You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
, meinnati:<br />
'<br />
i d<br />
Equipment<br />
:<br />
ru&e oft/ie ufetwn rtctwie //iduAPu/<br />
THE NATIONAL FILM WEEKLY<br />
Published in Nine Sectional Editions<br />
BEN SHLYEN<br />
Editor-in-Chiel and Publisher<br />
JESSE SHLYEN Managing Editor<br />
THOMAS PATRICK Editor<br />
.<br />
SYD CASSYD Western Editor<br />
MORRIS SCHLOZMAN Business Mgr.<br />
MERLIN LEWIS ...Advertising Director<br />
Publication Offices: 825 Van Brunt Blvd.,<br />
Kansas City, Mo. 64124. Jesse 8hlyen.<br />
Managing Editor: Murrls Schluznian, Business<br />
Manager; Thomas Patrick. Modem<br />
Theatre Section. (816) 241-7777.<br />
Editorial Offices: 1270 Sixth Ave.. Suite<br />
18U4. Iluckefeller Center. New York, N.Y.<br />
I IKI2II Merlin Lewis, Advertising Director.<br />
(212) 265-6370.<br />
Western Offices: 6425 Hollywood Blvd.<br />
Suite 211. Hollywood, Calif., 911028. Syd<br />
Cassyd. (213) 465-1186.<br />
London Office— Anlbony Gruuer. 1 Wood-<br />
Derry Way, Flnchley. N. 12. Telephone<br />
Hillside 6733.<br />
THE MODElt.N THEATltE Section li<br />
Included in one Issue each month.<br />
Albuqueique: Chuck Mlttlesladt. Bui<br />
8514. Station C.<br />
Atlanta: Genevieve Camp, ltiti Lindbergh<br />
Drive. N.E. 30305.<br />
Baltimore: Kate Savage. 3607 Sprlngdale<br />
Ave., 21216.<br />
Charlotte: Ulanclie Carr. 1(12 E. I'ark A.e.<br />
Chicago: Frances It. Clow. 920 N. Michigan<br />
Ave.. 60611. (312) 787-3072.<br />
Frances Hanlmd. 3433 ('lit<br />
tun Ave. 45220. Teleiihone 221 8654<br />
I .evclanil l-ois Itauniuel, 1.07110 Van Aken<br />
Blvd., Shaker Heights. Ohio.<br />
Columbus: Fred Oestrelcher. 47 W. Tulane<br />
lid. 43202.<br />
Dallas' Mable (iulnaii, 5927 Wliilon.<br />
Denier Bruce Marshall. 2881 S. Cherry<br />
Way 8(1222.<br />
lies Moines: Josephine Kmle, 3024 52nd<br />
Deli oil: II. F. Keves. I'ort Sanilac, Mich.<br />
4846t>; Detroit telephone 6R6-1387.<br />
Haitford: Allen M. Wldeni, 3(1 I'lonwr<br />
Drive. W II irlhird 17 232 3101.<br />
Jacksonville: llohert Cornwall. 3233 College<br />
St., 32205 Elgin 6-4067.<br />
Memphis: Faye T. Adam-. Fairway Towera<br />
(Apt. 1-L), 475 North Highland.<br />
Miami Martha l.u minus. 1122 N.E. 98 81.<br />
Milwaukee: Wally L. Meyer. 3453 North<br />
15th St., 532116. Ldciist 2 5142.<br />
Nlinn.-aiH.ll.s: Bill Dlehl. St. Paul Dla<br />
patch. 63 E. 4th St.. St. Paul. Minn.<br />
55101.<br />
New Orleans: Mary (Ireenbaoiu, 2313<br />
Mendez St. 70122.<br />
Oklahoma City: Eddie I.. Greggs. 541 C.N.<br />
Council lload. Oklahoma Cliy. Okla.<br />
73127. Teleiihone (405) 780-7808.<br />
Irvine linker. Omaha: 4505 South lllSlh<br />
St., 68137.<br />
II Pittsburgh: F. Klliigetisnillh, 516 Jean<br />
ette. Wllklnsburg 15221. Teleiihone<br />
412 241-2800.<br />
Portland, Ore.: Arnold Marks. Journal.<br />
St I/iiils: Myra Stroud. 4050 Oleathi<br />
631 30. VE 2-3404.<br />
San Francisco: Walt von HaiiHe 3360<br />
Geary Blvil Suite 301. 387-8026.<br />
'Till .l.in a. Okla Gilford. 5430 Norlh<br />
74126.<br />
Washington: Virginia R, Collier. 5112<br />
Connecticut Ave.. N.W. EM 2 0802<br />
IN<br />
CANADA<br />
Montreal: n 120 Hallway Exchange<br />
Hide.. 1431 St. Catharine St.. West.<br />
Jules Iwtrochelle.<br />
Ottawa: Wm Gladi-h 75 Belmont Ave<br />
Saint John: 45 King St.<br />
Toronto: . VV. Agncvv, 274 St. John's lid.<br />
Davie, 3245 W. 12th.<br />
1 Portage Ave.. Wlnnlnver:<br />
.liiiiu<br />
peg: 500<br />
Member Audit Bureau of Circulations<br />
Published weekly, except one Issme at<br />
Publications, Inc .<br />
825 Van Brunt Blvd.. Kansas City. Missouri<br />
64124. Subscription rates: Sectional<br />
Edition. $7 per year: [orelgn. $10. National<br />
Executive Edition. $12: foielgn<br />
$17. Single ropy 35c. Second class post-<br />
Kansas City. Mo.<br />
24 97<br />
THE<br />
A MASTER MOVIEMAKER<br />
ACTION of the 20th Century-<br />
Fox board of directors in tendering<br />
to Darryl F. Zanuck the newly created<br />
