14.11.2012 Views

Contents - Beth Lesser

Contents - Beth Lesser

Contents - Beth Lesser

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Brigadier Jerry & Jah Love<br />

International<br />

Where there was slackness, there was also “culture”, the opposing force in<br />

dancehall, championed by those who felt music ought to be a force for<br />

change in society and a tool for teaching the youth. “Slackness in the Garden<br />

hiding, hiding from Jah Jah…” * cultural deejay Brigadier Jerry used to chant<br />

on the microphone, as if taunting the slack sounds and challenging them to<br />

try and beat ‘culture’.<br />

Arrow’s deejay, Crutches, a purely roots and cultural toaster explains, “At<br />

the time, it was two different set of deejay. It wasn’t a physical segregation. It<br />

was just a different type of man. Cause them [slack deejays] drink. We [culture<br />

deejays] don’t drink. We don’t eat meat. At that time, you had two different<br />

set of food sell in dancehall. You have a thing named I-tal food – I-tal<br />

stew. And you have the curry goat section, different. That time, [Rasta] man<br />

don’t drink beer. It was them kinda thing.”<br />

It was a battle for the heart and minds of the dancehall fans, as sounds of<br />

both types tried to appeal to a larger segment of the population. In the early<br />

‘80s, slackness was in the lead. As more deejays picked up on the slackness<br />

style, the soul crowd began to pay attention to reggae. While the thunder rolling<br />

and lightening flashing of the ‘70s roots music had kept the soul crowd at<br />

a relative distance, slackness meshed better with the themes of foreign songs,<br />

disco and funk. The more commercial (i.e. soul) sounds were gradually adding<br />

more reggae and getting the majority of the bookings in the big venues.<br />

It looked like the days of roots and culture were fading away. So, who could<br />

have predicted that one of the most highly rated and well respected sound<br />

systems of the ‘80s would be the small, non-commercial, ‘orthodox’ set, Jah<br />

Love Music, the official sound of the 12 Tribes of Israel organization, with<br />

toaster Brigadier Jerry.<br />

The Twelve TriBeS of iSrael<br />

The 12 Tribes of Israel, founded by Vernon Carrington, alias the Prophet<br />

Gad (or Gadman), grew out of The Ethiopian World Federation, Charter 15.<br />

The EWF, incorporated in 1937 had, as its original aim, the support of Ethiopia<br />

against the invasion by Italy. In the early ‘70s, EWF member Gadman<br />

turned that Charter 15 into an organization he called The 12 Tribes of Israel<br />

* Taken from the West Indian folk song, Adam in the Garden Hiding.<br />

122 | RUB A DUB STYLE – The Roots of Modern Dancehall

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!