AM008

Audiation 

"Hearing someone hum or sing 

your song, these moments are 

priceless." 

Darren Campbell EXCLUSIVE 

"Vinyl is forever." 

Eskuche & Nu Sky EXCLUSIVE 

Rock is defined by a carefree performance, 

allowing everybody to thrash out and flop 

around like a fish out of water. 

I SANG TO HER BECAUSE I HAD THE FEELING IT WAS BEST, 

BUT THE SONG I SANG TO HER, IT ONLY CAUSED HER MUCH DISTRESS, 

AND THE WORDS THAT I WROTE DOWNTIME FROM WITHIN THE BODY'S CHEST, 

AND SHE LOOKED AT ME SO DAUNTING WITH A STARE.

Audiation 

Music magazine giving exposure to the freshest music sounds 

and talent, as well as discussing industry related topics. We aim 

to showcase the amazing unheard talent in the International & 

Underground music scene. 

For the love of music you will most definitely be able to find 

something you enjoy in our eclectic selection. Whether your 

groove is house, garage, dance or soul; we will cater to your 

desires. 

www.AudiationMagazine.com 

An imagination.. 

not with visuals, but with sound.

"Music is the voice of the soul. It is much more 

than sound. Music can be a comforter, party 

maker, career path or a way of life. " 

Mizz Ruby, Co-Founder. 

"Music is passion & adrenaline rolled into a 

pattern of music notes that create a permanent 

etching of a moment in my mind." 

The Sassy Yank, Co-Founder. 

"Music joins people together from all around the 

world, without music life would be pretty boring." 

Rokuro, Feature Writer. 

"The birth of one's child is the only feeling that 

comes close to getting lost in music." 

Cessle, Feature Writer. 

"Music is a form of art that reveals a truth in a 

world full of mystery." 

Sarah, Feature Writer.

RADIO 

UK Time Zone 

MONDAY 

THURSDAY 

SATURDAY 

6pm South Star Radio 

DJ Junior UK - UK Garage & Bass 

3pm Pure Music 24/7 

AK Steppa - House 

12 am - Kiss FM UK 

Wideboys - Lovers off Music & Bass 

9pm Ministry Of Sound 

Essential Garage 

4pm Select Radio UK 

Lizzie Curious – Funky / Tech / Groove 

8pm Shine 

EssnVee – House & UK Garage 

TUESDAY 

8pm Empire London 

DJ X-Ray – House & UK Garage 

9pm Kiss Fresh 

Mike Delinquent – UK Garage & Bass 

2pm Select Radio UK 

Danny Blaze National Anthems - Club Classics 

9pm Kiss FM UK 

Majestic – UK Garage 

SUNDAY 

WEDNESDAY 

FRIDAY 

10am Silk City 

Wally B & Johnson - House & Garage 

8am Empire London 

Pintsize & D'Elle's Big Breakfast 

12pm WLUW 

Sarah Becker - Independent Music 

2pm Silk City 

WisK & OSG - House, Garage & Bass 

4pm Vision Radio UK 

DJ Pyro - House & UK Garage 

8pm Silky City 

Shakedown Show - House & Garage 

10pm Empire LDN 

Heartbreak – UK Garage 

4 

www.AudiationMagazine.com

Audiation 

5

Christmas Wish List 

The Boosey & Hawkes Music Diary 2015 

A perfect way to plan out the year also including 

musicians birthdays, event listings and a directory of 

venues, festivals & organisations. With an added special 

article on compostion in the US over the last quarter of 

a century. 

www.boosey.com 

Retro Music Notebook 

Get song writing with this oldschool notebook which 

also includes a music resource section with websites to 

explore, a place to note down your favourite radio 

stations and even a pocket to keep your event tickets or 

music notes safe. 

www.notonthehighstreet.com 

UKG 2015 Calendar 

Enjoy some of the best UK Garage music 

stars hanging on your wall, all for a good 

cause. 

www.butterflyphoto.co.uk 

6 


Frends Headphones 

Listen in style with the Frends collection. Men can rock 

out with the sexy Denim light choice, while ladies can 

walk the catwalk with Rebecca Minkoff designs. 

