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Boxoffice-12.1953

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: December<br />

SAYS $350 MILLION BACKLOG 1<br />

CAN END PRODUCT SHORTAGE B<br />

SMPTE Head Declares<br />

Prints Are Adaptable<br />

To Many Dimensions<br />

MEMPHIS—The producers of motion<br />

pictures have a $350,000,000 backlog of features<br />

on their shelves—and if exhibitor organizations<br />

can secure the cooperation of<br />

producers and distributors on releasing<br />

this stockpile there will be no shortage of<br />

product. This was the declaration of Herbert<br />

Barnett, president of the Society of<br />

Motion Picture and Television Engineers,<br />

before the convention of the Tristate Theatre<br />

Owners here this week.<br />

NO INSURMOtTNTABLE OBSTACLE<br />

"There is no insurmountable obstacle to the<br />

release of prints of any production form in<br />

dimensions adaptable to your facilities," he<br />

said. "To do less, is, in my opinion, a stifling<br />

of a very important segment of the industry<br />

the small theatre and drive-in."<br />

Barnett's comment on the product situation<br />

came during a discussion of what he<br />

called "the two basic approaches—wide-screen<br />

and three-dimensional pictures—made by the<br />

industry in meeting the economic challenge<br />

of declining movie attendance."<br />

Three-dimension pictures have been hastily<br />

produced and have suffered in quality as a<br />

result, he said. Their initial effect on audiences<br />

has been bad. Since these beginnings,<br />

however, much has been learned about photographic<br />

requirements and projection procedures<br />

and is now being applied.<br />

"There is at present," Barnett said, "active<br />

promotion of two single-film systems. Basically,<br />

these two systems are the same, differing<br />

only in the method of orientation of the<br />

images on the film and in the optical elements<br />

necessary to accomplish rotation. The pictures<br />

appear on the film at right angles to the<br />

normal and the stereo pair occupies essentially<br />

the area of a standard 35mm frame.<br />

In order that the screen image appear normal,<br />

optical means are incorporated between the<br />

film and the screen to accomplish 90-degree<br />

rotation. Polarizers and polarizing glasses<br />

are required with these systems, just as in the<br />

case of the two-film methods."<br />

3-D GLASSES A FACTOR<br />

Barnett said the future of 3-D seemed to<br />

lie in the answer to the question, "Will the<br />

public view pictures through polarizing<br />

glasses and does it offer entertainment value<br />

not attainable in two dimensional projection?"<br />

Turning to wide-screens, he said they had<br />

had better success. After giving late figures<br />

on Cinemascope—272 mstallations, 114 others<br />

ordered and 53 features definitely set for<br />

1954—he turned to a discussion of other widescreen<br />

systems.<br />

"One scheme that seems worthy of consideration<br />

is the achievement of wide-screen<br />

by reducing the picture frame height to aspect<br />

ratios of about 2 to 1, as opposed to the standard<br />

4 to 3 ratio," he said. "Tliis in combination<br />

with shorter focal length lenses permits<br />

the increase in picture .screen width without<br />

extending it in height beyond the proscenium."<br />

Bai-nett expressed the opinion that wide<br />

—<br />

Theatre With Two Auditoriums Tests<br />

Film Draw in 3-D and 2-D-3-D Wins<br />

DETROIT—If patrons ai-e given the<br />

choice of seeing the feature in 3-D or<br />

2-D, after they have purchased their<br />

tickets, 7 out of 10 will show a preference<br />

for the three-dimensional version. At<br />

least patrons at one Detroit theatre decided<br />

by this margin.<br />

A unique test to determine preferences<br />

took place this week at a unique theatre,<br />

peculiarly suited for the experiment. It<br />

is the two-auditorium suburban Wyandotte<br />

Theatre, the only duplex situation<br />

in the state and one of the few in the<br />

country.<br />

The experiment was conducted with a<br />

western, Columbia's "The Stranger Wore<br />

a Gmi." The pictiu-e played Wednesday<br />

through Friday, giving the management<br />

a good cross-section of audience appeal,<br />

including midweek, weekend and children's<br />

