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Issue 1 May 2014 features an in depth look into the music industry. Including music from Lauren Mason, Blitz Recordings, KDIH, Slime Recordings, Studio Tan, Kelly Pepper, Limestone Recordings, GTE & Mike Delinquent Project.
Issue 1 May 2014 features an in depth look into the music industry. Including music from Lauren Mason, Blitz Recordings, KDIH, Slime Recordings, Studio Tan, Kelly Pepper, Limestone Recordings, GTE & Mike Delinquent Project.
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“It's always been about the underground, the industry take our music, water it down & fed it to the<br />
masses. Too many young ones get caught up in the bright lights”<br />
Taken from Last.FM. "I work in a (commercial) record store, and everytime I see new CD's coming<br />
in. And when Korn turns into POP-Korn*, Nelly Furtado trades her musical identity and the beautiful<br />
original (sad) use of her voice and still make happy songs to make some sort of pussycatdoll-music,<br />
and when Richard Ashcroft makes a Robbie Williams-pop CD when The Verve had so much<br />
potential, then I ask myself... is commercialism killing music?"<br />
Solution? Whether it is society, commercialisation or DJs and producers, something needs to be<br />
done. There are already radio shows which promote new music, and dozens of various events.. but<br />
they are all aiming at specific people who make an effort to listen to the new music. We need to be<br />
thinking on a much broader scale and let the world realise that music is more than their labels. We<br />
need to work together, intervene and just really grab people's attention. There will always be a<br />
trend, unfortunately, but I think somewhere along the lines people have got stuck into these same<br />
ideas and don't appreciate music as a genuine heartfelt piece of art.<br />
"The reason it is not underground anymore goes way deeper, it's because people just follow fashion<br />
these days, not much is underground these days! As mainstream music goes downhill in general,<br />
youth are not used to quality underground sounds. Everything is too easy these days, people used<br />
to spend all day in record shops, now they want 5 million tunes on their iPod in 5 mins without any<br />
effort made, that's why the underground has gone. Nowadays people don't even wanna pay £2 quid<br />
for a tune. I play old and new and my only stipulation is that it is GOOD. 100% just good music, not<br />
just cos it's new or cos it's old. Old skool will never die no matter how much the new skool wishes it<br />
would. It's only the djs and producers that can move it forward." DJ Emma Champion.<br />
"It's Particularly hard as artists who enjoy experimenting with different sounds, as everyone wants<br />
to label u" Soneni and The soul.<br />
"I think lack of decent production killed the scene off. House (especially Deep House) is killing it at<br />
the minute because it is excellent quality club music. A LOT of new garage being made is not even<br />
worthy of radio play let alone clubs. There is a couple of producers who are producing quality music<br />
but you can't build back a scene with 1 or 2 producers!! Make club bangers and get it back into the<br />
clubs." DJ Smiffy P.<br />
"People these days that use to be into UK garage think it is dead or do not wish to listen to any new<br />
stuff or give it a chance because they cannot move on from the bad associations it once had. The<br />
sound has changed a lot over the last 5 years or more and it is slowly becoming the sound it once<br />
was. Not everything is going to be liked by everyone but that would have still been the case nearly<br />
20 years when it first began but because people hear a couple of tracks on an album they believe<br />
that it is the only sound of UK garage around and just dismiss it. I find it hard to believe that it is<br />
completely dead when I’m constantly hearing it on pirates and podcasts still. What makes me really<br />
laugh is that for example Sunship remixes a track, Kiss fm playlist it and then people really love it but<br />
have no real idea what genre it is." Rascal Soundzone.<br />
"Old skool garage all the way can't be beat. Have to keep a close eye on my cds. I'm just a<br />
garage fan big on my old skool" Toni.