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BoxOffice® Pro - December 2010

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SMALL FILMS, BIG POTENTIAL<br />

BOOK IT!<br />

I’LL LEARN YOU A LESSON<br />

Jason Statham as the tutoring hitman<br />

The King’s Speech<br />

Royal Charmer<br />

DISTRIBUTOR The Weinstein Company CAST Colin Firth, Geoffrey<br />

Rush, Helena Bonham Carter, Michael Gambon, Jennifer Ehle, Derek<br />

Jacobi, Timothy Spall DIRECTOR Tom Hooper SCREENWRITER David<br />

Seidler PRODUCER Iain Canning, Emile Sherman, Gareth Unwin GENRE<br />

Drama RATING R for some language RUNNING TIME 118 min. RELEASE<br />

DATE November 24 ltd.<br />

Pete Hammond says … With first rate performances<br />

from an A-list cast, this handsome period<br />

piece is one of the most accessibly entertaining<br />

films of its kind in years. Colin Firth plays England’s<br />

King George VI (father of the current Queen<br />

Elizabeth) who must overcome an embarrassing<br />

stutter in order to lead his country through the trying<br />

times of World War II. Helena Bonham Carter is<br />

his prim and proper wife, the Queen Mother when<br />

she had pluck, and Geoffrey Rush is the Australian<br />

speech therapist who gives George strength and<br />

training and his first true friendship. This inspiring<br />

and beautifully told tale should have upscale<br />

fans of fine drama lining up for its release and<br />

wider commercial crossover prospects once award<br />

nominations start rolling in—an inevitability with<br />

Oscar-hungry Harvey Weinstein backing this flick.<br />

Flooding with Love for the Kid<br />

Rambo vs. Rambo<br />

DIRECTOR/SCREENWRITER/PRODUCER Zachary Oberzan GENRE Drama/Experimental RATING<br />

Unrated RUNNING TIME 107 min. RELEASE DATE January 8 NY<br />

Sara Maria Vizcarrondo says … Budgeted at a reported $95.51 and<br />

produced completely by writer/director/cinematographer/editor<br />

and sole star Zachary Oberzan, this flick does with one camera, a<br />

computer, a 220-foot Manhattan apartment and the war novel First<br />

Blood what most 10 year olds with a camcorder and action figures<br />

dream about. Less indebted to the explosions and gunfights that<br />

made Sylvester Stallone’s crack at the story so popular, Flooding<br />

with Love also takes on the first appearance of John Rambo, the<br />

highly trained Green Beret operative who went postal in the woods<br />

of Kentucky after surviving a Vietnamese POW camp. Unless the<br />

film hits Rocky Horror status (which isn’t impossible) numbers will<br />

be modest. (Of course, since the film cost the maker so little, to him<br />

any numbers are profit.)<br />

CONTACT<br />

Zachary Oberzan / onlylivingboy@zacharyoberzan / 646-318-9633<br />

Anton Chekhov’s The Duel<br />

School, sans tests<br />

CAST Andrew Scott, Tobias Menzies, Fiona Glascott, Niall Buggy, Jeremy Swift, Nicholas<br />

Rowe, Debbie Chazen, Rik Makarem DIRECTOR Dover Koshashvili SCREENWRITER Mary Bing<br />

PRODUCERS Donald Rosenfeld, Mary Bing GENRE Drama/Comedy RATING Unrated RUNNING<br />

TIME 95 min. RELEASE DATE April 28 NY<br />

John P. McCarthy says … Anton Chekhov’s The Duel took me back<br />

to my undergraduate days (nearly three decades ago), a number of<br />

which were spent in an A/V carrel in the college library watching<br />

videotaped productions of canonical stage plays. Dover Koshashvili’s<br />

ambling, eminently accessible film captures the spirit of<br />

Chekhov’s novella without being overly taxing. In a provincial<br />

town far from the capitol and any intrigue of consequence, dissolute<br />

nobleman Laevsky (Andrew Scott) has grown tired of his married<br />

mistress Nadya (Fiona Glascott). One summer’s day, he learns via<br />

letter that her husband has died. Fearing she’ll insist on getting married,<br />

he doesn’t share the news with Nadya; instead he tries to figure<br />

out how he might be free of her. Interpreting the story through<br />

historical or allegorical prisms would spoil the experience and sour<br />

Koshashvili’s breezy charm. The last thing he and Chekhov would<br />

want is for the viewer/reader to worry about sitting for an exam.<br />

CONTACT<br />

High Line Pictures / Donald Rosenfeld<br />

donfilm@aol.com / 917 523 0446<br />

Stages<br />

A divorce worth the commitment<br />

CAST Elsie de Brauw, Marcel Musters, Stijn Koomen, Jennifer Jago, Joan Nederlof, Shireen<br />

Strooker, Jeroen Willems DIRECTOR Mijke de Jong SCREENWRITERS Mijke de Jong, Jolein<br />

Laarman PRODUCERS Joos de Vries, Leontine Petit GENRE Drama; Dutch-language, subtitled<br />

RATING Unrated RUNNING TIME 80 min. RELEASE DATE November 5 ltd.<br />

John P. McCarthy says … Dutch director Mijke de Jong presents<br />

snapshots of a long-since-broken marriage, alternating intimate<br />

scenes between two forty-ish exes with brief segments featuring<br />

their reclusive 17-year-old son. Stages is an admirably spare and<br />

forthright chamber piece about divorce, its painful central theme<br />

receiving mysterious, beautiful and, eventually, hopeful counterpoint.<br />

Although a drama about a divorced couple sounds like a real<br />

downer, one of de Jong’s primary achievements is highlighting the<br />

positive in this bleak scenario. Stars Elsie De Brauw and Musters are<br />

66 BOXOFFICE DECEMBER <strong>2010</strong>

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