matinee business.<br />

The Wyandotte, which is operated by<br />

the Down River circuit, has a single boxoffice<br />

for its two auditoriums. For "The<br />

Stranger Wore a Gun," the 3-D version<br />

played in one auditorium and the 2-D in<br />

the other. Patrons had the opportunity to<br />

enter either auditorium, according to their<br />

preference of dimensions. The choice was<br />

made after a ticket had been purchased.<br />

A check showed that 70 per cent of the<br />

screens offer a promising field of investment<br />

for exhibitors.<br />

A new device called Xpansa Lens can be<br />

used with normal lenses to give a wide range<br />

of aspect ratios, and RKO has announced a<br />

new lens, selling for about $200, that is adjustable<br />

to five different aspect ratios, he<br />

F)ointed out.<br />

"However, the equipment for the stereophonic<br />

sound arrangements that usually goes<br />

with wide-screen pictures is still uncertain<br />

and expensive," he pointed out. "Cinema-<br />

Scope has had good success with the reproducer<br />

located above the projector aperture<br />

with four sound tracks on the film."<br />

More new processes are being developed,<br />

he said, and in the meantime everyone in the<br />

industry must proceed with caution.<br />

"In any case," he concluded, "it is unthinkable<br />

that this industry can settle into a pattern<br />

that does not offer real advancement to<br />

every segment of its economy."<br />

Columbia Pays Dividend<br />

NEW YORK—Columbia stockholders have<br />

received a stock dividend of one share for<br />

each 40 shares owned, equal to 2'i per cent<br />

of the common stock outstanding October 23.<br />

Checks were sent for fractional shares.<br />

patrons preferred the 3-D version, despite<br />

the fact that to enter the 3-D auditorium<br />

they were required to pay an additional<br />

ten cents for the viewers. Otherwise<br />

regular admission was charged.<br />

The test was unheralded, with little in<br />

the way of special advertising. Newspaper<br />

ads merely mentioned that customers<br />

were being given their choice of di-<br />

Calling the results of the test "most<br />

unusual," Milton Zimmerman, branch<br />

manager for Columbia, who sold the picture<br />

to the Wyandotte through Cooperative<br />

Theatres of Michigan, said: "It<br />

shows that 3-D is far from dead. The new<br />

improved glasses and projection will<br />

assure a substantial public acceptance of<br />

3-D.'<br />

Business for the week was considered<br />

above average for the house.<br />

'Kate' Leading in 3-D<br />

NEW YORK—MGM has reported that<br />

"Kiss Me Kate" is proving more "kissable"<br />

in 3-D than in 2-D. The company<br />

cited an analysis of 93 3-D and 44 2-D<br />

engagements that showed 3-D ahead by<br />

11.9 per cent. It was most popular in the<br />

east where it was ahead 19 per cent.<br />

N. Y. Censor Favors New,<br />

More Flexible System<br />

NEW YORK—Censorship of films for all<br />

age groups will probably give way some day<br />

to a more flexible system, Dr. Hugh M. Flick,<br />

head of the New York censorship board, said<br />

during the week. He expressed interest in<br />

new rules being drawn up governing Ontario<br />

theatres. These provide for classifications of<br />

films that minors cannot see. The films are<br />

identified in advertising and on marquees.<br />

The censor would also be able to assign adult<br />

films to houses catering to adults.<br />

Dr. Flick said the classification method was<br />

sensible because it avoids censoring a film<br />

for all age groups, but that he did not think<br />

there should be age limitations as parents<br />

should have some control over what their<br />

children see.<br />

Dr. Flick said no change in New York censorship<br />

could come about until after the U.S.<br />

Supreme Court ruled in the "La Ronde" and<br />

"M" cases. They are scheduled to be heard<br />

January 4. He hoped that the court would not<br />

rule out censorship before exhibition because<br />

then, he said, theatres would be licensed and<br />

exhibitors playing an offending film would<br />

run the risk of loss of their license. There has<br />

been no talk, however, of a state licensing law.<br />

BOXOFFICE<br />

:<br />

12, 1953 .<br />

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