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Boxoffice-12.1953

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'Moon Is Blue' Wins<br />

In Maryland Court<br />

BALTIMORE—The Maryland State Board<br />

of Motion Picture Censors was "arbitrary<br />

and capricious" in refusing to permit exliibltion<br />

of "The Moon Is Blue" in the state, according<br />

to a ruling handed down Tuesday (8i<br />

by Judge Herman M. Moser in Baltimore<br />

city court. Reversal of the decision the of<br />

censors clears the way for the showing of<br />

the picture throughout the state.<br />

"The court finds as a fact," Judge Moser<br />

said, "that 'The Moon Is Blue' is neither<br />

obscene, indecent, immoral nor tending to<br />

corrupt morals, as those words are used in<br />

the Maryland act, and that, therefore, the<br />

action of the boai-d in banning this film was<br />

arbitrary and capricious."<br />

Judge Moser said that under recent U.S.<br />

Supreme Court decisions the state censorship<br />

board had the right to ban only what is<br />

"obscene and indecent," and that the board<br />

had no "fixed standards" enabling it to interpret<br />

what is "indecent, immoral and obscene."<br />

He said furthermore that either the<br />

board should be abolished or the state should<br />

enact a statute which could be "constitutionally<br />

enforced," and that if the board<br />

were abolished, its functions could be performed<br />

by existing prosecuting officials.<br />

Judge Moser also was critical of the production<br />

code administration of the industry which<br />

had denied the film its approval.<br />

"Even though it might well be urged," he<br />

said, "that the production code administration<br />

was wrong in banning the film, as has<br />

been done by some film magazines, the more<br />

essential point is that those clauses in the<br />

code cited against 'The Moon Is Blue' are not<br />

such standards as may constitutionally be<br />

applied by governmental censors.<br />

"It is clear that the standard of the code<br />

Would be absurd if literally enforced and it is<br />

fatally vague as a legal standard if, as must<br />

be the case, it is implicit that expansions and<br />

limitations must be supplied by the censor."<br />

The judge found that the film's reception<br />

"has been and is favorable," and that it had<br />

resulted in "no record of any harmful or<br />

deleterious effect." He called the film light<br />

comedy, "telling a tale of wide-eyed, brash,<br />

puppy-like innocence, routing or converting<br />

to its side forces of evil it encounters." He<br />

said there were "no illicit, amorous adventures<br />

in this film," and that "in fact, such<br />

conduct is unintended and, instead, the story<br />

is one of virtue triumphant."<br />

R. Dorsey Watkins of the law firm of Piper<br />

and Marbury represented United Artists, distributor,<br />

and Otto Preminger, producer, of<br />

the film. He has applied to the censors for<br />

their seal of approval.<br />

Sydney R. Traub, board chairman, indicated<br />

the decision would be taken to the<br />

Court of Appeals.<br />

Loew's to Pay Dividend<br />

NEW YORK—Directors of Loew's, Inc.,<br />

have declared a dividend of 20 cents per share<br />

on the common stock, payable December 24 to<br />

stockholders of record December 11.<br />

RKO Releasing 'Desperate Men'<br />

HOLLYWOOD — Release through RKO<br />

Radio has been secured for "Desperate Men,"<br />

a western being produced by Benedict Bogeaus,<br />

with John Payne in the starring spot.<br />

Stanley Kramer Returning<br />

To Distribution by UA<br />

HOLLYWOOD—As was generally expected,<br />

future product from Stanley Kramer, independent<br />

producer, will be released exclusively<br />

by United Artists, which organization distributed<br />

his output when he initially started<br />

fabricating motion pictures.<br />

Ki-amer made his plans known at a press<br />

conference on Monday (7), shortly after he<br />

had announced termination of his connection<br />

with Columbia. Such termination was disclosed<br />

a week earlier with the deUvery of "The<br />

Wild One" and "The Caine Mutiny," the last<br />

of 11 pictures made for Columbia, to that<br />

company.<br />

Incorporation papers have been filed in<br />

Sacramento, Calif., for the Stanley Kramer<br />

