Boxoffice-12.1953
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: December<br />
SAYS $350 MILLION BACKLOG 1<br />
CAN END PRODUCT SHORTAGE B<br />
SMPTE Head Declares<br />
Prints Are Adaptable<br />
To Many Dimensions<br />
MEMPHIS—The producers of motion<br />
pictures have a $350,000,000 backlog of features<br />
on their shelves—and if exhibitor organizations<br />
can secure the cooperation of<br />
producers and distributors on releasing<br />
this stockpile there will be no shortage of<br />
product. This was the declaration of Herbert<br />
Barnett, president of the Society of<br />
Motion Picture and Television Engineers,<br />
before the convention of the Tristate Theatre<br />
Owners here this week.<br />
NO INSURMOtTNTABLE OBSTACLE<br />
"There is no insurmountable obstacle to the<br />
release of prints of any production form in<br />
dimensions adaptable to your facilities," he<br />
said. "To do less, is, in my opinion, a stifling<br />
of a very important segment of the industry<br />
the small theatre and drive-in."<br />
Barnett's comment on the product situation<br />
came during a discussion of what he<br />
called "the two basic approaches—wide-screen<br />
and three-dimensional pictures—made by the<br />
industry in meeting the economic challenge<br />
of declining movie attendance."<br />
Three-dimension pictures have been hastily<br />
produced and have suffered in quality as a<br />
result, he said. Their initial effect on audiences<br />
has been bad. Since these beginnings,<br />
however, much has been learned about photographic<br />
requirements and projection procedures<br />
and is now being applied.<br />
"There is at present," Barnett said, "active<br />
promotion of two single-film systems. Basically,<br />
these two systems are the same, differing<br />
only in the method of orientation of the<br />
images on the film and in the optical elements<br />
necessary to accomplish rotation. The pictures<br />
appear on the film at right angles to the<br />
normal and the stereo pair occupies essentially<br />
the area of a standard 35mm frame.<br />
In order that the screen image appear normal,<br />
optical means are incorporated between the<br />
film and the screen to accomplish 90-degree<br />
rotation. Polarizers and polarizing glasses<br />
are required with these systems, just as in the<br />
case of the two-film methods."<br />
3-D GLASSES A FACTOR<br />
Barnett said the future of 3-D seemed to<br />
lie in the answer to the question, "Will the<br />
public view pictures through polarizing<br />
glasses and does it offer entertainment value<br />
not attainable in two dimensional projection?"<br />
Turning to wide-screens, he said they had<br />
had better success. After giving late figures<br />
on Cinemascope—272 mstallations, 114 others<br />
ordered and 53 features definitely set for<br />
1954—he turned to a discussion of other widescreen<br />
systems.<br />
"One scheme that seems worthy of consideration<br />
is the achievement of wide-screen<br />
by reducing the picture frame height to aspect<br />
ratios of about 2 to 1, as opposed to the standard<br />
4 to 3 ratio," he said. "Tliis in combination<br />
with shorter focal length lenses permits<br />
the increase in picture .screen width without<br />
extending it in height beyond the proscenium."<br />
Bai-nett expressed the opinion that wide<br />
—<br />
Theatre With Two Auditoriums Tests<br />
Film Draw in 3-D and 2-D-3-D Wins<br />
DETROIT—If patrons ai-e given the<br />
choice of seeing the feature in 3-D or<br />
2-D, after they have purchased their<br />
tickets, 7 out of 10 will show a preference<br />
for the three-dimensional version. At<br />
least patrons at one Detroit theatre decided<br />
by this margin.<br />
A unique test to determine preferences<br />
took place this week at a unique theatre,<br />
peculiarly suited for the experiment. It<br />
is the two-auditorium suburban Wyandotte<br />
Theatre, the only duplex situation<br />
in the state and one of the few in the<br />
country.<br />
The experiment was conducted with a<br />
western, Columbia's "The Stranger Wore<br />
a Gmi." The pictiu-e played Wednesday<br />
through Friday, giving the management<br />
a good cross-section of audience appeal,<br />
including midweek, weekend and children's<br />
matinee business.<br />
