05.09.2014 Views

Boxoffice-12.1953

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

'<br />

IE<br />

I ., Thatcher,<br />

. Telephone<br />

,.<br />

NATIONAL FILM WEEKLY<br />

ublished in Nine Sectiinal Editions<br />

BEN<br />

iditor-in-Chi<br />

SHL YEN<br />

and Publisher<br />

igALD M. .MERSEREAU. MEF<br />

.Associate<br />

] Publisher & General Manoger<br />

,ME5 M. JERAl JERAULD<br />

Editor<br />

Athan COHEN. .Executive Editor<br />

.JSE SHLYEN Managing Editor<br />

SPEAR Western Editor<br />

THATCHER. .Equipment Editor<br />

rfRRI ffRRIS 5CHL0ZMAN. Business Mgr.<br />

lilication Offices: 825 Van Bnint Blvd..<br />

Ksas aty 24, Mo. Nathan Cohen, Execu-<br />

1 Editor: Jesse Shlyen, Managing Edl-<br />

I Morris Schlozman, Business Manager.<br />

Editor The Modern Theatre<br />

SJon. Telephone CHestnut 7777.<br />

Eorial Offices: 9 Rockcreller Plaza. New<br />

V; 20, N.Y. Donald M. Mersereau,<br />

.^iiclate Puhllsher & General Manager;<br />

,:,i!s M. Jerauld, Editor: A. J. Stocker,<br />

Blpnient Advertising. Telephone COlumhij<br />

6-6370.<br />

Ciral Offices; Editorial—920 No. Mlchl-<br />

: Ave., Chicago 11, HI., Frances B.<br />

superior 7-3972. Adverig—35<br />

Bast Wacker Drive, Chicago 1,<br />

M Bwlng Hutchison and E. E. Yeck,<br />

T'ihone ANdover 3-3042.<br />

W ern Offices: Editorial and Film Adverli;—6404<br />

Hollywood Blvd., HollyKood<br />

-) Calif. Ivan Spear, manager. Tele-<br />

Pi e Hollywood 6-1186. Equipment and<br />

N Film Advertising—672 S. UFayette<br />

I'; Place, Los Angeles, Calif. Bob Wettsl|.<br />

manager. Telephone DUnklrk 8-2286.<br />

Wlinglon Office: Al Goldsinlth, 1366<br />

NAnal Press BIdg. Phone Metropolitan<br />

8-pi. Sara Young, 415 Third St., N.W.<br />

TO MODERN THEATRE Section is Incli;d<br />

in the fir.st Issue of each month.<br />

TlT PROMOTION Section Is Included In<br />

h hlrd Issue of each month.<br />

.Uiy: 21-23 Walter Ave., J. S. Connera.<br />

Bilngham: The News, Eddie Badger.<br />

B4n: Frances W. Harding. Lib 2-9305.<br />

Cbbtte: 300 W. 3rd St., Richard E.<br />

feon.<br />

Clrtmatl: 4029 Reading, Lillian Lazarus.<br />

Clijand: Elsie Loeb, Falrmount 1-0046.<br />

Dil!; 2008A Jackson, Frank Bradley.<br />

Btir: 1645 Lafayette, Jack Rose,<br />

i 8517.<br />

DeSIolnes: Register -Tribune, Russ Schoch.<br />

Dejlt: Pos Theatre Bldg., H. P. Reves.<br />

Indiapolls: Route 8, Box 770, Howard<br />

IlKudeaui, GA 3339.<br />

Mejhis; 797 Spring St., Null Adams.<br />

Mliapoiis: 2123 Fremont, So., Les Rees.<br />

NBHaven: New Haven Register. Walter<br />

^lar.<br />

Net^lrleans: Frances Jordan, N.O. States<br />

Okl aty: 821 NE 23rd, Polly Trlndle.<br />

0»i: 911 61st St.,<br />

Irving Baker.<br />

JJljelphla: 6363 Berks, Norman Shlgon.<br />

Hljurgh: R. F. KUngensmith, 616 Jean-<br />

T(e, WllUnsburg, ChurchlU 1-2899.<br />

" ' Arnold Marks. Oregon<br />

5149 Rosa, David Barrett.<br />

City: Deseret News, H. Pearjon.<br />

ntonlo: 326 San Pedro. B3-9280,<br />

Kctner, S. Texas editor.<br />

'ranclsco: Gall Llpman, 287-28th<br />

Skyline 1-4355. Advertising: Jen-y<br />

Nell, Howard Bldg., 209 Post St.,<br />

. Ylon 6-2522.<br />

*»tj:1303Campi Pkwy., Dave Ballard.<br />

In<br />

The Herald.<br />

Canada<br />

Myron Laka.<br />

: 300 Leraoyne St.. Room 2. Roy<br />

JJjn: 116 Prince Edward. W. McNulty.<br />

•Wji: 1675 Bayvlew _.<br />

