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Boxoffice-12.1953

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British Argue TV Setup;<br />

Granada Program Source<br />

LONDON—The amusement industry here is<br />

and when<br />

having a difficult time deciding if<br />

a commercial television network should be<br />

set up which, unlike the existing television<br />

programs controlled by the British Broadcasting<br />

Corp., could present advertising. The<br />

House of Lords has voted approval of the plan,<br />

but it is still to be argued in the House of<br />

Commons.<br />

Out of recent statements pro and con, only<br />

one seemed to have an air of finality about it.<br />

That was made by Cecil Bernstein, managing<br />

director of Granada Theatres. He said that<br />

if the new network is set up, Granada will<br />

supply the programming material.<br />

PROTEST TV SETtfP<br />

Bernstein made his statement at a time<br />

when exhibitor voices continued to be raised<br />

against a new television setup. W. R. Fuller,<br />

general secretary of the Cinematograph Exhibitors<br />

Ass'n, said its attitude hadn't changed,<br />

that producers can produce for any medium<br />

they wish, but that if they make fUms for TV,<br />

they can't expect them to be accepted by exhibitors.<br />

Sir Alexander Korda, a director of the Associated<br />

Broadcasting Development Corp., had<br />

another viewpoint. He said the government<br />

proposals for competitive TV would greatly<br />

increase employment of artists, writers, technicians<br />

and all the others who make films.<br />

He was sure the government would make certain<br />

that predominantly British films were<br />

used. He thought there might even be a<br />

statutory quota.<br />

Bernstein explained the Granada position<br />

by saying it wouldn't conflict with theatres.<br />

He said TV is entertainment the same<br />

as the stage and screen, and that Granada<br />

through long experience could provide the entertainment.<br />

He had originally sought a license<br />

to telecast programs to theatres, but<br />

the government denied his request. He then<br />

applied for a license to operate a commercial<br />

TV station.<br />

DON'T WANT AD CONTROL<br />

The cry has been raised that if Commons<br />

approves the proposed setup, advertising interests<br />

will control programs and, presumably,<br />

spoil their entertainment value. The<br />

United States has been used as a whipping<br />

boy illustration. The government has gotten<br />

out a "white paper" in reply.<br />

The paper said the BBC will continue to be<br />

the main instrument for broadcasting in the<br />

United Kingdom, but that competition is necessary<br />

to improve filmed TV entertainment<br />

with the idea of eventually producing such<br />

entertainment for overseas markets. It said<br />

advertisers will not by hiring time be able<br />

to control programs.<br />

"The government has decided as a basic<br />

principle," the paper said, "that there should<br />

be no 'sponsoring' and that the responsibility<br />

for what goes out on the air shall rest upon<br />

the operator of the station and not on the<br />

advertiser . . . The government has consulted<br />

representative advertising bodies on this<br />

point and is satisfied that separation of advertisements<br />

from the programs would not<br />

prejudice the financial success of the new TV<br />

service."<br />

A corporation would be set up by statute<br />

for a certain period, perhaps ten years, and,<br />

like the BBC, operate under license from the<br />

postmaster-general. The treasury would provide<br />

capital beai-ing an interest rate.<br />

Douglas Fairbanks jr., who produced 39<br />

films this year for American TV, didn't see<br />

the white paper as providing any great inducement<br />

for making TV films. He said that<br />

even with the American market open to him,<br />

it was difficult to make a profit, and that<br />

the smaller British market offered even less<br />

opportunity for profit. He saw wide use of<br />

live programs at the outset.<br />

British Actors Equity is in the picture seeking<br />

higher salaries for TV artists and for<br />

control of TV material to ensure that 80 per<br />

cent of it is British.<br />

SPOKANE<br />

Donald McFarland is the new assistant manager<br />

at the State. He formerly was in the<br />

air force. William Zupon, former assistant, was<br />

transferred to the Orpheum, while John<br />

Rowald, assistant at the Orpheum, was appointed<br />

roving assistant for the Favorite Theatres<br />

of<br />

Spokane.<br />

The Fox Theatre installed a Miracle-Mirror<br />

screen, button-on head four-track sound system<br />

and Cinemascope lenses. Jack Hanaker,<br />

manager for Evergreen here, ran "The Robe"<br />

for five weeks, breaking all Spokane records.<br />

It was being followed by "How to Marry a<br />

Millionaire." Installation of a Cinemascope<br />

system is planned for January at the<br />

Orpheum.<br />

Jack Hanaker is temporary chairman of<br />

the Spokane Managers and Theatre Owners<br />

Ass'n, which was formed to combat city and<br />

federal taxes. Hanaker advises the city business<br />

tax was reduced, due to the association's<br />

activities . . . Bob Freiberger, manager of the<br />

East Sprague Drive-In, returned from a twoweek<br />

vacation at Riverside, Calif. He will<br />

replace Frank Hamilton, manager of the Liberty,<br />

for two weeks while Frank goes on a<br />

vacation to Seattle. Both are Favorite theatres.<br />

Leonard Loyik, city manager for Favorite,<br />

reports the circuit plans to install Cinema-<br />

Scope equipment at the Post Theatre in January.<br />

Stanley Warner Offers<br />

To Sell Two Theatres<br />

From New England Edition<br />

HARTFORD—Phil Zimmerman of Stanley<br />

Warner Management Corp. has disclosed the<br />

circuit is offering the Capitol of Danbury<br />

and the Bristol of Bristol for sale.<br />

The Danbm-y house, seating approximately<br />

1,344, is available subject to prior sale or<br />

withdrawal without notice. The leasehold on<br />

the property would go to interested parties.<br />

The Bristol house is for sale, complete with<br />

equipment, also subject to prior sale or withdrawal<br />

without notice.<br />

:<br />

f<br />

RESEARCH BUREAl Hi<br />

for [01<br />

MODERN THEATRE PLANNES S<br />

ENROLLMENT FORM FOR FREE INFORMAL<br />

The MODERN THEATRE<br />

PLANNING INSTITUTE<br />

825 Van Brunt Blvd.<br />

Kansas City 24, Mo.<br />

Please enroll us in your RESEARCH BUR iU fe 'Orjani<br />

to receive information regularly, as releasedpnfe chain<br />

the following subjects for Theatre Planning:' ij^j^m<br />

D Acoustics<br />

D Air Conditioning<br />

D Lighting Fixtures<br />

Plumbing Fixtureej<br />

n Architectural Service Q Projectors<br />

D "Black" Lighting<br />

q Projection Lamps<br />

D Building Material<br />

D Carpets<br />

n Coin Machines<br />

D Complete Remodeling<br />

D Decorating<br />

n Drink Dispensers<br />

^ Seating<br />

n Signs and Mi<br />

D Sound Equipment<br />

n Television<br />

Theatre Fronts<br />

Drive-In Equipment Q Vending Equi]<br />

n Other Subjects<br />

Theatre<br />

Seating Capacity<br />

Address<br />

City<br />

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Signed..<br />

Postage-paid reply cords for your further 'O"**!!!}<br />

in obfoining information are provided in The MOlllj.<br />

THEATRE Section, published with the first IM «<br />

58<br />

December 12, 195S,<br />

'^'WStTlCj

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