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couldn’t go back in the dancehall ‘ca I had to be hiding – running and hiding<br />

from Junjo. I couldn’t let him ketch me and lick out all my teeth. Me and<br />

John and Toyan in the dance and they always watching the gate for me to tell<br />

me if Junjo coming.”<br />

In the time she remained at home and away from the dance, she had her<br />

first baby. But, after hiding and allowing her career to slip for too long, Ann<br />

got frustrated. “After Junjo start to hunt me, that make me stop working. If<br />

he had just allow me, make me continue, I probably wouldn’t have even got<br />

pregnant, because I would have focus more on the music. But after he start to<br />

hunt me, that’s when I start to hide away and that’s how I end up get pregnant.<br />

I turned 20 then.”<br />

Producer Leon Symoie began to encourage Anne to go back into music and<br />

she went with Leon to the studio where they recorded “about 30-odd songs.”<br />

One of the tunes, ‘Satta’, enjoyed some success. Her neighbors, The Mighty<br />

Diamonds, heard it and carried her to Joe Gibbs Studio to meet Rocky, Joe’s<br />

son, who took her on and recorded the ‘Informer’ 45 and album, her greatest<br />

success of the period.<br />

Ann began going to dances and performing again, but she always traveled<br />

with company. Even after Junjo had cooled off, it still wasn’t safe for women<br />

to be out at dances late into the night. She started to walk with the Ringcraft<br />

Posse consisting of deejay Trinity, engineer Blackbeard, and singer Al Campbell.<br />

“Trust me, not many women wanted to go in the dance and deejay. If you<br />

live in certain neighborhood and you go to the dance, when you are coming<br />

back you might get rape. The only time I go to the dance is when Trinity, Al<br />

Campbell and Blackbeard come get me and me know them a go drop me right<br />

back a me gate and me can run go inside of me house. So, many times I had<br />

to run to prevent get rape, or beat up, when some guys want to beat you up<br />

to take you away.”<br />

The tomboys, and the women with strong male backing, had the best luck<br />

negotiating time in the dance. Lady Ann used to be called “half a man” by<br />

her male friends and was accepted into many all male groupings. “Me and<br />

Tristan were close friends. Me and Little John and Toyan was good friends.<br />

Every time you see John and Toyan, you see me. And if you don’t see me with<br />

John and Toyan, you would see me with Peter Ranking and General Lucky.<br />

Michigan and Smiley – all of them. They used to boost me a lot.”<br />

To her credit, Ann was the first female to win Best Deejay of the Year<br />

from Rockers International, and she was the only female deejay to record for<br />

Coxsone Dodd. *<br />

In 1983, Ann traveled to New York. Like many others, she never intended<br />

* The material was never completed or released because of a person problem that arose when Mr.<br />

Dodd allowed himself to be swayed by jealous performers who set it up to look as though she had<br />

stolen something from the studio.<br />

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