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The cartography of tourism imaginationing<br />
The map is a convenient and efficient representational instrument for<br />
displaying information spatially. It can both point out where one is and<br />
give directions to where one could travel. Hence, in the cartography of<br />
tourism imaginationing there is a co-ordination of real locations with<br />
actual destinations on the Earth’s surface. In tourism imaginationing there<br />
is, like in a map, a combination of picture and story that brings forth a<br />
cartographic imagery in which locations appear as tourist destinations<br />
possible to be apprehended by a tourist imaginationing.<br />
Image 3.3: The cartography of tourist imaginationing. 23<br />
Yet, however important a role the visual plays in tourism<br />
imaginationings, it is crucial not to conflate a visual image with a picture:<br />
“And this is Iceland! – but I see no ice” (Miles 1852, in Boucher 1989, p.<br />
17). As Wittgenstein once put it; “What is imagined is not in the same<br />
space as what is seen” (Wittgenstein, cited in Olsson 2007, p. 124). A<br />
picture is what we can see with our eyes, but images of whatever kind live<br />
their lives in the space of human imagination, for example as<br />
“simplifications of more complex ideas”, or as “the sum of beliefs,<br />
attitudes, and impressions that a person or group has of an object”<br />
(Nadeau, Heslop, O’Reilly and Luk 2008, p. 84). However image is<br />
theorized, it is important to remember that there is “no simple relationship<br />
between what is directly seen and what is signified” (Urry 1990/2002, p.<br />
146), as we have shown in chapter 2.<br />
Furthermore, as we have noted several times, the significance of<br />
images in tourism is in direct relation to the intangibility of the tourism<br />
23 http://www.telegraph.co.uk/telegraph/multimedia/archive (retreived 2009-04-13)<br />
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