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Contents - Beth Lesser

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Sonic Sound Records &<br />

the Local Market<br />

With people like Barry G supporting reggae on the radio, the ‘80s saw a<br />

wave of new producers getting into the business. Sonic Sounds was one<br />

of the main manufacturers and distributors of locally produced records. As<br />

well, they handled the local pressing and distributing of foreign records. The<br />

warehouse, inside the headquarters at 14 Retirement Road (they later moved<br />

to 25 Retirement Road), consisted of row upon row of shelves lined with small,<br />

cardboard boxes, often cut to shape from recycled album covers. Each box<br />

held 25 seven inch discs. The labels ranged from the well known, like Volcano,<br />

Taxi, Powerhouse, Redman International, Time 1, Penthouse, Waterhouse * , to<br />

the relatively obscure, like Star Trail, BCR International, Diamond Music and<br />

Rude Boy. Sonic also handled material by independent producers on their own<br />

house label, Sonic Sounds, like John Holt’s self production, ‘Can’t Get You Off<br />

My Mind’.<br />

The ‘80s saw a blossoming of independent production, even before the<br />

introduction of digital equipment. With the backing of distributors like Sonic<br />

Sounds, new labels were appearing every day. “In the ‘60s, when you had 10<br />

release in a week, that was plenty,” Sonic Sound’s Neville Lee recalls. “But<br />

in my time, 200 release a week was considered normal.” That meant a lot of<br />

independents.<br />

Small labels were common in the local reggae market and, unlike in the<br />

more competitive markets abroad, they were accepted by the main distributors<br />

Sonic, Dynamic, Tuff Gong, Techniques and Aquarius. There were labels<br />

like Prince Huntley’s Modernize and Greedy Puppy, run from his Modernize<br />

Printing shop around the corner from Channel One. Prince Huntley produced<br />

a few hits in the early ‘80s – Horace Martin’s ‘Me Rule’ and ‘Na Fry<br />

No Fat’, Admiral Tibet’s ‘Too Quick’ and Hugh Griffith’s ‘Step it in Ballet’.<br />

Huntley also worked a lot with the under-recorded singer, Bobby Melody.<br />

Horace Martin was getting hot at the time and he recorded a song on the<br />

All Sport label, ‘Ready Fe Dem’. So did Puddy Roots – ‘El Paso City’. All<br />

Sport was owned by Kenneth Teddy Hayles of the musical Hayles family.<br />

Dennis ‘Star’ Hayles ran the Dennis Star label and worked with Flourgon,<br />

Red Dragon and Charlie Chaplin, among many others. Brother Stephen Hayles<br />

ran the sound system Bass Odyssey.<br />

* while Tuff Gong handled King Tubby’s other label, Firehouse.<br />

216 | RUB A DUB STYLE – The Roots of Modern Dancehall

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