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BoxOffice® Pro - December 2010

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ALL TIED UP<br />

This Rapunzel uses her hair as a weapon<br />

Tangled<br />

A pretty awesome princess<br />

DISTRIBUTOR Walt Disney Pictures CAST Mandy Moore,<br />

Zachary Levi, Donna Murphy, M.C. Gainey, Brad Garrett,<br />

Ron Perlman, Jeffrey Tambor DIRECTORS Nathan Greno,<br />

Byron Howard SCREENWRITER Dan Fogelman PRODUCER Roy<br />

Conli GENRE Family/Animation RATING PG for brief mild<br />

violence RUNNING TIME 90 min. RELEASE DATE November<br />

24, <strong>2010</strong><br />

Sara Maria Vizcarrondo says … An instant<br />

classic, Disney’s animated revamp of the<br />

Brothers Grimm fairy tale of Rapunzel has<br />

spawned a spunky heroine who could infiltrate<br />

the heavily guarded princess canon.<br />

Delightful, funny, sometimes innocuous<br />

Built on the site of the former Oberlin<br />

Opera House, the venue has been the<br />

headquarters for local culture for over a<br />

century. The Opera House opened in 1906,<br />

but in 1936 it became a cinema named<br />

The Chief Theater. The Chief stayed open<br />

until the building collapsed in 1978. The<br />

neighboring Pepsi Bottling Company had<br />

also recently closed, so the original Sunflower<br />

Cinema was built on the adjoining<br />

sites. The Sunflower survived through the<br />

1990s, but then the volunteer committee<br />

responsible for its maintenance could no<br />

longer keep the theater going and shuttered<br />

it until 2004. Then Dorshorst got<br />

involved.<br />

Dorshorst, a superintendent and principal<br />

in the local school district, was inspired<br />

by the parents of one of his students<br />

to restore the Sunflower. Despite facing<br />

limited funding within a county already<br />

strapped with money problems, Dorshorst<br />

and the Sunflower team prevailed and<br />

opened the theater in November 2009.<br />

Following the success of the Sunflower’s<br />

reopening, Dorshorst set his sights on<br />

making the Sunflower a truly inclusive<br />

and cross-disciplinary center for culture<br />

in Oberlin. These Philadelphia Orchestra<br />

simulcasts reflect Dorshorst’s and the Sunflower’s<br />

determination to promote and support<br />

the town’s thirst for art and culture.<br />

Says Dorshorst, “We wanted to use the<br />

theater to bring cultural events to town<br />

either by Internet or satellite. Working<br />

with SpectiCast is our first venture into this<br />

realm and we are extremely excited about<br />

the possibility of using this format to bring<br />

the world into rural western Kansas.” With<br />

the Philadelphia Orchestra concert series,<br />

the Sunflower is once again becoming the<br />

town’s center for musical culture, as in the<br />

days of the Oberlin Opera House.<br />

As the citizens of Oberlin and the<br />

members of the Sunflower prove, there is<br />

a demand for big city culture even in the<br />

smallest hamlets. And for the Sunflower,<br />

it’s especially fitting that it’s the Philadelphia<br />

Orchestra stirring up their screen—<br />

one of the first films it played at its 1978<br />

opening was Rocky. That’s some sweet<br />

harmony.<br />

and more often thrilling, Tangled transforms<br />

the old, tower-cloistered damsel story into a<br />

morality play that pits openness and sincerity<br />

against selfishness and insincerity. (The<br />

greatest virtue here is sharing.) Peril is on<br />

the menu and the comedy is occasionally<br />

rough and often veers into Monty-Pythonslapstick,<br />

but it’s never offensively violent<br />

and the characters, including the brilliant<br />

sidekicks Maximus the superhorse and Pascal<br />

the mutely philosophical chameleon are<br />

littered with nuance and charm. Box office<br />

numbers could be astronomical, reviving<br />

brand trust after recent, lackluster ventures<br />

distributed under the Disney banner; ancillaries<br />

will be huge. I’m throwing down for<br />

my Pascal action figure and Rapunzel bust<br />

with plastic hairbrush for Christmas!<br />

Love and Other Drugs<br />

Romantic dramedy about a Viagra<br />

salesman has quick rise, slow fall<br />

DISTRIBUTOR 20th Century Fox CAST Jake Gyllenhaal,<br />

Anne Hathaway, Olive Platt, Hank Azaria, Gabriel<br />

Macht DIRECTOR Edward Zwick SCREENWRITERS Charles<br />

Randolph, Edward Zwick, Marshall Herskovitz PRODUCERS<br />

Pieter Jan Brugge, Charles Randolph, Marshall Herskovitz,<br />

Edward Zwick, Scott Stuber GENRE Romantic Dramedy<br />

RATING R for strong sexual content, nudity, pervasive<br />

language, and some drug material RUNNING TIME 90 min.<br />

RELEASE DATE November 24, <strong>2010</strong><br />

Pam Grady says … Love and Other Drugs<br />

could have been a brilliant satire in the<br />

manner of Thank You for Smoking if only<br />

director Edward Zwick and his co-writers<br />

had concentrated more on the drugs and<br />

less on the “love.” Set during the sexual<br />

revolution unleashed by that little blue<br />

pill and very loosely inspired by Jamie<br />

Reidy’s memoir Hard Sell: The Evolution of<br />

a Viagra Salesman, the movie’s exuberant<br />

comedy is eventually sunk by the soppy<br />

romance. Jake Gyllenhaal and Anne Hathaway,<br />

reunited for the first time since<br />

Brokeback Mountain, show a lot of skin<br />

for an indifferent audience. Expect solid<br />

opening weekend numbers from Rom-<br />

Com junkies.<br />

Bhutto<br />

Pakistan’s answer to Eva Peron<br />

DISTRIBUTOR Film Movement DIRECTORS Jessica A.<br />

Hernandez, Johnny O’Hara SCREENWRITERS Johnny O’Hara<br />

PRODUCERS Duane Baughman, Arleen Sorkin, Mark Siegel<br />

GENRE Documentary RATING Unrated RUNNING TIME 115<br />

min. RELEASE DATE <strong>December</strong> 3 NY/LA<br />

Ray Greene says … Intelligent, determined,<br />

articulate, beautiful and heir to post-WWII<br />

Pakistan’s greatest political dynasty, Benazir<br />

Bhutto—like Evita—moved the masses<br />

in a male-dominated political culture, not<br />

only because of her fierce patriotism and<br />

the force of her ideas but also because her<br />

life played out as a blend of grand opera<br />

and soap opera. Also like Evita, she now<br />

has a dramatic and romanticized testament<br />

worthy of both her own charisma and her<br />

compromised legacy, thanks to this new<br />

documentary by Jessica Hernandez and<br />

Johnny O’Hara. This is a strong effort with<br />

a riveting protagonist. A small, selective<br />

release pattern could find success with<br />

documentary enthusiasts and the Pakistani<br />

immigrant diaspora.<br />

DECEMBER <strong>2010</strong> BOXOFFICE 69

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