www.wearefrends.com 

London Music Screenprint 

Display a creative London skyline of music history. From 

Amy Winehouse to Dizzee Rascal, this is a lovely piece 

for your studio. 

www.notonthehighstreet.com 

7

Emanuel Gibson 

"An edgy rocker with vibrance and attitude. Emanuel is also a poet with pure 

passion in his words." Mizz Ruby 

Born during a bar fight in Brooklyn, New York, Emanuel Gibson came into this 

world swinging. The first day of his life, he lost his virginity took a man’s life 

and developed an insatiable appetite for music. At the age of two, Gibson's 

father lost him in a battle of the bands. Six months later, Gibson won himself 

back. When he was three years old, music, started turning into “pop” music 

the United States and Gibson became enraged at the thought of younger 

generations missing out on sweet bluesy melodies. Hell-bent on supplying 

music from his soul to the American people, he stowed away on a tour bus 

traveling throughout the nation. Gibson was now in a strange land 

(Hollywood, CA), armed with nothing but a Road Worn Fender Telecaster 

and a musician’s wit. He quickly organized a gang of misfits and took over 

music venues around the country. This enabled him to spread the gospel 

incognito. Before he was a teenager, Gibson became an underground legend. 

His name was whispered in back alleys and speakeasies across the nation, 

and songs were sung to tell of his tales. The style of these songs would later 

become known as Rock and Roll and the tunes can still be heard today. 

www.emanuelgibson.com 

8 


Song 

The wincing of her face, delivering the song in minor, 

disgusted was her taste such as the coal build up on miners. 

She seemed, not into things that were okay or even finer, 

so ravenously sang without a care. 

I sang to her because I had the feeling it was best, 

but the song I sang to her, it only caused her much distress, 

and the words that I wrote downtime from within the body's chest, 

and she looked at me so daunting with a stare. 

I do not believe the wrong that's beed decided and decreed, 

only believing in the song that has invited you to me, 

but if you choose to sing along that'd be polite and excite me, 

but you don't just break apart hearts you see, you tear. 

And all the anger that you seemed to have caused me from within, 

and vice versa, me singing a song or heart provoking hymn. 

And you second guess the purpose of my song. For me or him? 

And I ponder 'cause I don't believe you dare. 

But dare and dare you ay and I'm done with your episodes. 

All this anger starts to build up and the lobe, it just corrodes. 

all the value that we had it tarnished and then explodes, 

and our relationship shows notice of the wear. 

So i'm moving on without you taking time and taking song, 

taking joy and happiness and all the love can come along. 

i hope that someday you'll realize the things you said were wrong, 

so the load will be much lighter that you bear. 

by Emanuel Gibson 

9

"We can all go a little cuckoo with 

this slightly disoriented meld of 

sounds. I really could get lost in 

the deep moody yet sexy vocals. 

An added element of urban 

flavour from Little Simz lyrical 

input. Overall this track is a real 

blend of creativity and intrigues 

the mind." Mizz Ruby 

A weird song, to be thought of 

not as the next chapter, but as 

an interlude... 

Zene Records 

"Old school disco house sounds with fun energy and creative elements." 

Mizz Ruby 

Zene Records introcues a variety of productions and artists. Jamie Vee 

projects are mostly aimed for pop remixes and works with Hungarian pop 

artists. 

Dichali produces and remixes, focusing on house/deep house. 

"I am very passionate about this project as it reflects my passion for my 

love of early house music and I try to capture that essence in my 

productions. I am currently working with Polina Griffith, Jan Johnston and 

Amrick Channa and I am seeking to work with more artists be it either full 

on writing and production to remixing." Jamie Vee 

www.zenerecords.com 

10 www.AudiationMagazine.com

Olivia Louise - Physical (DJ Q Remix) 

Label: Q Recordings 

www.twitter.com/QRecs 

www.soundcloud.com/q-recordings 

www.facebook.com/qrecordings 

www.youtube.com/user/qrecordings 

11

www.soundcloud.com/alexadair 

www.facebook.com/AlexAdairOfficial 

www.twitter.com/Adair_Official 

Interview by The SassyYank 

I was pleased to get the chance to speak with UK producer Alex Adair 

this month. I first became aware of Alex when I ran across his track 

‘Make Me Feel Better’ back in February of this year. This track is a 

brilliant uplifting take on the classic by Marvin Gaye and Tammi Terrell, 

"Ain't Nothing Like The Real Thing". I loved the track from the second I 

pressed play, and left it on repeat. From that point on every track I have 

heard him remix has been on point and has added quality to the 

original. He is a producer that I have said from the start is one to watch. 

