Boxoffice-12.1953
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
'<br />
IE<br />
I ., Thatcher,<br />
. Telephone<br />
,.<br />
NATIONAL FILM WEEKLY<br />
ublished in Nine Sectiinal Editions<br />
BEN<br />
iditor-in-Chi<br />
SHL YEN<br />
and Publisher<br />
igALD M. .MERSEREAU. MEF<br />
.Associate<br />
] Publisher & General Manoger<br />
,ME5 M. JERAl JERAULD<br />
Editor<br />
Athan COHEN. .Executive Editor<br />
.JSE SHLYEN Managing Editor<br />
SPEAR Western Editor<br />
THATCHER. .Equipment Editor<br />
rfRRI ffRRIS 5CHL0ZMAN. Business Mgr.<br />
lilication Offices: 825 Van Bnint Blvd..<br />
Ksas aty 24, Mo. Nathan Cohen, Execu-<br />
1 Editor: Jesse Shlyen, Managing Edl-<br />
I Morris Schlozman, Business Manager.<br />
Editor The Modern Theatre<br />
SJon. Telephone CHestnut 7777.<br />
Eorial Offices: 9 Rockcreller Plaza. New<br />
V; 20, N.Y. Donald M. Mersereau,<br />
.^iiclate Puhllsher & General Manager;<br />
,:,i!s M. Jerauld, Editor: A. J. Stocker,<br />
Blpnient Advertising. Telephone COlumhij<br />
6-6370.<br />
Ciral Offices; Editorial—920 No. Mlchl-<br />
: Ave., Chicago 11, HI., Frances B.<br />
superior 7-3972. Adverig—35<br />
Bast Wacker Drive, Chicago 1,<br />
M Bwlng Hutchison and E. E. Yeck,<br />
T'ihone ANdover 3-3042.<br />
W ern Offices: Editorial and Film Adverli;—6404<br />
Hollywood Blvd., HollyKood<br />
-) Calif. Ivan Spear, manager. Tele-<br />
Pi e Hollywood 6-1186. Equipment and<br />
N Film Advertising—672 S. UFayette<br />
I'; Place, Los Angeles, Calif. Bob Wettsl|.<br />
manager. Telephone DUnklrk 8-2286.<br />
Wlinglon Office: Al Goldsinlth, 1366<br />
NAnal Press BIdg. Phone Metropolitan<br />
8-pi. Sara Young, 415 Third St., N.W.<br />
TO MODERN THEATRE Section is Incli;d<br />
in the fir.st Issue of each month.<br />
TlT PROMOTION Section Is Included In<br />
h hlrd Issue of each month.<br />
.Uiy: 21-23 Walter Ave., J. S. Connera.<br />
Bilngham: The News, Eddie Badger.<br />
B4n: Frances W. Harding. Lib 2-9305.<br />
Cbbtte: 300 W. 3rd St., Richard E.<br />
feon.<br />
Clrtmatl: 4029 Reading, Lillian Lazarus.<br />
Clijand: Elsie Loeb, Falrmount 1-0046.<br />
Dil!; 2008A Jackson, Frank Bradley.<br />
Btir: 1645 Lafayette, Jack Rose,<br />
i 8517.<br />
DeSIolnes: Register -Tribune, Russ Schoch.<br />
Dejlt: Pos Theatre Bldg., H. P. Reves.<br />
Indiapolls: Route 8, Box 770, Howard<br />
IlKudeaui, GA 3339.<br />
Mejhis; 797 Spring St., Null Adams.<br />
Mliapoiis: 2123 Fremont, So., Les Rees.<br />
NBHaven: New Haven Register. Walter<br />
^lar.<br />
Net^lrleans: Frances Jordan, N.O. States<br />
Okl aty: 821 NE 23rd, Polly Trlndle.<br />
0»i: 911 61st St.,<br />
Irving Baker.<br />
JJljelphla: 6363 Berks, Norman Shlgon.<br />
Hljurgh: R. F. KUngensmith, 616 Jean-<br />
T(e, WllUnsburg, ChurchlU 1-2899.<br />
" ' Arnold Marks. Oregon<br />
5149 Rosa, David Barrett.<br />
City: Deseret News, H. Pearjon.<br />
ntonlo: 326 San Pedro. B3-9280,<br />
Kctner, S. Texas editor.<br />
'ranclsco: Gall Llpman, 287-28th<br />
Skyline 1-4355. Advertising: Jen-y<br />
Nell, Howard Bldg., 209 Post St.,<br />
. Ylon 6-2522.<br />
*»tj:1303Campi Pkwy., Dave Ballard.<br />
In<br />
The Herald.<br />
Canada<br />
Myron Laka.<br />
: 300 Leraoyne St.. Room 2. Roy<br />
JJjn: 116 Prince Edward. W. McNulty.<br />