post of chairman emeritus was given<br />
added significance through the following<br />
statement:<br />
"With the knowledge of how dear to<br />
his heart is the personal making of motion<br />
pictures, we hope to be able to create<br />
with him an independent production<br />
organization which will permit him once<br />
again to turn his full energies to film<br />
production."<br />
That, too, doubtless, is a hope of exhibitors<br />
throughout the world, who for<br />
the past four decades have come to know<br />
and benefit from the genius that Mr.<br />
Zanuck has evidenced in the making of<br />
motion pictures that have advanced this<br />
industry to world-wide preeminence in<br />
this field.<br />
And the board further added<br />
"He is a giant among filmmakers;<br />
producer of some of the screen's most<br />
enduring masterpieces; innovator who<br />
has been identified with almost every<br />
motion picture development; a founder<br />
of 20th Century Fox and closely identi<br />
fied for almost three decades with its<br />
achievements. It is unthinkable to us<br />
that he should not continue, in the years<br />
ahead, that close association, giving to<br />
the company the benefit of his creative<br />
genius, his wisdom and showmanship."<br />
That is indeed a fine and well-merited<br />
tribute.<br />
Regardless of what one may feel about<br />
the flamboyance that is a characteristic<br />
of Mr. Zanuck, there is no gainsaying<br />
that he is, indeed, a genius in the recognition<br />
of story values of wide variety and<br />
in putting them together for presentation<br />
on theatre screens.<br />
From his very beginning days at the<br />
Warner Bros, studios, Mr. Zanuck has<br />
been a trail blazer in the selection of topical<br />
themes, provocative and in tune with<br />
the times or ahead of the times. He had a<br />
sixth sense of knowing what would appeal<br />
to the public and a daring that<br />
often ventured beyond the pale, but resulted<br />
in critical favor as well as massive<br />
public patronage. A great many of these<br />
projects were topical and controversial<br />
but they had inspirational as well as entertainment<br />
values.<br />
Throughout his career, Mr. Zanuck<br />
brought together many great authors,<br />
directors, actors and producers, whose<br />
works became widespread, continuing to<br />
the present day throughout the industry.<br />
In the formation of 20th Century Productions,<br />
in association with Joseph M.<br />
Schenck, the development of classical<br />
material, as well as what may be called<br />
"popular," was expanded and with 20th<br />
Century's affiliation with Fox that took<br />
place in 1935, the progress continued,<br />
with the addition of many hallmarks in<br />
high-quality productions.<br />
As an independent producer, Mr.<br />
Zanuck distributed his pictures through<br />
20th Century-Fox, which apparently both<br />
he and the present directors of 20th-Fox<br />
have in mind for the future, viz, Mr. Zanuck's<br />
statement at the board meeting<br />
this past week:<br />
"Although I am a nominee for election<br />
to membership on the new board of directors<br />
of 20th Century-Fox, I intend in<br />
the future to devote the majority of my<br />
time and effort to production, as indicated<br />
in previous announcements. Production<br />
has always been my major interest.<br />
But, as I have said earlier, it is my<br />
desire to be free of all corporate administrative<br />
responsibilities. Accordingly, I<br />
have decided not to request re-election as<br />
chairman of the board."<br />
The fact that Darryl Zanuck remains<br />
as one of only a few of the old masters<br />
of the filmmaking art should also serve<br />
to provide a classroom of "how-to-do-it"<br />
guidance for the new breed of producers,<br />
who often flounder in their search for<br />
truth and meaning—as well as entertainment—for<br />
a vast audience that encompasses<br />
all facets and age brackets.<br />
\JLxj /)hJLfri*s