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approach in social science in which hybrids, or non-humans and relational<br />

material agency, have been incorporated is Actor-Network Theory (ANT).<br />

Consequently, those who have tried to translate ANT into tourism studies<br />

(Franklin 2004; Jóhannesson 2005; Van der Duim 2007) have indeed<br />

emphasized this hybrid character of tourism as being “held together by<br />

active sets of relations in which the human and the non-human<br />

continuously exchange properties” (Van der Duim 2007, p. 964).<br />

ANT is thus an approach that treats entities and materialities as<br />

enacted and relational effects, and explores the configuration and<br />

reconfiguration of those relations. Its relationality means that major<br />

categories or ontological domains (for instance “tourism”, “society”,<br />

“nature”, “culture” or “human” and non-human”) are understood and<br />

treated as effects or outcomes, rather than explanatory resources. Without<br />

exchange of properties, mediations, the associations and the performative<br />

orderings of humans and non-humans through the configuration of those<br />

relations, there would simply be no tourism. Hall’s eight points that we<br />

listed earlier might well be viewed as an agenda to investigate these hybrid<br />

tourism spaces, with focus on mobility, sustainability, humans and the<br />

technologies of travel.<br />

We have indeed no difficulties in subscribing to the view that ANT<br />

has indeed much to offer tourism studies, not the least for taking nonhumans<br />

and material on board and for providing a methodology by which<br />

the performative ordering of tourism and tourists can be studied. But for<br />

the sake of our project we are obliged to try and “earthify” as much as we<br />

possibly can beyond the social. This means that it becomes important to<br />

avoid the possibility of understanding tourism as mere self-contained<br />

enclosed topologically complex being that produces its own spaces by<br />

connecting and disconnecting heterogeneous elements. For our purpose,<br />

we need to situate tourism also on the Earth as a plane of reference and<br />

provider of consistency for all actor-networking (Gren 2002). This is the<br />

fundament for thinking about tourist and tourism imaginationings, and<br />

leads us on to exemplifying the “earthification” of tourism in tourism<br />

imaginationings.<br />

Tourism in the world - on the Earth<br />

“World” is often used to mean something intrinsically related to human<br />

civilization or to specifically human realms of experience, understanding,<br />

or the human condition in general. This is the sense of “world” one gets in<br />

97

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