The Wyandotte, which is operated by<br />
the Down River circuit, has a single boxoffice<br />
for its two auditoriums. For "The<br />
Stranger Wore a Gun," the 3-D version<br />
played in one auditorium and the 2-D in<br />
the other. Patrons had the opportunity to<br />
enter either auditorium, according to their<br />
preference of dimensions. The choice was<br />
made after a ticket had been purchased.<br />
A check showed that 70 per cent of the<br />
screens offer a promising field of investment<br />
for exhibitors.<br />
A new device called Xpansa Lens can be<br />
used with normal lenses to give a wide range<br />
of aspect ratios, and RKO has announced a<br />
new lens, selling for about $200, that is adjustable<br />
to five different aspect ratios, he<br />
F)ointed out.<br />
"However, the equipment for the stereophonic<br />
sound arrangements that usually goes<br />
with wide-screen pictures is still uncertain<br />
and expensive," he pointed out. "Cinema-<br />
Scope has had good success with the reproducer<br />
located above the projector aperture<br />
with four sound tracks on the film."<br />
More new processes are being developed,<br />
he said, and in the meantime everyone in the<br />
industry must proceed with caution.<br />
"In any case," he concluded, "it is unthinkable<br />
that this industry can settle into a pattern<br />
that does not offer real advancement to<br />
every segment of its economy."<br />
Columbia Pays Dividend<br />
NEW YORK—Columbia stockholders have<br />
received a stock dividend of one share for<br />
each 40 shares owned, equal to 2'i per cent<br />
of the common stock outstanding October 23.<br />
Checks were sent for fractional shares.<br />
patrons preferred the 3-D version, despite<br />
the fact that to enter the 3-D auditorium<br />
they were required to pay an additional<br />
ten cents for the viewers. Otherwise<br />
regular admission was charged.<br />
The test was unheralded, with little in<br />
the way of special advertising. Newspaper<br />
ads merely mentioned that customers<br />
were being given their choice of di-<br />
Calling the results of the test "most<br />
unusual," Milton Zimmerman, branch<br />
manager for Columbia, who sold the picture<br />
to the Wyandotte through Cooperative<br />
Theatres of Michigan, said: "It<br />
shows that 3-D is far from dead. The new<br />
improved glasses and projection will<br />
assure a substantial public acceptance of<br />
3-D.'<br />
Business for the week was considered<br />
above average for the house.<br />
'Kate' Leading in 3-D<br />
NEW YORK—MGM has reported that<br />
"Kiss Me Kate" is proving more "kissable"<br />
in 3-D than in 2-D. The company<br />
cited an analysis of 93 3-D and 44 2-D<br />
engagements that showed 3-D ahead by<br />
11.9 per cent. It was most popular in the<br />
east where it was ahead 19 per cent.<br />
N. Y. Censor Favors New,<br />
More Flexible System<br />
NEW YORK—Censorship of films for all<br />
age groups will probably give way some day<br />
to a more flexible system, Dr. Hugh M. Flick,<br />
head of the New York censorship board, said<br />
during the week. He expressed interest in<br />
new rules being drawn up governing Ontario<br />
theatres. These provide for classifications of<br />
films that minors cannot see. The films are<br />
identified in advertising and on marquees.<br />
The censor would also be able to assign adult<br />
films to houses catering to adults.<br />
Dr. Flick said the classification method was<br />
sensible because it avoids censoring a film<br />
for all age groups, but that he did not think<br />
there should be age limitations as parents<br />
should have some control over what their<br />
children see.<br />
Dr. Flick said no change in New York censorship<br />
could come about until after the U.S.<br />
Supreme Court ruled in the "La Ronde" and<br />
"M" cases. They are scheduled to be heard<br />
January 4. He hoped that the court would not<br />
rule out censorship before exhibition because<br />
then, he said, theatres would be licensed and<br />
exhibitors playing an offending film would<br />
run the risk of loss of their license. There has<br />
been no talk, however, of a state licensing law.<br />
BOXOFFICE<br />
:<br />
12, 1953 .<br />
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