Simply superb… 

So to start, can you tell us a bit about you & how you started into the 

music business? 

I've always been around music. More classically when I was younger, 

playing the piano and other instruments to a high level. I've also 

studied music in one form or another throughout all tiers of education, 

which finished this year with me getting a degree in Music Technology 

from university. So music has always been in my life, but I only really 

tried to push myself and get somewhere with it when I studied at 

university. 

12 


The first track I heard of yours about 9 months ago 'Make Me Feel Better', 

was a brilliant take on a classic. What about this track to you think has 

appealed to so many like myself? 

I think it’s just a feel good track. Which I think most people can 

appreciate. The vocal hook is very catchy, the chorus is bit different to 

other tracks, and it’s got a summer feel to it. 

Since that track you have had the opportunity to do some fantastic 

remixes for some big names in the UK like Elle Eyre, Jessie Ware & most 

recently Ed Sheeran. How has this all come about? And have you 

enjoyed it? 

They've come about off the back of 'Make Me Feel Better', and I've got a 

great manager who works hard to get me these remixes. Yeah, I've loved 

being able to remix such great artists, and I'm very pleased with the 

reaction to the remixes and the fact that people are liking them. 

What is your favorite part of being a producer? 

Because I love what I do it means that it's not a chore for me to sit down 

and make music. I really enjoy doing it. So the fact that I can make a living 

from something that I do enjoy, and want to do, is the best thing for me. 

What are your hopes for the future? 

I just want to keep on making music and grow as an artist and producer. 

Work on making more original tracks and keep on doing the remixes. 

And having a good time while I'm doing that. 

13

14 


DANCEFAIR 2015 

Global electronic music festival Dancefair is back and bigger and 

better than ever in 2015. Taking place between 21st and 22nd 

February, the educational two day event takes place in a huge 

conference centre just outside Amsterdam at Jaarbeurs in Utrecht, 

and covers many musical basses as well as offering great ways for 

keen young DJs and producers to get their own music heard. There 

will be 200 workshops, 80 artists and entrepreneurs, 1800sqm of 

space displaying the latest DJ technology and more than 80 record 

labels on site. Dancefair is very much aimed at the DJ & producer. 

15

Ready to Rock 

WARNING: This article contains ear-soothing guitar solos, very rugged men 

and opinionated sentences. Read if you dare. 

Speaking of, let’s play a childhood game of truth or dare. 

Truth: You know rock, and you like rock. 

Dare: Hold a fist in the air and lift your index and pinky finger. 

This may be the first article not written about house music and synthetic 

vibes, but I want to touch upon a genre called rock. What is it about the 

connection of electric guitars, amplified bass and cymbal clashes that make 

anybody want to whip their hair around with a fist in the air? 

Rock is defined by the unexplainable feeling in your chest while standing in the 

middle of a crowd at a concert and the drummer is just pounding on his foot 

pedal. Rock is defined by a carefree performance, allowing everybody to 

thrash out and flop around like a fish out of water. Rock is defined by doing an 

air guitar solo…anywhere. 

As much as a digital age our world is falling into, rock still exists and is highly 

prevalent in our lives. Before grunge went mainstream, rock offered music 

that people flocked to for a party. It presented lyrics that words just couldn’t 

form, and messages that wouldn’t come across. It is a form of music that is 

given countless rebirths, handing artists room to wiggle. 


When I think of rock, this is what I hear: 

Rory Gallagher - Moonchild 

From Dublin, Ireland, Rory Gallagher is a forgotten about rock legend. His 

finger work on his 6-string brought about tunes that define a specified 

sound and makes it seem effortless. In this guitar solo, there are glimpses in 

the soul he carried through his music straight through his fingers. Even 

though he was taken too early, there are artists off the yin yang to follow in 

his path. 

