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Eight on my list is the heritage of discovery and exploration, fostered by<br />

the medieval Viking sagas that have been told and retold to every<br />

Icelandic child. This is a tradition that gives honour to those who venture<br />

into unknown lands, who dare to journey to foreign fields, interpreting<br />

modern business ventures as an extension of the Viking spirit,<br />

applauding the successful entrepreneurs as heirs of this proud tradition<br />

(Grímsson cited in Reykjavik Grapevine 2009, issue 4, p. 8).<br />

So it is that the old scars of cultural imaginationings cut much<br />

deeper than the new recent wounds of the “kreppa”, the financial<br />

meltdown that hit Iceland in the fall of 2008. The media coverage that<br />

Iceland received during the height of the crises could hardly have been<br />

bought for money, and the favourable Icelandic krona exchange rate seems<br />

to be propelling the tourism industry into new times and rounds of<br />

prosperity. Whatever the future has to offer, it is clear that the financial<br />

turmoil has once again put tourism at the centre of Icelandic<br />

imaginationing in its position as prime rescuer of the post war resource<br />

driven economy (see Jóhannesson & Huijbens, forthcoming). As it was<br />

said before the crisis:<br />

In every part of Iceland there are investments that need to bring in a<br />

return. If we could manage that, there would be economic growth in all<br />

the rural areas. Behind every 50,000 tourists there are around a thousand<br />

work years and 60 million dollars in added value distributed through all<br />

parts of society (Magnason 2008, p. 273).<br />

This economic imaginationing of tourism may be compared with the<br />

parliamentary resolution on tourism, “Tourism strategy 2006-2015”, with<br />

its vision of environmental consciousness and features like “purity”,<br />

“health”, “safety” and the country’s “beauty” in terms of untouched nature.<br />

Incidentally, during the last two decades the cover of Iceland’s Tourist<br />

Board’s yearly brochure has predominantly presented an image<br />

characterized by water, rather static nature and bluish colours<br />

(Gunnarsdóttir 2007). This seems to be well in line with a common rule in<br />

tourism of marketing “groomed spaces”. According to Hunter:<br />

46

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