•Wji: 1675 Bayvlew _.<br />
»5 Mills, ent.. W. Gladlsh.<br />
ij>5'er: vVIM^: Lyric Theatre Bldg.. Jack Droy.<br />
282 Rupertsland. Ben Sommers.<br />
MiW Audit Bureau of Circulations<br />
««l as Second Class matter at Post<br />
"TOiKansas City. Mo. Sectional Edition,<br />
M.oijer year: National Edition, $7.50.<br />
OEembER 12, 1953<br />
^»U No. 7<br />
5,<br />
HERE'S<br />
•"^wiiif; ill altitude beginning<br />
to permeate this industry which everybody,<br />
including the public, will be glad to note.<br />
The business is beginning to sound more like<br />
showbusiness and to do those things for which<br />
it was noted and which, as much as the product<br />
it offered, made it the world's greatest entertainment<br />
factor. In other words, the industry is<br />
back on its feet, telling about and selling the<br />
worth of its wares, such as it did before fear,<br />
apathy and lethargy set in.<br />
There's an air of confidence, newly acquired<br />
but solidly founded, penetrating exhibition,<br />
ON THE UPSWING<br />
production<br />
and distribution. There's an abandonment<br />
of the fears over television or other competition.<br />
Time and reason have overcome these,<br />
not to mention improvement in product that<br />
helped measurably to restore that lost confidence.<br />
And, of course, the business improvement<br />
that has resulted from the combination of better<br />
pictures, better presentations—whether with or<br />
without the new techniques—and better promotional<br />
efforts.<br />
This is not a case of whistling in the dark.<br />
That point has been passed and people in all<br />
branches of the industry know once more that<br />
they have a product and a medium that can and<br />
still does attract more of the paying public than<br />
any other entertainment form. It knows now<br />
what it has to do—and how to do it—to keep<br />
up the pace of its patronage climb. There'll be<br />
setbacks, to be sure, but they'll not occur as<br />
often or prove as severe as in the recent past.<br />
This is not to say that all is just peaches and<br />
cream, sugared to just the right taste. But the<br />
road that leads UP has been found again and, if<br />
it doesn't know anything else, this industry knows<br />
how to play a winner.<br />
There's an upbeat note in the fine talk, delivered<br />
by Robert J. O'Donnell at the Theatre<br />
Owners of Oklahoma convention this week. He<br />
sees great progress ahead in a continuing of<br />
showmanship effort such as the Movietime campaign,<br />
which the Texas COMPO unit initiated<br />
a couple of years ago; in the still better attentions<br />
by exhibitors to good housekeeping; to<br />
progressive exhibition policies; through just the<br />
natural rise of the audience potential to come<br />
from the big population increase (24.000,000t<br />
since 1946. And he envisages great savings to<br />
production and distribution resulting from the<br />
new method of recording pictures and sound on<br />
metallic tape. To be specific, Mr. O'Donnell<br />
sees this development affording the industry<br />
savings of about $165,000,000 annually which, he<br />
says, should be shared properly with exhibitors.<br />
In his operation of the big Interstate Circuit<br />
of Texas theatres, he ha- ever b