11.07.2014 Views

Flute acoustics: measurement, modelling and design - School of ...

Flute acoustics: measurement, modelling and design - School of ...

Flute acoustics: measurement, modelling and design - School of ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

ix<br />

Contents<br />

Dedication ...............................................<br />

Acknowledgements ..........................................<br />

iii<br />

v<br />

Abstract ................................................ vii<br />

CHAPTERS<br />

I Introduction ............................................ 1<br />

1.1 Introduction to flute <strong>acoustics</strong> . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1<br />

1.2 The flute maker, the curator <strong>and</strong> the s<strong>of</strong>tware engineer . . . . . . . . . . . . . . . . . . 2<br />

1.3 ‘<strong>Flute</strong>CAD’: taking the guesswork out <strong>of</strong> flute <strong>design</strong> . . . . . . . . . . . . . . . . . . . . 3<br />

1.4 How flutes work . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5<br />

1.5 Acoustic impedance: predicting the playing qualities <strong>of</strong> a flute . . . . . . . . . . . . . . 6<br />

1.6 Tuning, tradition <strong>and</strong> the ‘st<strong>and</strong>ard flutist’ . . . . . . . . . . . . . . . . . . . . . . . . . . 6<br />

1.7 S<strong>of</strong>tware implementation: goals <strong>and</strong> limitations . . . . . . . . . . . . . . . . . . . . . . . 8<br />

1.8 Guide to the thesis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8<br />

II Theory <strong>and</strong> literature review .................................. 11<br />

2.1 <strong>Flute</strong>s <strong>and</strong> flute making . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11<br />

2.2 Acoustics <strong>of</strong> woodwind instruments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14<br />

2.3 Computer models . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29<br />

III Measuring acoustic impedance ................................ 31<br />

3.1 Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31<br />

3.2 Review <strong>of</strong> <strong>measurement</strong> techniques . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32<br />

3.3 Theory <strong>of</strong> acoustic impedance <strong>measurement</strong>s . . . . . . . . . . . . . . . . . . . . . . . 32<br />

3.4 Calibration <strong>of</strong> impedance heads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36<br />

3.5 Errors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40<br />

3.6 Optimisation <strong>of</strong> the output signal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45<br />

3.7 Materials <strong>and</strong> methods . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45<br />

3.8 Results <strong>and</strong> discussion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47<br />

IV Finger hole impedance spectra <strong>and</strong> length corrections .................. 53<br />

4.1 Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53<br />

4.2 Materials <strong>and</strong> methods . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55<br />

4.3 Results <strong>and</strong> discussion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!