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The Universe Of The Ojibwe Anishinaabeg, an illustrated glossary by Zhaawano Giizhik*

A Glossary written and illustrated by Native Woodland artist Zhaawano Giizhik demonstrating a cross section of Anishinaabe Izhinamowin: the traditional worldview of the Ojibwe Anishinaabeg, who for the past 2 millennia inhabit the North American Great Lakes area.

A Glossary written and illustrated by Native Woodland artist Zhaawano Giizhik demonstrating a cross section of Anishinaabe Izhinamowin: the traditional worldview of the Ojibwe Anishinaabeg, who for the past 2 millennia inhabit the North American Great Lakes area.

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<strong>The</strong> <strong>Universe</strong> of <strong>The</strong> <strong>Ojibwe</strong> <strong>Anishinaabeg</strong> <strong>by</strong> Zhaaw<strong>an</strong>o Giizhik - 2014<br />

From of old, MAKWA MANIDOO or Bear Spirit plays <strong>an</strong><br />

import<strong>an</strong>t role in the ceremonies conducted <strong>by</strong> the Midewiwin,<br />

such as makomiinaka, or “following of the Bear Path”. (See<br />

also: MIDEWIWIN, p.96.) To guard the Mide rituals, carved<br />

images of the bear are set both at the eastern door (the<br />

entr<strong>an</strong>ce) of a Midewiga<strong>an</strong> (rect<strong>an</strong>gular lodge) <strong>an</strong>d at the<br />

Lodge’s exit in the west. Makwa M<strong>an</strong>idoo is one of a myriad of<br />

Aadizooka<strong>an</strong>ag (Spirit Fr<strong>an</strong>dfathers) to which a Mide<br />

c<strong>an</strong>didate who is initiated in the society must pray <strong>an</strong>d make<br />

offerings of asemaa (tobacco) in order to coerce the majim<strong>an</strong>idoog<br />

(malevolent spirits) into drawing away from the<br />

eastern entr<strong>an</strong>ce to the Midewiga<strong>an</strong>. Here, at the eastern<br />

doorway, the c<strong>an</strong>didate is met with four Midewii’owewininiwag<br />

(priests) of the fourth order dressed in bear robes who join in<br />

the ch<strong>an</strong>ts <strong>an</strong>d the rattling of the turtle shells, cheering the<br />

initiate as he or she makes his or her symbolic way around<br />

the Midewiga<strong>an</strong>. <strong>The</strong>n four other bears, called “contraries” <strong>an</strong>d representing the evils <strong>an</strong>d<br />

temptations the initiate will meet in his or her later life <strong>an</strong>d calling, appear growling <strong>an</strong>d<br />

blocking the pathway. <strong>The</strong> presence of these contraries symbolizes the paradoxes in life,<br />

<strong>an</strong>d the fact that there are two sides to everything. <strong>The</strong> benevolent bears, however, <strong>by</strong><br />

pushing the snarling bears out of the way, remind the novice that he or she must not<br />

hesitate, or shrink from the forces of evil….<br />

After having being admitted to the First Degree of the Lodge – which involved<br />

perform<strong>an</strong>ces <strong>an</strong>d teachings about how to use the magical properties of pl<strong>an</strong>ts in norder<br />

to influence <strong>an</strong>imals -, <strong>an</strong>d prepared to adv<strong>an</strong>ce to the Second - which included <strong>an</strong><br />

education in the use of magical properties of pl<strong>an</strong>ts in order to heal hum<strong>an</strong> beings -, <strong>an</strong><br />

initiate would once more petition the spirit of the bear. He or she is supposed to offer<br />

three feasts during which three prayers are said to the Makwa M<strong>an</strong>idoo Guardi<strong>an</strong>, asking<br />

him to open the entr<strong>an</strong>ce to that degree <strong>an</strong>d chase away the Misi-ginebi M<strong>an</strong>idoog<br />

(Malevolent Serpent Spirits) that oppose the c<strong>an</strong>didate’s adv<strong>an</strong>cement <strong>an</strong>d try to bar a<br />

safe passage…<br />

Inserted image: “<strong>The</strong> Bear Medicine M<strong>an</strong>” <strong>by</strong> Norval Morrisseau (1969). Above image: “Ojibwa Midawiin Sacred Bear” <strong>by</strong> Norval<br />

Morrisseau (ca. 1960). <strong>The</strong> painter placed ritualistic Mide “X-ray” symbols inside the figures in the painting.<br />

<strong>The</strong> <strong>Universe</strong> of <strong>The</strong> <strong>Ojibwe</strong> <strong>Anishinaabeg</strong> <strong>by</strong> Zhaaw<strong>an</strong>o Giizhik - 2014<br />

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