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The Universe Of The Ojibwe Anishinaabeg, an illustrated glossary by Zhaawano Giizhik*

A Glossary written and illustrated by Native Woodland artist Zhaawano Giizhik demonstrating a cross section of Anishinaabe Izhinamowin: the traditional worldview of the Ojibwe Anishinaabeg, who for the past 2 millennia inhabit the North American Great Lakes area.

A Glossary written and illustrated by Native Woodland artist Zhaawano Giizhik demonstrating a cross section of Anishinaabe Izhinamowin: the traditional worldview of the Ojibwe Anishinaabeg, who for the past 2 millennia inhabit the North American Great Lakes area.

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<strong>The</strong> <strong>Universe</strong> of <strong>The</strong> <strong>Ojibwe</strong> <strong>Anishinaabeg</strong> <strong>by</strong> Zhaaw<strong>an</strong>o Giizhik - 2014<br />

consciousness quality that was in keeping with the way of thinking of the aadizooka<strong>an</strong>ag,<br />

<strong>an</strong>d the l<strong>an</strong>guage they spoke. This approach gave the storyteller the ch<strong>an</strong>ce to tune into<br />

the unpredictable dreamscapes of the supernatural world; after all, the inhabit<strong>an</strong>ts of this<br />

world were capable of shape shifting <strong>an</strong>d always inclined to unexpectedly draw near the<br />

storyteller <strong>an</strong>d his or her audience <strong>an</strong>d eavesdrop on the narrative <strong>an</strong>y time <strong>an</strong>d in <strong>an</strong>y<br />

outward shape they liked.<br />

A traditional- storyteller was always aware of the presence of the beings of the<br />

incorporeal world <strong>an</strong>d therefore made sure that his or her narrative - <strong>an</strong>d the words that<br />

made up the narrative - contained the same tr<strong>an</strong>sformative powers as the aadizooka<strong>an</strong>ag<br />

that played the protagonist in it.<br />

In the sacred <strong>Ojibwe</strong> Anishinaabe stories or parables, metamorphosis occurs with<br />

noticeably frequency where m<strong>an</strong>idoog ch<strong>an</strong>ge their form. Wiinabozho, undoubtedly the<br />

most beloved of all aadizooga<strong>an</strong>ag (“gr<strong>an</strong>dfathers of the nonhum<strong>an</strong> or semi hum<strong>an</strong><br />

class”), whose primary characteristic is “shape shifting” - the ability to resume form <strong>an</strong>d<br />

personality of a hum<strong>an</strong>, or a hare, or a wild goose, or a tree stump - is basically a<br />

m<strong>an</strong>idoo in nature <strong>an</strong>d essence before <strong>an</strong>ything else; outward appear<strong>an</strong>ce is only <strong>an</strong><br />

incidental attribute of his incorporeal being.<br />

Usually, Wiinabozho stories are told during long winter nights <strong>by</strong> the old ones to the<br />

young. Wiinabozho, son of Wiininwaa, a mortal wom<strong>an</strong>, <strong>an</strong>d the Spirit of the West <strong>an</strong>d<br />

gr<strong>an</strong>dson of Nookomis (his gr<strong>an</strong>dmother on earth), is called Wiisagejaak <strong>by</strong> the Nakawēk<br />

(Northwestern <strong>Ojibwe</strong>g), the Anishininiwak (Oji-Cree), <strong>an</strong>d their neighbours to the north,<br />

the Cree. Wiinabozho is associated with rabbits or hare <strong>an</strong>d is sometimes referred to as<br />

the Great Hare (Misabooz), although he is rarely depicted as taking the physical form of a<br />

rabbit. He is the benefactor of the <strong>Anishinaabeg</strong> who helps little children, the poor, <strong>an</strong>d<br />

the weak. But he is also the mighty creator of pl<strong>an</strong>ts, <strong>an</strong>imals, <strong>an</strong>d the geography of the<br />

l<strong>an</strong>dscape as the <strong>Anishinaabeg</strong> know it. And he is m<strong>an</strong>y other things: a shape shifter who<br />

c<strong>an</strong> ch<strong>an</strong>ge from various <strong>an</strong>imal forms to various hum<strong>an</strong> forms; a trickster that <strong>by</strong> his<br />

foolish <strong>an</strong>d humorous actions holds a mirror up to hum<strong>an</strong>kind, const<strong>an</strong>tly showing them<br />

that things aren’t always what they seem; a very skillful hunter with supernatural<br />

powers, <strong>an</strong>d a great adventurer, always looking for equally powerful adversaries in order<br />

to test his own strength. Building the first Midewiga<strong>an</strong> (lodge of the Midewiwin) is <strong>an</strong> act<br />

accredited to him – although not all traditionalist sources agree that he was actually the<br />

founder of the Anishinaabe Medicine Society.<br />

Likewise, the origins of the WAABANOWIN (the Dawn Society) are traced to the original<br />

teachings of Wiinabozho: Wiinabozho stories are often used in the ceremonies <strong>an</strong>d<br />

teachings of the Society. <strong>The</strong> reason the members of the Waab<strong>an</strong>owin only recount<br />

certain traditions in winter, is because Mizhibizhiw, the horned underwater m<strong>an</strong>idoo with<br />

10<br />

<strong>The</strong> <strong>Universe</strong> of <strong>The</strong> <strong>Ojibwe</strong> <strong>Anishinaabeg</strong> <strong>by</strong> Zhaaw<strong>an</strong>o Giizhik - 2014

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