Flute acoustics: measurement, modelling and design - School of ...
Flute acoustics: measurement, modelling and design - School of ...
Flute acoustics: measurement, modelling and design - School of ...
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8 CHAPTER 1. INTRODUCTION<br />
‘in-tune’ instrument is difficult to define.<br />
A flute plays notes close in frequency to the impedance minima in its impedance spectrum.<br />
How close depends on several factors, including the impedance <strong>of</strong> the player’s face<br />
<strong>and</strong> embouchure, <strong>and</strong> the frequency <strong>of</strong> other impedance minima. In order to approximate<br />
the frequency-dependence <strong>of</strong> a typical player’s embouchure, we asked pr<strong>of</strong>essional <strong>and</strong> semipr<strong>of</strong>essional<br />
flute players to play notes on the flute without aiming to play the note in tune, but<br />
rather to aim for the best sound. We then compared the tunings obtained in this way to those<br />
measured on the impedance spectrum, <strong>and</strong> used the difference in a correction factor.<br />
1.7 SOFTWARE IMPLEMENTATION: GOALS AND LIMITATIONS<br />
What are the requirements <strong>of</strong> the s<strong>of</strong>tware program that is the practical aim <strong>of</strong> this thesis?<br />
The maker should be able easily to enter, store <strong>and</strong> retrieve flute data in a familiar form. The<br />
interface should additionally show a schematic diagram <strong>of</strong> the instrument for a quick overview<br />
<strong>of</strong> the flute <strong>design</strong> <strong>and</strong> for comparison to existing <strong>design</strong>s.<br />
The s<strong>of</strong>tware should calculate <strong>and</strong> display the acoustic parameters <strong>of</strong> interest (tuning, timbre<br />
<strong>and</strong> playability) for a couple <strong>of</strong> dozen important notes reasonably quickly—within a minute<br />
at most on an inexpensive computer. This condition is important, since the flute maker should<br />
be able to make iterative changes to a <strong>design</strong> <strong>and</strong> see the effect <strong>of</strong> each change without having<br />
to wait an inordinate amount <strong>of</strong> time. This limits the s<strong>of</strong>tware models available to us <strong>and</strong> has<br />
implications for the s<strong>of</strong>tware implementation. It would be useful as a <strong>design</strong> aid if the s<strong>of</strong>tware<br />
has the facility to plot the magnitude <strong>of</strong> the pressure <strong>and</strong> flow waves along the flute for any fingering,<br />
as these give insight into the contribution <strong>of</strong> each tone hole to the tuning <strong>of</strong> a particular<br />
note <strong>and</strong> help with the correct placement <strong>of</strong> register holes.<br />
The s<strong>of</strong>tware program C was used to produce the impedance model. Some <strong>of</strong> the code<br />
used in the impedance model <strong>of</strong> Botros et al. (2006) is inherited <strong>and</strong> used in this thesis. The<br />
comm<strong>and</strong> line input to the C program is an XML file describing the flute geometry, <strong>and</strong> a file<br />
containing fingering information. The program outputs the impedance spectra for each fingering.<br />
A related s<strong>of</strong>tware tool outputs the pressure <strong>and</strong> flow magnitudes along the flute.<br />
The s<strong>of</strong>tware interface was written using Java. Java is an object-oriented programming language<br />
developed by Sun Microsystems. One <strong>of</strong> the main advantages <strong>of</strong> Java is that it is platform<br />
independent: provided the user has a Java Runtime Environment (JRE) installed on their machine,<br />
the code will run. JREs are available for all major operating systems.<br />
1.8 GUIDE TO THE THESIS<br />
In Chapter 2 the relevant literature is surveyed, important formulae are quoted or derived <strong>and</strong><br />
existing flute models are compared. Next, an impedance spectrometer is made <strong>and</strong> carefully<br />
calibrated (Chapter 3) so as to measure the input impedance <strong>of</strong> wind instruments quickly <strong>and</strong><br />
with a high degree <strong>of</strong> accuracy. The impedance characteristics <strong>of</strong> finger holes, such as are used<br />
on recorders, classical flutes <strong>and</strong> clarinets, are measured in Chapter 4 <strong>and</strong> fit-formulae are derived.<br />
Databases <strong>of</strong> impedance spectra for modern <strong>and</strong> classical flutes <strong>and</strong> a modern clarinet<br />
are assembled (Chapter 5). Possible effects on impedance spectra <strong>of</strong> the material used for flute