUTOR Walt Disney Pictures CAST Mandy Moore,<br />
Zachary Levi, Donna Murphy, M.C. Gainey, Brad Garrett,<br />
Ron Perlman, Jeffrey Tambor DIRECTORS Nathan Greno,<br />
Byron Howard SCREENWRITER Dan Fogelman PRODUCER Roy<br />
Conli GENRE Family/Animation RATING PG for brief mild<br />
violence RUNNING TIME 90 min. RELEASE DATE November<br />
24, <strong>2010</strong><br />
Sara Maria Vizcarrondo says … An instant<br />
classic, Disney’s animated revamp of the<br />
Brothers Grimm fairy tale of Rapunzel has<br />
spawned a spunky heroine who could infiltrate<br />
the heavily guarded princess canon.<br />
Delightful, funny, sometimes innocuous<br />
Built on the site of the former Oberlin<br />
Opera House, the venue has been the<br />
headquarters for local culture for over a<br />
century. The Opera House opened in 1906,<br />
but in 1936 it became a cinema named<br />
The Chief Theater. The Chief stayed open<br />
until the building collapsed in 1978. The<br />
neighboring Pepsi Bottling Company had<br />
also recently closed, so the original Sunflower<br />
Cinema was built on the adjoining<br />
sites. The Sunflower survived through the<br />
1990s, but then the volunteer committee<br />
responsible for its maintenance could no<br />
longer keep the theater going and shuttered<br />
it until 2004. Then Dorshorst got<br />
involved.<br />
Dorshorst, a superintendent and principal<br />
in the local school district, was inspired<br />
by the parents of one of his students<br />
to restore the Sunflower. Despite facing<br />
limited funding within a county already<br />
strapped with money problems, Dorshorst<br />
and the Sunflower team prevailed and<br />
opened the theater in November 2009.<br />
Following the success of the Sunflower’s<br />
reopening, Dorshorst set his sights on<br />
making the Sunflower a truly inclusive<br />
and cross-disciplinary center for culture<br />
in Oberlin. These Philadelphia Orchestra<br />
simulcasts reflect Dorshorst’s and the Sunflower’s<br />
determination to promote and support<br />
the town’s thirst for art and culture.<br />
Says Dorshorst, “We wanted to use the<br />
theater to bring cultural events to town<br />
either by Internet or satellite. Working<br />
with SpectiCast is our first venture into this<br />
realm and we are extremely excited about<br />
the possibility of using this format to bring<br />
the world into rural western Kansas.” With<br />
the Philadelphia Orchestra concert series,<br />
the Sunflower is once again becoming the<br />
town’s center for musical culture, as in the<br />
days of the Oberlin Opera House.<br />
As the citizens of Oberlin and the<br />
members of the Sunflower prove, there is<br />
a demand for big city culture even in the<br />
smallest hamlets. And for the Sunflower,<br />
it’s especially fitting that it’s the Philadelphia<br />
Orchestra stirring up their screen—<br />
one of the first films it played at its 1978<br />
opening was Rocky. That’s some sweet<br />
harmony.<br />
and more often thrilling, Tangled transforms<br />
the old, tower-cloistered damsel story into a<br />
morality play that pits openness and sincerity<br />
against selfishness and insincerity. (The<br />
greatest virtue here is sharing.) Peril is on<br />
the menu and the comedy is occasionally<br />
rough and often veers into Monty-Pythonslapstick,<br />
but it’s never offensively violent<br />
and the characters, including the brilliant<br />
sidekicks Maximus the superhorse and Pascal<br />
the mutely philosophical chameleon are<br />
littered with nuance and charm. Box office<br />
numbers could be astronomical, reviving<br />
brand trust after recent, lackluster ventures<br />
distributed under the Disney banner; ancillaries<br />
will be huge. I’m throwing down for<br />
my Pascal action figure and Rapunzel bust<br />
with plastic hairbrush for Christmas!<br />
Love and Other Drugs<br />
Romantic dramedy about a Viagra<br />
salesman has quick rise, slow fall<br />
DISTRIBUTOR 20th Century Fox CAST Jake Gyllenhaal,<br />
Anne Hathaway, Olive Platt, Hank Azaria, Gabriel<br />
Macht DIRECTOR Edward Zwick SCREENWRITERS Charles<br />
Randolph, Edward Zwick, Marshall Herskovitz PRODUCERS<br />
Pieter Jan Brugge, Charles Randolph, Marshall Herskovitz,<br />
Edward Zwick, Scott Stuber GENRE Romantic Dramedy<br />
RATING R for strong sexual content, nudity, pervasive<br />
language, and some drug material RUNNING TIME 90 min.<br />
RELEASE DATE November 24, <strong>2010</strong><br />
Pam Grady says … Love and Other Drugs<br />
could have been a brilliant satire in the<br />
manner of Thank You for Smoking if only<br />
director Edward Zwick and his co-writers<br />
had concentrated more on the drugs and<br />
less on the “love.” Set during the sexual<br />
revolution unleashed by that little blue<br />
pill and very loosely inspired by Jamie<br />
Reidy’s memoir Hard Sell: The Evolution of<br />
a Viagra Salesman, the movie’s exuberant<br />
comedy is eventually sunk by the soppy<br />
romance. Jake Gyllenhaal and Anne Hathaway,<br />
reunited for the first time since<br />
Brokeback Mountain, show a lot of skin<br />
for an indifferent audience. Expect solid<br />
opening weekend numbers from Rom-<br />
Com junkies.<br />
Bhutto<br />
Pakistan’s answer to Eva Peron<br />
DISTRIBUTOR Film Movement DIRECTORS Jessica A.<br />
Hernandez, Johnny O’Hara SCREENWRITERS Johnny O’Hara<br />
PRODUCERS Duane Baughman, Arleen Sorkin, Mark Siegel<br />
GENRE Documentary RATING Unrated RUNNING TIME 115<br />
min. RELEASE DATE <strong>December</strong> 3 NY/LA<br />
Ray Greene says … Intelligent, determined,<br />
articulate, beautiful and heir to post-WWII<br />
Pakistan’s greatest political dynasty, Benazir<br />
Bhutto—like Evita—moved the masses<br />
in a male-dominated political culture, not<br />
only because of her fierce patriotism and<br />
the force of her ideas but also because her<br />
life played out as a blend of grand opera<br />
and soap opera. Also like Evita, she now<br />
has a dramatic and romanticized testament<br />
worthy of both her own charisma and her<br />
compromised legacy, thanks to this new<br />
documentary by Jessica Hernandez and<br />
Johnny O’Hara. This is a strong effort with<br />
a riveting protagonist. A small, selective<br />
release pattern could find success with<br />
documentary enthusiasts and the Pakistani<br />
immigrant diaspora.<br />
DECEMBER <strong>2010</strong> BOXOFFICE 69