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decor progresses east to west, from Craftsman to Art Deco to<br />

California Eclectic styles, and ultimately connects with the<br />

urban-modern design of the Disneyland Hotel on the far west<br />

end. So, the lighting had to psychologically support the visual<br />

changes taking place, said Francis Krahe, president and owner<br />

of Laguna Beach-based Francis Krahe and Associates, the lighting<br />

firm tasked with fitting Disney’s lighting needs.<br />

“We essentially created two districts,” said Krahe. “The east<br />

side Garden District has a Tivoli Garden feel and has the history<br />

of the Arts and Crafts movement reflected in the architecture.<br />

We used a lot of warm-tone, white light and tried to<br />

create a great deal of sparkle to reinforce the idea of a romantic,<br />

peaceful setting.”<br />

In this area, Xenon lights, or twinkle lights, are subtly positioned<br />

in the trees, and uplighting accentuates the canopy of<br />

50-year-old, transplanted ficus trees that line the walkway.<br />

Perhaps one of the most unique lighting elements that is carried<br />

throughout the development also starts here with the first<br />

of many leaf-shaped planters that double<br />

as seat walls.<br />

“Throughout the entire esplanade,<br />

we placed fiber optic lights within a<br />

groove beneath the seat walls. The<br />

lights change color depending on<br />

which district — or environment —<br />

you happen to be in,” said Krahe. “I<br />

think this was extremely effective in<br />

establishing one, integrated expression<br />

for Downtown Disney. The idea<br />

was to create atmosphere, not effect,<br />

with the lighting.”<br />

The seat walls begin in the Garden<br />

District and emanate a warm, white<br />

glow that changes hue with each step<br />

west toward the Wine Bar District and<br />

the more energized, tropical spaces of<br />

the Paradise Plaza and the West End<br />

District. Progressively, the seat walls<br />

project hues that complement the<br />

spirit of each area.<br />

In the Paradise Plaza area, ambers,<br />

yellows, oranges, blues and purples<br />

can be found within view of more<br />

vibrant venues such as Ralph<br />

Brennan’s Jazz Kitchen, The House of<br />

Blues and the Latin Jazz club, Yarriba!<br />

Yarriba! This area also begins to<br />

employ more neon lighting within signage and on facades,<br />

which along with the music spilling onto the walkway, also<br />

adds to the visual fiesta.<br />

Colorful west end<br />

A few steps away, the West End district of Downtown Disney<br />

is stage to a colorful hub of venues such as Lego Imagination<br />

Center, Rainforest Café and the ESPN Zone. Here, a last minute<br />

design decision to apply dramatic theater lighting to a 60 ft<br />

Sorcerer’s hat (representing Sorcerer Mickey of Fantasia fame)<br />

adds to the dimension and frivolity of the district.<br />

“We needed some soft accent lighting on the hat and we<br />

needed to apply it from sources that wouldn’t overpower our<br />

guests,” said Francis Krahe and Associates senior project manager,<br />

Paul Butler. “We applied two 1,000 W, narrow-beam,<br />

metal halide accent lights from the top of the adjacent ESPN<br />

building. The hat also was uplighted.”<br />

With landscaping as the dominant design element of<br />

(right) ESPN Zone is the country’s premier<br />

sports entertainment concept. It includes<br />

hi-tech satellite transmitters and receivers,<br />

video cameras, more than 165 video<br />

monitors and fully functional radio<br />

and live television broadcast facilities.<br />

(above) The World of Disney has one of the<br />

world’s largest collections of exclusive<br />

Disney merchandise. Its highly themed<br />

interior is colorful and lively, in keeping<br />

with playful Disney characters.<br />

50 LD+A/May 2001 www.iesna.org

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