09.11.2012 Views

Edited by Rachel Duncan 4th Edition ISBN 0-907649-91-2 London ...

Edited by Rachel Duncan 4th Edition ISBN 0-907649-91-2 London ...

Edited by Rachel Duncan 4th Edition ISBN 0-907649-91-2 London ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

92 RGS-IBG Polar Expeditions Manual<br />

Thoroughly understanding your equipment and knowing that you can rely on it<br />

allows you to concentrate on lighting, composition, and other photographic aspects.<br />

Each type of camera has its drawbacks, and no one type seems to be superior. You<br />

should select a camera that is compact, lightweight, easy to use, dependable, and adaptable<br />

to various needs. A manual camera with a built-in meter will not be susceptible to<br />

electronic failure like an automatic camera. If you use an automatic camera, make sure it<br />

allows you to manually override automatic exposure and automatic focus systems.<br />

10.2.1 35mm cameras<br />

Most 35mm single-lens-reflex (SLR) cameras fill the basic requirements for polar<br />

photography and offer the advantages of interchangeable lenses and a wide choice of film<br />

types. The 36-exposure rolls minimise roll changes under adverse conditions.<br />

A good selection of equipment for your expedition might be two identical 35mm<br />

camera bodies with interchangeable 28mm, 55mm, and 135mm lenses. Take along an<br />

ample supply of black-and-white and colour film in 36-exposure rolls. The Nikon FM2 is<br />

probably the best fully manual camera on the market and available second hand. Try and<br />

talk to others who have been in similar conditions to those you expect to encounter.<br />

10.2.2 Compact cameras<br />

You may consider an all-weather, point-and-shoot camera as a spare. Although these<br />

compact, lightweight autofocus cameras are tightly sealed for protection from water and<br />

snow, they are designed for everyday snapshooting. Thus they tend to feature autoexposure,<br />

auto-film advance and rewind, built-in flash, and easy-to-use controls. Snowfilled<br />

scenes will cause an auto-only camera to underexpose the film, a situation which<br />

may be very difficult to overcome because most of these cameras lack exposure override<br />

controls.<br />

To minimise exposure problems, use a negative film and move in close to your<br />

subject. Camera power demands combined with cold temperatures will drain battery<br />

power, so carry extra batteries. Keep your camera warm under your parka to preserve<br />

battery power and to avoid film breakage and static discharge from the camera’s autoadvance<br />

and rewind.<br />

10.2.3 Roll-film reflex cameras<br />

Some single- and twin-lens-reflex cameras that use 120- or 220-size roll film have many of<br />

the conveniences of 35mm cameras, plus advantages of a larger film format. Some of the<br />

considerations that apply to 35mm cameras also apply to the larger film format cameras.<br />

Many of the SLR models suitable for polar photography will accept a fairly broad<br />

range of accessory lenses. Most of these lenses have automatic diaphragms.<br />

The more versatile SLR cameras have interchangeable magazine backs that hold<br />

12- and 24-exposure rolls. With only one camera and a few extra backs, you can readily<br />

switch from one film type to another. Since the backs are small and lightweight, you can<br />

easily carry them inside your parka, where the film will be warm and ready to use.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!