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, Davis<br />

of expression. Nothing In the code denies<br />

or curtails freedom of expression. Nothing<br />

in the code denies or curtails freedom of expression<br />

on any matter."<br />

Wliat is the indiistr>° doing to foster the<br />

broadest showing: of the best foreign films?<br />

Depinet replied; "Our doors are wide open<br />

for films produced anywhere in the world.<br />

They have succeeded in proportion to the<br />

way the American public accepted them. But<br />

every good foreign picture that stands on<br />

its own has the opportunity to play in 16,000<br />

or 18,000 American theatres. There is no<br />

quota, there is no tax. there is no restriction,<br />

and their money is free to go back to their<br />

own country. I wish we were treated as well<br />

as they are."<br />

Skouras added: "If it were not for the<br />

American motion picture, the majority of the<br />

theatres of the world would be closed.<br />

"There are some foreign pictui-es that are<br />

good and those the public will see. The poor<br />

ones we cannot ram down their throats, because<br />

our own poor motion pictures are also<br />

not accepted by the public."<br />

Does Hollywood make too many picture<br />

cycles, lacking variety and originality?<br />

Breen denies that cycles were common.<br />

"It is not true to say," he continued, "that<br />

they have no new plots and ideas. They do<br />

They may follow a general trend, but there<br />

is nothing extraordinary in that. Book publishing<br />

has fads and phases. So do motion<br />

pictures."<br />

Skouras concluded the discussion by saying:<br />

"England would do everything in the<br />

world to have the advantages we have in<br />

the motion picture industry, and you know<br />

other nations would give everything. I know<br />

Stalin would give everything to have it. There<br />

is only one thing wrong with the motion<br />

picture industry: We do not appreciate its<br />

importance to the people of America."<br />

Two Academy Winners Die<br />

HOLLYWOOI>-Death took two Academy<br />

award winners last week. Charles Gordon<br />

Booth. 51, author and screen writer, died<br />

at his home May 22. He won an Academy<br />

award for the be.st original screen story.<br />

"The House on 92nd Street" and wrote "The<br />

General Died at Dawn" and "Johnny Angel."<br />

Joseph R. Valentine, 48, one of the film industry's<br />

top cameramen, died May 17 of a<br />

heart ailment. He won the Oscar this year<br />

for his color photography in "Joan of Arc"<br />

and previously had been nominated four<br />

times for his camera work.<br />

Albert Mannheimer Dies<br />

NEW YORK—Albert Mannheimer sr., 63,<br />

head of exchange business operations of Film<br />

Classics, Inc., died of a heart attack at his<br />

office in the home office on Wednesday. His<br />

son, Albert Mannheimer jr., screen writer,<br />

flew in from the coast. Funeral services were<br />

held at the Riverside Memorial chapel.<br />

Owen Davis jr. Dead<br />

NEW YORK—Funeral services for Owen<br />

jr.. 42, television producer for NBC<br />

and earlier known as an actor on the screen,<br />

stage and radio, were held at the Little<br />

Church Aroimd the Corner May 25. Davis<br />

was found dead May 21 on the Long Island<br />

Sound shore near Kings Point. L. I., after<br />

disappearing from a yacht owned by Herbert<br />

V. Anderson, NBC sales executive.<br />

FIRST THEATRE TO USE FACSIMILE NEWSPAPER FOR ADS<br />

COLUMBIA, MO.—The Uptown Theatre<br />

here has installed a "Faxsimile" receiver<br />

in its lobby and Rex P. Barrett, the manager,<br />

believes that his is the first theatre<br />

to provide this service for patrons and the<br />

first to utilize a "newspaper of the air" to<br />

advertise its current attractions.<br />

The facsimile broadcasting is a project<br />

of the University of Missouri school of<br />

journalism, and the station is one of two<br />

in the country. Because it is a local undertaking,<br />

Barrett is able to take advantage<br />

of the opportunities offered to advertise<br />

his attractions. Facsimile reports are received<br />

at noon and 2:30 p. m. and cover the<br />

day's headlines, market and weather reports,<br />

sports, features and advertising and<br />

exploitation for current attractions at the<br />

Uptown Theatre, which is a Conmionwealth<br />

circuit operation.<br />

Simultaneously, the facsimile reports are<br />

received at the leading downtown bank<br />

and hotel and at the University of Missouri<br />

student library and journalism school.<br />

In the accompanying photograph, Barrett<br />

(at left) is shown with Miss Jean<br />

Behmer, a university student, and Mayor<br />

Roy Sappington of Columbia inspecting<br />

the receiver and some of the facsimile<br />

broadcasts in the theatre lobby.<br />

Brandt Heads EL Advertising and Publicity<br />

NEW YORK—Leon Brandt has been named<br />

acting director of advertising, publicity and<br />

exploitation for Eagle<br />

Lion, according to Wil<br />

liam J. Heinema<br />

V i c e-p resident in<br />

charge of distribution. ^<br />

.<br />

B r an d t . who had J<br />

\<br />

been assistant director<br />

of the department<br />

since the end of April,<br />

takes over the duties of<br />

Youngstein,<br />

Max E.<br />

who resigned as vicepresident<br />

in charge o!<br />

these activities May 20<br />

to join Paramount. Leon Brandt<br />

Youngstein is director of national advertising,<br />

publicity and exploitation for Paramount.<br />

Brandt joined Eagle Lion in October 1946<br />

as midwestern exploitation representative.<br />

Two years later he was named exploitation<br />

manager, and last month became assistant<br />

director of advertising, puWicity and exploitation,<br />

succeeding Jerry Pickman, who had resigned<br />

to become director of exhibitor relations<br />

for Paramount.<br />

During the mid 1930s Brandt did publicity<br />

work for subsidiaries of National Theatres.<br />

He later resigned to go into business for<br />

himself, and in 1942 joined United Artists<br />

as a home office exploitation representative.<br />

Heineman said that he and Brandt will<br />

continue the close sales-advertising and publicity<br />

association developed during the<br />

Youngstein regime.<br />

Film Classics. Cinecolor<br />

Split Talks Due June 14<br />

NEW YORK—Directors of Film Classics<br />

and Cinecolor will meet June 14 for a discussion<br />

of whether or not the two companies<br />

will be separated. It is expected a decision<br />

will be reached at that time, according to<br />

Joseph Bemhard.<br />

In the meantime it has been officially<br />

stated that S. H, Fabian is not interested<br />

in buying into Film Classics.<br />

BOXOFFICE :<br />

: May<br />

28, 1949<br />

17<br />

I

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