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COURSE INDEX - LaGuardia Community College

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Humanities Department<br />

acoustics typical of a project studio environment. This class<br />

emphasizes critical listening skills, a fundamental tool of the audio<br />

engineer and music producer. Students receive blank CDs and<br />

headphones and burn their own set of IAR audio listening samples<br />

for ongoing ear training development.<br />

HUX104 The Business of Music<br />

1 credit; 5.5 hours<br />

This course focuses on the structure of the music business and the<br />

process by which an artistic creation is brought to market. It<br />

examines the roles of the record label, artist, writer, producer,<br />

manager and attorney. Topics also include royalties, recording and<br />

producing contracts, publishing and protecting music, the Internet,<br />

and other legal issues and business considerations.<br />

Prerequisite: HUX101, HUC102, HUC103<br />

HUX105 Audio Processing and Storage<br />

3 credits; 11 hours<br />

This course introduces students to the tools engineers and producers<br />

use to shape and store sound. Topics include gain structure,<br />

compression, expansion, equalization, delay, reverb, mixing console<br />

operations, analog and digital tape machine operations and<br />

alignment techniques. In the hands-on lab, students operate audio<br />

processors and learn the parameters of each device. Working with<br />

the audio patchbay, students learn proper equipment interfacing<br />

technique using analog and digital equipment.<br />

Prerequisite: HUX101, HUX102, HUX103<br />

HUX106 Digital Music Production<br />

2 credits; 8.5 hours<br />

This course focuses on the underlying principles and actual<br />

operation of the digital audio workstation (DAW). Students learn<br />

about quantization, aliasing, analog-to-digital and digital-toanalog<br />

conversions, digital delays, AC-3, DTS and MPEG compression<br />

algorithms. Working on individual DAWs, students run<br />

software exploring basic music production applications, including<br />

mixing techniques, non-destructive editing, virtual patchbays,<br />

plug-ins and CD burning.<br />

Prerequisite: HUX101, HUX102, HUX103<br />

HUX107 Microphones Amplifiers and Speakers<br />

2 credits; 6.5 hours<br />

This class introduces students to the specifications and uses of<br />

microphones, power amps and loudspeakers. Students learn the<br />

techniques of microphone placement. They also learn about the<br />

selection and setup of power amplifiers and match speakers for<br />

ideal system performance in studios and sound reinforcement.<br />

Prerequisite: HUX104, HUX105, HUX106<br />

HUX108 Mixing Music I<br />

2 credits; 8.5 hours<br />

Students gain valuable insight into analog mixing methodology<br />

and technique, blending both technical and creative skills. Working<br />

on multi-track workstations, students practice the skills<br />

required to complete a complex music mix, such as sound quality,<br />

balance, spatial placement and overall dynamic range and level.<br />

Student mixes are played in class, allowing for further development<br />

of critical listening and evaluation skills.<br />

Prerequisite: HUX104, HUX105, HUX106<br />

HUX109 MIDI Applications<br />

3 credits; 10 hours<br />

This class introduces the fundamentals of MIDI sequencer and<br />

sound module operations. Students learn about synthesis, synchronization,<br />

and SMPTE/MIDI time code conversion. Working<br />

at individual computer stations using a MIDI sequencer and digital<br />

audio programs, students write sequenced programs, control<br />

sounds from the program to the sound modules, and mix a MIDIsequenced<br />

track.<br />

Prerequisite: HUX104, HUX105, HUX106<br />

HUX110 Recording Workshop<br />

1 credit; 5 hours<br />

This studio course applies principles and techniques learned in lectures<br />

and labs to actual digital multitrack recording sessions with<br />

live musicians. Musicians are recorded by the student engineers<br />

starting with recording initial tracks and ending with the final<br />

mix. Students rotate through the job assignments of engineer,<br />

assistant engineer, digital audio workstation operator, session setup<br />

and breakdown.<br />

Prerequisite: HUX107, HUX108, HUX109<br />

HUX111 Mixing Music 2<br />

3 credits; 9.5 hours<br />

This class focuses on techniques of mixing in the digital environment.<br />

Issues of analog mixing are re-examined in the digital realm.<br />

Topics include gain structure through a signal path from input to<br />

stereo mix bus, direct signal path design, virtual patchbays, plugins<br />

effects, issues related to A-D/D-A conversions and metering.<br />

Working at digital audio workstations, students complete complex<br />

digital mixes and burn them to CD.<br />

Prerequisite: HUX107, HUX108, HUX109<br />

HUX112 Post Production Audio<br />

3 credits; 9.5 hours<br />

This course introduces students to the production of an audio<br />

soundtrack synchronized to video. Topics include location audio<br />

sound production, SMPTE time code, dialogue replacement,<br />

sound effects design and final mixing. Using the DAW, students<br />

build a sound rack to enhance the visual experience. They use<br />

Quicktime video imported into the audio DAW and prepare sub<br />

mix stems of music, effects and dialogue prior to doing a stereo<br />

mix.<br />

Prerequisite: HUX107, HUX108, HUX109<br />

HUX114 Industry Practicum<br />

0 credit; 1 hour<br />

This course takes students through resume writing, interview techniques,<br />

networking, job search strategies, and on-the-job etiquette<br />

to prepare students for the workplace. Helpful tips on the current<br />

job market are discussed. One-on-one time is available to students<br />

to polish their resumes and help steer them towards suitable<br />

employment.<br />

Prerequisite: HUX107, HUX108, HUX109<br />

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