Twin Peaks - Making Breakfast 

Up and coming Chicago band Twin Peaks throws it back to old school. With 

all the technology available to auto-tune their voices and add some sort of 

electronic, robot-sounding noise, they keep their music raw. 

Eric Clapton- Wonderful Tonight 

The one song that brings me to tears. Every time. Eric Clapton is an English 

musician that nailed it with a song about old school romance. Solely because 

of the lead guitar, “Wonderful Tonight” slows it down to create a ballad that 

will make anybody feel beautiful. 

That 70's Show theme song 

For those people that still watch the season-finale-already-decade-old 

show That 70’s Show, you are directly or indirectly jamming out to rock from 

the 1970’s in the theme song. 

Let me dare one more thing. At your next party, play the most rockin’ and 

rollin’ song and see what happens. It will either take you on a trip back to the 

70’s or on your knees for a guitar solo, guaranteed. 

17

Cessle 

Interviews Eskuche & Nu Sky 

Along with our beloved vodka, Russia has been the bearer of many great musicians 

introducing to the world Igor Stravinsky, Nina Kraviz and New York based duo 

Eskuche & Nu Sky look set to join the ranks. Since the release of their Mothership 

EP on Nervous records in 2012, Eskuche & Nu Sky have accumulated an 

astonishing amount of releases on numerous labels including Natural Rhythm, 

Equilibrium Lab, Viva Music and now Hot Creations proving that hard work really 

does pay off. Prior to their Acid Jump EP on Hot Creations, Audiation magazine 

managed to catch up with Eskuche & Nu Sky as they journey continue on their road 

to success. 

EP: Acid Jump 

Label: Hot Creations 

How did you boys get into producing 

music? 

Eskuche: It was a long time ago. We 

produced Tech House and Techno once 

we got to New York. For me its started 

many years ago as a hobby in my 

hometown, i try to make some beats 

and played music for a friends. But 

when i moved to NYC I went to a crazy 

rave party here and after it i went out 

and realized that this is music i wanna 

make, caught my vibe, you know. 

Nu Sky: We started at different times. I 

started to produce music about 15 

years ago,I produced Underground 

music, progressive house and after I 

became an EDM DJ/Producer. It was 

enough for me and after i came to the 

US, met with max and we decided to do 

a collaboration as we felt we were on 

the same wave. 

EK: Actually i moved to New York like 5 

years ago and got on the DJ and 

producing stuff, then like 6-8 Months 

later Michael hit me up. I knew him from 

Russia but we didn’t like vibes or chill 

out a lot together. We just met 

sometimes 

NS: We just met up to smoke lol. 

18 


EK: He hit me up, said right now you’re 

into music in stuff, I said yeah so i sent 

him a few of my tracks, he said wow 

their really cool, you know. Then he 

came for one week here to NY, I 

remember we sat down in my studio 

and it was the 1st of our tracks. We 

started a track called “Mothership” 

which was released on Nervous 

Records. We went to a Marco Carola 

party together here, Michael was very 

excited about that you know and after 

maybe a year he moved to NY. 

NS: I came back to the underground 

scene for like the 2nd time you know. 

After rooming with Max and going to 

Marco Carola party, I was very 

impressed and inspired. We started to 

produce our 1st track Mothership, that 

was released on Nervous records then 

we decided to do serious things. After 

your 1st release I understand that you 

started releasing on a whole load of 

labels, you lot have a catalogue of 

releases, you’ve just been smashing 

them out. 

power, our two minds in one, you know, 

NU: In the same direction 

EK: We decided to work more on 

collaboration tracks rather than our 

own music this year. This year its 

bought a lot of good you know, a lot 

good things have happened. A lot of 

good tracks done, Hot Creations stuff 

finally, some big things have started to 

happen. 

Who else have you got planned to 

release on Gradus Records? 

EK: We have some artist in mind. Some 

artist from `New York and some from 

actually the UK scene. We don’t want 

to share names right now but some big 

things coming to Gradus soon. We will 

keep the label strictly vinyl. 

