11.07.2014 Views

Flute acoustics: measurement, modelling and design - School of ...

Flute acoustics: measurement, modelling and design - School of ...

Flute acoustics: measurement, modelling and design - School of ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

134 CHAPTER 9. APPLICATIONS AND FURTHER DIRECTIONS<br />

Table 9.1: The relationship between the slide extension <strong>and</strong> the position <strong>of</strong> the stopper relative<br />

to the embouchure hole.<br />

Slide extension (mm)<br />

Stopper position (mm)<br />

0.0 20.0<br />

10.0 19.0<br />

20.0 17.0<br />

31.0 15.5<br />

Tuning (cents)<br />

130<br />

120<br />

110<br />

100<br />

90<br />

80<br />

70<br />

60<br />

50<br />

40<br />

30<br />

D4 Eb4 E4 F4 F#4 G4 G#4 A4 Bb4 B4 C5 C#5<br />

Note<br />

-1 octave<br />

loco<br />

+1 octave<br />

+2 octaves<br />

Figure 9.9: The predicted tuning <strong>of</strong> the Rudall & Rose flute with the tuning slide at 0.0 mm <strong>and</strong><br />

the stopper at 20.0 mm.<br />

Terry McGee measured the size <strong>and</strong> position <strong>of</strong> the finger holes on this flute, but was unable<br />

to obtain precise <strong>measurement</strong>s <strong>of</strong> the keyed holes. This is because the pins on old flutes are<br />

<strong>of</strong>ten corroded in, <strong>and</strong> the wood is shrunken, making the removal <strong>of</strong> the pins difficult <strong>and</strong> risky.<br />

The diameters <strong>of</strong> the keyed holes were therefore taken from a similar flute in private h<strong>and</strong>s. The<br />

finger holes are all undercut conically, although no attempt was made to quantify the extent <strong>of</strong><br />

undercutting. The top half <strong>of</strong> the bore <strong>of</strong> the left h<strong>and</strong> body joint was ovoid in shape, so the<br />

maximum <strong>and</strong> minimum diameters were measured <strong>and</strong> averaged in the model. The tapered<br />

elliptical embouchure hole was approximated by a cone with the same entry <strong>and</strong> exit areas.<br />

This flute has a particularly long tuning slide with a maximum extension <strong>of</strong> 31 mm. Due to<br />

the ‘patent head’ at the maximum slide extension the stopper is 15.5 mm from the embouchure<br />

hole. The positions <strong>of</strong> the stopper with the slide fully closed <strong>and</strong> at intermediate positions are<br />

given in Table 9.1.<br />

<strong>Flute</strong>CAD was used to predict the tuning <strong>of</strong> the Rudall & Rose flute in each <strong>of</strong> the configurations<br />

listed in Table 9.1. The results are shown in Figures 9.9–9.12. In each graph the tuning is<br />

given in cents relative to the equal tempered scale with the note A4 at 440 Hz. The mean tuning<br />

<strong>and</strong> st<strong>and</strong>ard deviation for each <strong>of</strong> the slide positions is shown in Figure 9.13.<br />

The flute has the best internal tuning (smallest st<strong>and</strong>ard deviation) with the slide at 10 mm<br />

<strong>and</strong> the stopper at 19 mm, however the tuning is far from optimised even in this configuration

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!