You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
, Davis<br />
of expression. Nothing In the code denies<br />
or curtails freedom of expression. Nothing<br />
in the code denies or curtails freedom of expression<br />
on any matter."<br />
Wliat is the indiistr>° doing to foster the<br />
broadest showing: of the best foreign films?<br />
Depinet replied; "Our doors are wide open<br />
for films produced anywhere in the world.<br />
They have succeeded in proportion to the<br />
way the American public accepted them. But<br />
every good foreign picture that stands on<br />
its own has the opportunity to play in 16,000<br />
or 18,000 American theatres. There is no<br />
quota, there is no tax. there is no restriction,<br />
and their money is free to go back to their<br />
own country. I wish we were treated as well<br />
as they are."<br />
Skouras added: "If it were not for the<br />
American motion picture, the majority of the<br />
theatres of the world would be closed.<br />
"There are some foreign pictui-es that are<br />
good and those the public will see. The poor<br />
ones we cannot ram down their throats, because<br />
our own poor motion pictures are also<br />
not accepted by the public."<br />
Does Hollywood make too many picture<br />
cycles, lacking variety and originality?<br />
Breen denies that cycles were common.<br />
"It is not true to say," he continued, "that<br />
they have no new plots and ideas. They do<br />
They may follow a general trend, but there<br />
is nothing extraordinary in that. Book publishing<br />
has fads and phases. So do motion<br />
pictures."<br />
Skouras concluded the discussion by saying:<br />
"England would do everything in the<br />
world to have the advantages we have in<br />
the motion picture industry, and you know<br />
other nations would give everything. I know<br />
Stalin would give everything to have it. There<br />
is only one thing wrong with the motion<br />
picture industry: We do not appreciate its<br />
importance to the people of America."<br />
Two Academy Winners Die<br />
HOLLYWOOI>-Death took two Academy<br />
award winners last week. Charles Gordon<br />
Booth. 51, author and screen writer, died<br />
at his home May 22. He won an Academy<br />
award for the be.st original screen story.<br />
"The House on 92nd Street" and wrote "The<br />
General Died at Dawn" and "Johnny Angel."<br />
Joseph R. Valentine, 48, one of the film industry's<br />
top cameramen, died May 17 of a<br />
heart ailment. He won the Oscar this year<br />
for his color photography in "Joan of Arc"<br />
and previously had been nominated four<br />
times for his camera work.<br />
Albert Mannheimer Dies<br />
NEW YORK—Albert Mannheimer sr., 63,<br />
head of exchange business operations of Film<br />
Classics, Inc., died of a heart attack at his<br />
office in the home office on Wednesday. His<br />
son, Albert Mannheimer jr., screen writer,<br />
flew in from the coast. Funeral services were<br />
held at the Riverside Memorial chapel.<br />
Owen Davis jr. Dead<br />
NEW YORK—Funeral services for Owen<br />
jr.. 42, television producer for NBC<br />
and earlier known as an actor on the screen,<br />
stage and radio, were held at the Little<br />
Church Aroimd the Corner May 25. Davis<br />
was found dead May 21 on the Long Island<br />
Sound shore near Kings Point. L. I., after<br />
disappearing from a yacht owned by Herbert<br />
V. Anderson, NBC sales executive.<br />
FIRST THEATRE TO USE FACSIMILE NEWSPAPER FOR ADS<br />
COLUMBIA, MO.—The Uptown Theatre<br />
here has installed a "Faxsimile" receiver<br />
in its lobby and Rex P. Barrett, the manager,<br />
believes that his is the first theatre<br />
to provide this service for patrons and the<br />
first to utilize a "newspaper of the air" to<br />
advertise its current attractions.<br />
The facsimile broadcasting is a project<br />
of the University of Missouri school of<br />
journalism, and the station is one of two<br />
in the country. Because it is a local undertaking,<br />
Barrett is able to take advantage<br />
of the opportunities offered to advertise<br />
his attractions. Facsimile reports are received<br />
at noon and 2:30 p. m. and cover the<br />
day's headlines, market and weather reports,<br />
sports, features and advertising and<br />
exploitation for current attractions at the<br />
Uptown Theatre, which is a Conmionwealth<br />
circuit operation.<br />
Simultaneously, the facsimile reports are<br />
received at the leading downtown bank<br />
and hotel and at the University of Missouri<br />
student library and journalism school.<br />
In the accompanying photograph, Barrett<br />
(at left) is shown with Miss Jean<br />
Behmer, a university student, and Mayor<br />
Roy Sappington of Columbia inspecting<br />
the receiver and some of the facsimile<br />
broadcasts in the theatre lobby.<br />
Brandt Heads EL Advertising and Publicity<br />
NEW YORK—Leon Brandt has been named<br />
acting director of advertising, publicity and<br />
exploitation for Eagle<br />
Lion, according to Wil<br />
liam J. Heinema<br />
V i c e-p resident in<br />
charge of distribution. ^<br />
.<br />
B r an d t . who had J<br />
\<br />
been assistant director<br />
of the department<br />
since the end of April,<br />
takes over the duties of<br />
Youngstein,<br />
Max E.<br />
who resigned as vicepresident<br />
in charge o!<br />
these activities May 20<br />
to join Paramount. Leon Brandt<br />
Youngstein is director of national advertising,<br />
publicity and exploitation for Paramount.<br />
Brandt joined Eagle Lion in October 1946<br />
as midwestern exploitation representative.<br />
Two years later he was named exploitation<br />
manager, and last month became assistant<br />
director of advertising, puWicity and exploitation,<br />
succeeding Jerry Pickman, who had resigned<br />
to become director of exhibitor relations<br />
for Paramount.<br />
During the mid 1930s Brandt did publicity<br />
work for subsidiaries of National Theatres.<br />
He later resigned to go into business for<br />
himself, and in 1942 joined United Artists<br />
as a home office exploitation representative.<br />
Heineman said that he and Brandt will<br />
continue the close sales-advertising and publicity<br />
association developed during the<br />
Youngstein regime.<br />
Film Classics. Cinecolor<br />
Split Talks Due June 14<br />
NEW YORK—Directors of Film Classics<br />
and Cinecolor will meet June 14 for a discussion<br />
of whether or not the two companies<br />
will be separated. It is expected a decision<br />
will be reached at that time, according to<br />
Joseph Bemhard.<br />
In the meantime it has been officially<br />
stated that S. H, Fabian is not interested<br />
in buying into Film Classics.<br />
BOXOFFICE :<br />
: May<br />
28, 1949<br />
17<br />
I