»5 Mills, ent.. W. Gladlsh.<br />

ij>5'er: vVIM^: Lyric Theatre Bldg.. Jack Droy.<br />

282 Rupertsland. Ben Sommers.<br />

MiW Audit Bureau of Circulations<br />

««l as Second Class matter at Post<br />

"TOiKansas City. Mo. Sectional Edition,<br />

M.oijer year: National Edition, $7.50.<br />

OEembER 12, 1953<br />

^»U No. 7<br />

5,<br />

HERE'S<br />

•"^wiiif; ill altitude beginning<br />

to permeate this industry which everybody,<br />

including the public, will be glad to note.<br />

The business is beginning to sound more like<br />

showbusiness and to do those things for which<br />

it was noted and which, as much as the product<br />

it offered, made it the world's greatest entertainment<br />

factor. In other words, the industry is<br />

back on its feet, telling about and selling the<br />

worth of its wares, such as it did before fear,<br />

apathy and lethargy set in.<br />

There's an air of confidence, newly acquired<br />

but solidly founded, penetrating exhibition,<br />

ON THE UPSWING<br />

production<br />

and distribution. There's an abandonment<br />

of the fears over television or other competition.<br />

Time and reason have overcome these,<br />

not to mention improvement in product that<br />

helped measurably to restore that lost confidence.<br />

And, of course, the business improvement<br />

that has resulted from the combination of better<br />

pictures, better presentations—whether with or<br />

without the new techniques—and better promotional<br />

efforts.<br />

This is not a case of whistling in the dark.<br />

That point has been passed and people in all<br />

branches of the industry know once more that<br />

they have a product and a medium that can and<br />

still does attract more of the paying public than<br />

any other entertainment form. It knows now<br />

what it has to do—and how to do it—to keep<br />

up the pace of its patronage climb. There'll be<br />

setbacks, to be sure, but they'll not occur as<br />

often or prove as severe as in the recent past.<br />

This is not to say that all is just peaches and<br />

cream, sugared to just the right taste. But the<br />

road that leads UP has been found again and, if<br />

it doesn't know anything else, this industry knows<br />

how to play a winner.<br />

There's an upbeat note in the fine talk, delivered<br />

by Robert J. O'Donnell at the Theatre<br />

Owners of Oklahoma convention this week. He<br />

sees great progress ahead in a continuing of<br />

showmanship effort such as the Movietime campaign,<br />

which the Texas COMPO unit initiated<br />

a couple of years ago; in the still better attentions<br />

by exhibitors to good housekeeping; to<br />

progressive exhibition policies; through just the<br />

natural rise of the audience potential to come<br />

from the big population increase (24.000,000t<br />

since 1946. And he envisages great savings to<br />

production and distribution resulting from the<br />

new method of recording pictures and sound on<br />

metallic tape. To be specific, Mr. O'Donnell<br />

sees this development affording the industry<br />

savings of about $165,000,000 annually which, he<br />

says, should be shared properly with exhibitors.<br />

In his operation of the big Interstate Circuit<br />

of Texas theatres, he ha- ever b

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!