EK: We produced together and released 

some, then we started working on our 

own productions. For starters I made 

my tracks, he made his tracks, and we 

made some different stuff, releasing 

here n there. Then the start of this year 

we decided to create this label GRADUS 

Records, we decided to put all our like 

19

When I interviewed Will Monotone he 

said that that was something he liked How did you end up hooking up with 

about the label, the fact that it was vinyl Nathan Kersaint for your track “Guns 

only. 

Up”? 

NU: Yeah that’s important, Vinyl only its 

keeps music being bought the classic 

way and keeps music exclusive. 

EK: Nowadays, Vinyl is coming back. as 

well as the analogue stuff, analogue 

synthesisers and we’re like coming back 

to our roots. 

I remember when i started buying music 

i was buying vinyls. 

EK: Yeah thats how it supposed to be. 

Thats why Big labels like Hot Creations 

are doing both. Digital and Vinyl, for 

sure. because Vinyl is forever. Vinyl can 

be passed down, like my children can 

have it. Its a beautiful way. Digital tracks 

can be lost in like 5, 7, 8,10 years, or 

somebody can download it after 10 

years and say “Its My track” and nobody 

would know. A lot of music is released 

right now it should be like more 

exclusive. 

NU: Actually like there is too many 

digital stuff. 

EK: Yeah Beatport release soo much 

music, it never ends, you can download 

like Hundreds Thousands, A lotta music. 

EK: Nate is our friend here in NY. We do 

like cool collaborations with him. 

NS: Sometimes we make music 

together, record some vocals with him.. 

EK: He does really cool Vocals. I told ya 

he kind of reminds me of you. you’re like 

brothers you know lol. 

I like that track (Gunz Up), it had a very 

distinctive sample, very catchy. 

NS: It was original, it was recorded. Its 

Nate voice, actually most of the vocals 

on our tracks are original. 

Okay, so its not really samples, always 

somebody’s vocals? 

EK: We try to record but sometimes we 

just take some sample s from Youtube 

or something like that, but to try record 

is better. 


NS: Ye we sit down and then decide 

what we want, record something or 

maybe try to find something interesting 

in the web. Decide what vibe we have a 

the moment" 

EK: Sometimes you can just find 

something that fits perfectly and you 

don’t need to record as it already fits 

good. 

Whats next on the horizon for Eskuche 

& Nu Sky? 

EK: Our remix for Russ gallop on Viva 

music, planning maybe one more EP on 

Hot Creations, work more on this style. 

More UK style of music. 

NS: One more very big thing on the way 

with the Hot Creations crew. We have a 

remix of our track ’99’ being done by one 

of the worlds biggest producers. We are 

keeping the info secret for now but will 

release the info soon. 

EK: You will see some big moves from us 

in 2015, stay tuned 

The Hot Creations power-force 

show no sign of slowing down as 

they get set to release Acid Jump 

from New Yorkers Eskuche & Nu 

Sky. Destroying dancefloors all 

summer at the hands of Jamie 

Jones, the title track is a high 

energy hitter and the ultimate 

weapon for peak time with big, 

powerful builds yet packed with 

groove, standout vocals and 

futuristic synths taking you on a 

journey into space. On the B-side 

The Future follows suit with an 

extremely infectious bassline and 

trippy FX. This is a killer two track 

release not to be missed! 


"Edgy, sexy and rebellious." Mizz Ruby 

Avion Blackstone is a bright light in the world of dark pop. Avion’s pairing of catchy 

beats and meaningful lyrics has people praising her music. Wanting to offer fans 

music that can move them while leaving a message, Avion has cleverly layered 

messages that help deal with issues rather than hide them away. 

Avion began playing music when she was 3, along with her musical family. She is both 

a poet and a pianist and always knew her love of music would have her performing 

for fans. 

Avion’s music is getting real results with over 45k plays on Spotify of her single 

Black Ice and genuine feedback from her fans…#Aviants. Her fans number over 23k 

on twitter. She draws energy from their love of her music and hopes that she can 

inspire them to follow their dreams. If you haven’t already followed her be sure you 

do. She interacts with her fans daily. Avion is featured in the Fall/Winter issue of 

Blockz Magazine, Urban Magazine A&R Report, upcoming issue of The Underground 

Fix and Simply L Magazine. Her music is being played on Streetseekers radio, 98.2 

The Beat, Beatsta, Nine Oh, Rock Bandom Radio and Blockz Radio. Her radio 

interviews on MJWJ’s ‘To Be Honest’ and Owl Radio garnered high praise from the 

hosts for her quality music. 

