AM001
Issue 1 May 2014 features an in depth look into the music industry. Including music from Lauren Mason, Blitz Recordings, KDIH, Slime Recordings, Studio Tan, Kelly Pepper, Limestone Recordings, GTE & Mike Delinquent Project.
Issue 1 May 2014 features an in depth look into the music industry. Including music from Lauren Mason, Blitz Recordings, KDIH, Slime Recordings, Studio Tan, Kelly Pepper, Limestone Recordings, GTE & Mike Delinquent Project.
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The Music Industry<br />
This is the digital age and growth of technology has made it so easy call themselves a DJ with the<br />
press of a button. But is this right? I much prefer the pureness and love from a REAL DJ who has<br />
worked hard to get where they are today. These talented people do not get the recognition they<br />
deserve. Somehow the world has stumbled into this fake culture where suddenly being a “DJ” is a<br />
trend that anyone can jump on. The likes of Paris Hilton, Joey Essex, “Big Mo” from EastEnders and<br />
Steven Gerrard have now turnt to “DJ'ing” in order to gain more fame and money. Where is the love?!<br />
Why is this socially acceptable? Someone mentioned “DJ qualifications” this is a great idea, you<br />
cannot call yourself a DJ if you don't have this degree!! - There are lots of great music courses for<br />
those who are seriously interested in the industry and have a passion for music.<br />
Do what you love; with all your heart may I add. I would love to be able to do a really wicked mix or<br />
create an absolute banger or two, but I don't because I know I just don't have the skills. There are far<br />
too many no name "DJ's" who just think oooh cool I'll jump on my laptop and overuse that fade in/out<br />
feature with all the latest hyped up chart pop nonsense and now I'm a good dj! No. My respect goes<br />
to those who have been working hard in the music scene and is passionate about their work in music.<br />
Always learning and always feeling good about what they do. Not for the money or image, but for<br />
themselves and their passion for music.<br />
Even Jon Richardson said "Why is nobody reporting the fact that music is dead?" - in reference to<br />
Miley Cyrus.. but really thinking on an international scale gives me a headache! My advice is keep<br />
away from the fakeness and stay true to what you love doing.<br />
Promotion: Several of the same kind of promos get recieved but simply dismissing anything in the<br />
emails that follow the same bland structure is not right. Receiving promos is always great for me, I<br />
love hearing new music and amazing talent, however I agree with the notion that impersonal mail<br />
outs sent to 100s of others all the time is a little tiresome to be raking through. When I receive a<br />
personal message from someone who has clearly done their research and has genuine passion for<br />
music then they have my full attention and respect. This may be a long process but in my opinion the<br />
work will pay off and you'll be able to build up a network and be taken seriously. For example we all<br />
get annoyed with telemarketers trying to shove a ppi claim in your face but perhaps if they took a<br />
personal touch and found people who really needed their help then they wouldn't get hung up on all<br />
the time..<br />
Music is love. An art form, a creative outlet, not a cheesy fad.<br />
A while ago people talked about wanting to change the name of the new style of garage, in order to<br />
re-introduce it to more people who would accept it. The term "new garage" often turns people off<br />
the idea. Going to "garage" events, people who aren't in the music scene expect and want old school,<br />
and the others want to hear the new music.. where is the middle ground? It is still the same genre so<br />
I don't believe the name is the issue, there already is "nu skool" and "future garage" but at the end of<br />
the day it is all garage, just a more evolved take on the style.<br />
"People follow trend setters and originality is decreasing." Christopher (Permanent St8).