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Contents - Beth Lesser

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like what you hear in the dancehall, and think it’s no big thing. But I couldn’t<br />

play that on the radio. A perfect example of that is Yellowman. Yellowman<br />

did hundred’s of songs for the danchall that I could never play on the radio.”<br />

Like Yellowman’s ‘Operation Eradication’. “The government would hear<br />

certain songs and demand that the radio station pull the songs. Crime was<br />

getting out of hand and the government didn’t have a clue how to curb it.<br />

They were creating different firing squads and the deejays had a field day writing<br />

songs about how they were behaving! And when they recorded them, it<br />

embarrassed the government.”<br />

Former rock steady balladeer, John Holt ran afoul of management when<br />

he sang that he would burn down the cane fields in ‘Police in Helicopter’ (Jah<br />

Guidance 7 inch 1983), and the song was also banned. “I wanted to play it.<br />

The radio station said, ‘You could play it on Wadat’.”<br />

In the latter half of the decade, a lot of songs were banned for lewdness,<br />

starting with Admiral Bailey’s number two chart topper, ‘Punanny’. Bailey<br />

had at least three records banned in of a couple of years.<br />

Working as a jock was a constant pull between the radio station management,<br />

the individual deejays and the audience who wanted to hear these<br />

banned songs - they were often the most popular ones. “The government<br />

would threaten to take away their license. Or say to you, ‘Take Barry G off the<br />

radio’. Picture Barry G arguing with management - ‘There is nothing wrong<br />

with the song. Tell me what’s wrong with the song?’ But, he [the manager]<br />

knows his hands are tried because the government is pressuring him.” Radio<br />

in Jamaica didn’t really start to change until the ‘90s when new stations began<br />

to open up competition by taking listeners away from the two who had<br />

monopolized the airwaves for decades.<br />

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