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Contents - Beth Lesser

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playing the ‘Midnight Attraction’- an hour or so of pure Studio One versions.<br />

As Selector Danny Dread recalls, “It was like one or two A.M. – Break out<br />

the Studio Ones. All the sounds did that, all the roots sounds – Jah Love,<br />

even Stur-Gav.”<br />

With all this new momentum swinging in his favor, Mr. Dodd packed it<br />

up and left the island for New York in 1979 leaving the store open but in the<br />

hands of Miss Enid. In New York, Mr. Dodd started back into producing<br />

from his new location in Brooklyn where he began rereleasing a lot of titles<br />

that were out-of-print for years. Although he continued to record new artists<br />

over old rhythms, like Lone Rangers’ Badda Than Them and Earl Sixteen’s<br />

Showcase, he never quite matched his former level of quality and originality.<br />

Nevertheless, through updating his work, Mr. Dodd had ensured that<br />

Studio One riddims would never die. Channel One spent the ‘70s and ‘80s<br />

versioning the old rhythms, as did every future producer, Junjo through Jammy.<br />

Mr. Dodd passed away in 2004, leaving an abundant legacy of innovative<br />

and inspired music for future generations to enjoy , a catalogue of classics that<br />

formed the foundation of the developing dancehall style that came to rule<br />

Jamaican music in the ‘80s and beyond.<br />

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