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Contents - Beth Lesser

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his biggest hit was with a singer, Jah Thomas’ years of dancehall exposure gave<br />

him a special knack for working with deejays. Thomas had the ear to pick a<br />

solid old standard to refurbish, and a feel for what the fans would react to.<br />

This first-hand experience helped him produce hits like Peter Metro’s ‘Seven<br />

Heroes’ and ‘Calypso Calypso’ (with Zuzu), Buro Banton’s ‘MC Peggy’<br />

and some of Early B’s strongest material including ‘Sunday Dish’, ‘Wheely<br />

Wheely’, ‘Ghost Busters’, ‘Call the Doctor for Me’, ‘History of Jamaica’ and<br />

‘Learn fe Drive’.<br />

But it was his work with Tristan Palma that has had the most lasting response.<br />

Thomas released a total of four LPs with Tristan in the early eighties,<br />

each one containing major hits. Entertainment and Joker Smoker, LP title<br />

tracks, were huge successes, and the LP, Showcase, contained two more sound<br />

system favorites, ‘Miserable Woman’ and ‘Runaround Woman’ * . The forth<br />

LP, Touch Me, Take Me, had ‘Reggae Music Taking Over’.<br />

Currently, his son Orville Thomas is carrying on the tradition as Da’Ville,<br />

a multi award winning reggae entertainer, but as a singer, not a deejay.<br />

* ‘Runaround Woman’ was voiced over still another version of the ‘Shank I Shek’ rhythm, the same<br />

rhythm that formed the base for ‘Entertainment’. Thomas later admitted it was his favorite rhythm.<br />

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