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Promotion dance, and laid to rest any suspicions that he might have lost the<br />

vibes by staying so long abroad<br />

In 1972, Nicodemus, brother of Blacka Morwell, was just getting his feet<br />

wet on a small sound from Independence City called Emperor Slave where<br />

he worked under top deejay Trevor Ranking. Although he deejayed many<br />

sounds, such as Channel One, Taurus and King Jammy when Liza and Kojak<br />

were around, he is best remembered and for his work with selector Danny<br />

Dread on Socialist Roots. Mikey Faith, owner of Emperor Faith, was a big<br />

fan of Nicodemus. “They used to say Nicodemus lie down on the rhythm like<br />

a lizard pon a limb. He carried a lot of vibes.”<br />

Nicodemus was working at the Caymanas Park Race Track as a groom in<br />

the early ‘70s. “He was trying to get to be a jockey,” Ranking Trevor recalls.<br />

“But he was so short and thick and heavy, he would never reach that stage.<br />

But he work with them, groom the horses and thing. One night I perform<br />

over Independence City and him hear me and from that night, Nicodemus<br />

decide him nah leave me. So, he come a my house come live. So, that’s where<br />

Nicodemus career start – right in my yard.”<br />

Nicodemus eventually followed Trevor to Papa Roots where Trevor was<br />

the main deejay. Then Trevor crashed on his motorcycle and had to stay in the<br />

hospital for a time and Nicodemus had to handle the sessions alone. It was a<br />

big responsibility as Trevor was the top deejay with the most hits at the time.<br />

Nicodemus handled it well and began earning a name for himself. He<br />

and selector Danny Dread became inseparable and even left to work Jammy’s<br />

together for a short time in the ‘70s. Although he was rated more as a live deejay<br />

than for his recordings, Nicodemus cut some popular records, like ‘Susie<br />

Wong’ (Skeng Don) and ‘Bone Man Connection’ (Volcano). *<br />

A versatile and experienced selector, Danny got his start with a small set in<br />

Greenwich Farm called Ioses where he was able to aid in the development of<br />

such crucial singers as Sammy Dread and Michael Prophet. He came to work<br />

with Papa Roots while it was still King Attorney. When Nicodemus joined<br />

Papa Roots, the deejay and selector became a team and stuck together, even<br />

long after the sound folded. When Papa Roots was abandoned in 1980 due<br />

to internal disputes, Danny Dread and Nicodemus remained together, moving<br />

temporarily to Jammy’s ** where they helped the sound win three cups in<br />

competitions held at Skateland.<br />

But, soon after, Nicodemus went abroad and Danny, on his own again,<br />

joined hit maker Junjo Lawes’ Volcano Hi Power, as it’s primary selector, until<br />

* A one-off album named Tidal Wave, which featured Nicodemus along with Bobby Culture, Louie<br />

Rankin, Brimstone & Fire, all part of Jack Ruby’s Hi-Power’s core crew, was recorded in New York, in<br />

Phillip Smart’s HFC studios. (Unicorn, ‘83). Channel One also released ‘She Love it in the Morning’ in<br />

1982 at the height of their interest in recording popular dancehall deejays. In the same year they also<br />

put out Ringo’s Riding West, Lone Ranger’s M 16, Yellowman’s One Yellowman and Toyan’s Toyan.<br />

** In those days, Jammys sound was still being played using the equipment that had belonged to the<br />

Payneland sound, Tapetone, with all tube amps.<br />

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