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Flute acoustics: measurement, modelling and design - School of ...

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24 CHAPTER 2. THEORY AND LITERATURE REVIEW<br />

In most practical situations, the geometry <strong>of</strong> a keypad placed over a tone hole differs from<br />

the simplified geometries considered here, <strong>and</strong> some empirical corrections may be needed before<br />

applying these results to real tone holes. Coltman (1979) measured the reactances <strong>of</strong> real<br />

flute tone holes but did not separate the length corrections into inside <strong>and</strong> outside corrections.<br />

2.2.9 Transmission line theory<br />

Many <strong>of</strong> the methods <strong>and</strong> results <strong>of</strong> electrical transmission line theory can be applied to an<br />

analysis <strong>of</strong> woodwind instruments, with the acoustic pressure p taking the place <strong>of</strong> electric<br />

potential <strong>and</strong> the volume flow U replacing electric current. A small section <strong>of</strong> air within an<br />

instrument then has an inertance (analogous to electrical inductance) <strong>and</strong> a compliance (analogous<br />

to electrical capacitance). Since the wavelength in woodwind instruments is not large<br />

compared to the dimensions <strong>of</strong> the instrument, we must use transmission lines (or transfer<br />

matrices) to model the bore, rather than simple lumped elements. Lumped elements are useful,<br />

however, in analysing components that are small compared to the wavelength, such as tone<br />

holes.<br />

In applying transmission line theory to a woodwind instrument, one must first represent<br />

the instrument bore as a succession <strong>of</strong> cylindrical <strong>and</strong> conical elements. This is exact in the<br />

limit as the length <strong>of</strong> the elements approaches zero.<br />

Tone holes are represented in the model as T- or Π-circuits with impedance elements given<br />

by e.g. §2.2.10. The transfer matrix for an instrument relates the pressure <strong>and</strong> volume flow at<br />

the output to the same quantities at the input, <strong>and</strong> may be derived by multiplying together<br />

the transfer matrices <strong>of</strong> each element. The transfer matrices for cylindrical <strong>and</strong> conical pipe<br />

sections are given in §2.2.5 <strong>and</strong> §2.2.6. The transfer matrix for a tone hole with series <strong>and</strong> shunt<br />

impedances Z a <strong>and</strong> Z s is (Keefe 1990)<br />

[ ]<br />

1 Za<br />

T =<br />

, (2.33)<br />

1<br />

Z s<br />

1<br />

provided Z a ≪ Z s . I discuss Z a <strong>and</strong> Z s in the next section.<br />

2.2.10 Tone hole equivalent circuits<br />

At the junction between a tone hole <strong>and</strong> the bore, impedance corrections must be added to the<br />

one-dimensional model. In most cases, these can be added as length corrections (frequencydependent<br />

in accurate calculations) to the hole segment <strong>and</strong> bore segments on each side. Figure<br />

2.7 shows the geometry <strong>and</strong> dimensions <strong>of</strong> a simple cylindrical side hole. Dimensions a <strong>and</strong><br />

b are the bore <strong>and</strong> hole radius respectively, <strong>and</strong> for convenience we shall use γ = b/a. Shown<br />

in Figure 2.8 is the substitution circuit for a symmetrical side hole between two tube sections.<br />

The impedance <strong>of</strong> the side hole itself is a summation <strong>of</strong> three impedances:<br />

1. Z h , the impedance <strong>of</strong> a tube with dimensions equal to the hole dimensions (as defined<br />

in Figure 2.7)<br />

2. Z r , the radiation impedance (see §2.2.8)<br />

3. Z m , the ‘matching volume’ correction.

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