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Identity and Experience_Hamilton_1996

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Manomay a<br />

reed from its sheath: one knows that the two are separate from each other<br />

but they precisely fit together or correspond to each other. The point of the<br />

second <strong>and</strong> third analogies is the same as the first: a sword <strong>and</strong> its scabbard<br />

<strong>and</strong> a snake <strong>and</strong> its The form of the Pali is the same for the sword<br />

(a4 <strong>and</strong> scabbard (kosl), <strong>and</strong> the slough (karada) <strong>and</strong> the snake (ahz).<br />

A possibility which arises from these analogies is that they might also be<br />

an indication that the creating of a mind-made body is of spiritual significance:<br />

that it is an ability which is acquired when a certain advanced stage<br />

on the path to liberation is attained. Eliade points out that the image of the<br />

snake <strong>and</strong> its cast skin, for example, is one of the oldest symbols indicating<br />

initiation, or mystical death <strong>and</strong> resurrection, <strong>and</strong> is found in Brahmanical<br />

literatureeg5 In the SiirnaiiEa'phala Sutta, the acquisition of various magical or<br />

supernormal powers (iddhis) <strong>and</strong> insights, which culminate in liberating<br />

insight, follows the stage at which the bhiMu is able to create the rnanomaya<br />

body. As such, the process might have metaphorical symbolism as a rite of<br />

passage or initiation to the level at which the soteriologically advanced<br />

stages of the bhikkhu's progress along the path take place. This might be<br />

more plausible if one underst<strong>and</strong>s the creating of a manomaya body as a<br />

'subtlising' process, not as another body, as I suggest below Alternatively, the<br />

analogies might just indicate the close relationship between the bodies,<br />

such as we saw described in the Taittinia UpanGad, where the three levels of<br />

bodies were said to 'fill' each other, indicating that they normally occupy<br />

the same space.<br />

As well as the fact that the mind-made body looks identical to the<br />

bhikkhu's existing physical body, this passage tells us that it also has form, it<br />

is rzipa. The variety in the modes of reality to which we have already<br />

referred gives us some indication that this mind-made body, though it has<br />

form, might differ in nature from our physical bodies. We have also seen<br />

that the Brahmanical religion recorded in the Upani~ads accepted the<br />

existence of an individual's 'subtle body' (manomaya, vijn"l2namaya or linga<br />

SarEra). And we have concluded above that rebirth at the psycho-cosmological<br />

level of manomaya means having a subtle rzipa body. It is likely,<br />

therefore, that in this context also the created body is a subtle body.<br />

Because the mind-made body referred to in the Siimaiiiiaphala Sutta has<br />

form, however, we know that it is not merely a concept that the bhikkhu<br />

creates: its level of reality is ?%pa rather than a?%pa, even if it is subtle ~iipa.~~<br />

Its existence, therefore, is not in the mind or ofthe mind, but it is a body<br />

created by the power of the mind. In some way the bhikkhu's mind is able to<br />

manipulate riipa to create a subtle body in exactly the same form as the<br />

gross body.<br />

The phenomenon of deliberately creating a body is not unique to<br />

Buddhism, or even to the Indian tradition as a whole. In his book, 25ga:<br />

Immortali~ <strong>and</strong> Freedom, Eliade discusses the phenomenon of the transmutation<br />

of substance in tantric yoga <strong>and</strong> in Western alchemy.97 Both practices<br />

I57

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