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Contents - Beth Lesser

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In the late ‘70s and early ‘80s, the eastmen finally had their day, albeit on<br />

western sounds. Ringo, Welton, and Lone Ranger carried the slackness style<br />

from the west into their home turf and back again to the west. The three<br />

dominated the dancehall scene, carrying sounds like Gemini and Virgo to the<br />

top. Carlton Livingston, and later Lee Van Cliff, added to the list of eastmen<br />

who made it on the western sound system circuit. The end of the ‘70s and the<br />

early ‘80s saw the advance of the western sounds manned by eastman deejays<br />

and their slackness, as they took over considerable chunks of the audience<br />

from the western cultural sounds.<br />

lone ranGer<br />

Lone Ranger always stood out among the throngs of would-be toasters<br />

in Kingston in the ‘70s. His voice was clear and strong, and he had a way<br />

of enunciating words that other deejays just strung together in long, indecipherable<br />

lines of patois. Ranger was different, perhaps as a result of his years<br />

abroad as a child. As one of the top ten deejays of the decade, Ranger left his<br />

mark on the dancehall scene.<br />

In the ‘60s, Ranger and his mother spent seven years living in the UK.<br />

They left Jamaica when Ranger was five. While abroad, Ranger’s mother enrolled<br />

him and his brother in after-school lessons in dance and theater. He<br />

also studied trumpet and violin. Ranger’s still young mother used to go to<br />

parties where sound systems would be set up. She would often bring along<br />

her boys and Ranger would listen to the English deejays. His mother also<br />

kept small parties in the house. Besides ska and rock steady, his mother and<br />

her friends would play the new British and American pop artists like Beatles,<br />

Simon and Garfunkle, and Cilla Black. Ranger and his brother would lie in<br />

their room listening late into the night.<br />

But, London didn’t turn out to be the haven his family expected and, in<br />

1971, they moved back. At first, both Ranger and his mother found the transition<br />

very difficult. “When we came back to Jamaica in the ‘70s, Jamaica was<br />

kinda slow. You know, you’re coming from London. It’s like you’re coming<br />

back in the past. Everything is slow, there are no jobs. So my mother didn’t<br />

want to stay.” And she didn’t. She went straight to the U.S.. “She left me here<br />

with a big house and every month she would send my big fat check come.”<br />

Tony walCoTT and The eaSTern danCehall SCene<br />

Left alone, Ranger found a new ‘family’ through Chester Symoie, his next<br />

door neighbor where he was living in Bowerbanks. Chester used to move with<br />

Tony Walcott, the eminence grise behind several Eastern entertainers. All<br />

the eastern sound aficionados would hang out together in a loose circle that<br />

centered on Tony.<br />

Although Tony had a regular nine to five job, his real passion was records.<br />

Tony was an avid record collector. With his huge collection of Studio Ones,<br />

Tony would hire himself out to sounds as a freelance selector. He was joined,<br />

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