Pictures Corp., of which Kramer is president,<br />

with Samuel Zagon as vice-president, Anne<br />

Kramer as secretary and Earl Kramer a^<br />

treasurer. The Stanley Kramer Co., which<br />

comprised Kramer, George Glass and Sam<br />

Marx, will remain in existence during the<br />

distribution and playdate life of "The Wild<br />

One" and "The Caine Mutiny," but will engage<br />

in no further production.<br />

Under the new setup, UA will participate in<br />

the financing of Kramer's celluloid output,<br />

which the filmmaker said would be manufactured<br />

at the rate of one and a half pictures<br />

annually—three during the first two<br />

years. No announcement was made as to<br />

what the first property will be. Neither of<br />

his former partners, Glass or Katz, are associated<br />

with Kramer in the new enterprise.<br />

Kramer stressed that budgets and filming<br />

techniques will be tailored to the subject<br />

matter on each individual pictui-e, and that<br />

he will employ not only top boxoffice casts<br />

Maas Aids Reorganization<br />

Of USIA Film Division<br />

NEW YORK—Irving Maas, Motion Picture<br />

Export Ass'n authority on far eastern affairs,<br />

has taken on additional duties as a consultant<br />

to the U.S. Information Agency. He left for<br />

Washington during the week to aid in reorganizing<br />

the motion picture division of the<br />

agency. He will probably remain there until<br />

the end of the year, and then leave for his<br />

planned visit to far eastern countries as<br />

MPEA representative. J. Cheever Cowdin recently<br />

resigned as director of the division.<br />

Theodore Streibert is director of the agency.<br />

UA Books Guinness Film<br />

In Regular Theatres<br />

NEW YORK—United Artists will release<br />

"The Captain's Paradise," the Alec Guinness<br />

STANLEY KRAMER<br />

but also wide-screen and/or 3-D and color<br />

wherever indicated.<br />

"My experiences in the past few years."<br />

Kramer declared, "have taught me that I am<br />

happier when making one picture at a time,<br />

following it through from start to finish. An<br />

independent producer's job doesn't end when<br />

he delivers the negative to the sales department.<br />

Only then does it begin, because he is<br />

very much a part of the selling, advertising<br />

and exploitation campaign."<br />

Kramer thus indicated he will return to<br />

the policy which he has long regarded as<br />

being highly effective—that of the producer<br />

going out on the road to assist in the selling<br />

and exploitation of his pictures as they go<br />

into release.<br />

house, opened in Cleveland at the Stillman<br />

Theatre, general audience situation, December<br />

5, and is also booked at the Warner.<br />

Memphis. December 9 and the Esquire. Denver,<br />

December 9, and the United Artists.<br />

San Francisco, December 23.<br />

Disney Signs Margolies<br />

For 'Desert' Campaigns<br />

NEW YORK— Walt Disney Productions has<br />

retained Albert Margolies & Co. to handle<br />

the campaign on "The Living Desert" in<br />

Washington. Philadelphia. Boston. Chicago.<br />

Cleveland and Miami. The company had handled<br />

the opening in New York. Margolies left<br />

for Chicago during the week. The picture<br />

will open there at the Loop Theatre Christmas.<br />

MGM CinemaScope Dates<br />

NEW YORK—MGM has scheduled two<br />

more C/iristmas day openings for its first<br />

Cinemascope production, "Knights of the<br />

Round Table." added to four previously set<br />

production, in commercial houses thi-oughout<br />

the U.S., instead of confining its showings<br />

in art houses, according to William J. Heineman,<br />

vice-president in charge of distribution.<br />

Guinness' earlier pictures were big<br />

successes in art houses only, including "The<br />

Man in the White Suit," "The Lavender HUl<br />

Mob" and "The Promoter." all of them distributed<br />

by Universal-International.<br />

to New Year's day. Tlie new openings will<br />

"The Captain's Paradise," now in its tenth be at Loew's State, Cleveland, and the Adams,<br />

week at the Paris Theatre, New York art Detroit.<br />

in Kansas City. St. Louis. Pittsburgh and<br />

San Francisco, the last-named being set back<br />

^i BOXOFFICE December 12, 1953

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