24 


"I love this groovy soulful release. It really it has an 80's feel with fun 

vibrancy but also keeping it fresh." Mizz Ruby 

Bass Adjustment is an international musical collaborative initiated in 

2006 by songwriter/producer Rahá Poostchi. His talent pool is drawn 

from an array of unique artists from all over the world who come 

together to merge various musical styles from House to Pop, 

Worldbeat, Funk, RnB, Dance and Smooth Jazz with influences from 

Oriental, Latin and African music - always expressing the fundamental 

principle of Unity in Diversity. 

The collaborations of Bass Adjustment extend well beyond its specific 

formation. They socialize as friends, they make musical CDs for kids 

(with an educational twist) and they share a common vision for 

community building on a local and global level: 

“Most of us got together when we played basketball/streetball every 

day in 1995. That’s when our bonds were forged. But it wasn’t until 

years later, almost 20, that we got back together and discovered and 

pursued our shared passion: promoting and living out unity in diversity 

through music…” says Rahá Poostchi, Founder of Bass Adjustment. 

www.bassadjustment.com 

25

You have long been a part of the music industry, what would you say is the biggest difference 

now versus the 1990s? What is your favorite distinction? Least favorite? 

It really depends on the context of the question; there have been lots of technological advances, 

which have inspired a change in the way djs and artists perform. Back in the 90’s you had a pair 

of 1210’s and a mixer and that was pretty much it. Depending on the style of music you played, 

maybe a mic if you had an MC to accompany you. I laugh, thinking back as sometimes we didn’t 

even have a mic and the MC would improvise with a broken pair of headphones! I’ve played many 

a set on pirate radio back in the day where this happened! Nowadays, you have artists finger 

djin’, controllerism and so much more. I’ve even played a dj set on my iPhone after arriving at a 

gig without my records, which is testament to how far technology has progressed. 

Another striking difference is the pace at which the industry moves. Years ago the industry 

moved at a steady pace. Records would be hyped for six months, sometimes more, prior to 

release. A record would stay in a djs box for a month at least and would get played hard. 

Nowadays, songs appear to have a much shorter life, with some djs only playing a song once or 

twice before wanting to move on and play something else. 

The format of the music has obviously changed. For the most part it’s no longer tangible, which 

is sad because some of the culture disappeared with it. Ask yourself how many iconic record 

sleeves or CD covers you can think of? And how you feel about them? I can think of tons. Now 

ask yourself how many digital albums or singles have had the same impact? With the exception 

of Disclosure album sleeve, I’m struggling to think of any. Let me put it another way; reading the 

meta-data of an mp3 doesn’t come close to taking the inlay out of a CD to read the song 

credits and message from the artist. Unfortunately, music just seems to be less collectable 

than it once was. 

The music calendar is now dominated by festivals rather than by weekly club nights. Ok, we 

used to have a lot of raves in the UK, which has similarities to festivals of today; big crowds and 

so on. Back in the 90’s though the calendar was dominated by weekly club nights. In London, 

you would have a choice of places to go every night of the week, every week. Clubs would 

regularly pack thousands in. Unfortunately, that seemed to disappear not long after the 

Millennium. 

What would you say is the accomplishment you are most proud of so far in your career? 

It depends on how you want to look at it. I worked on a song for Inaya Day for Slaag Records in 

New York that debuted highest new entry (no.2) in the Media2Radio hype charts, I won dj 

competitions as a teenager, I’ve dj’ed internationally, I’ve played festivals, I’ve played dj sets 

purely of my own productions and remixes, I’ve had brand endorsements, I’ve worked for the 

labels I wanted to work for and I’ve had the chance to work with and keep company with some 

of my idols. However, it’s always the little things that make me smile the most. Hearing a car 

drive by, walking into a retail store or turning on the radio and hearing your song. Standing on 

the dancefloor and seeing and hearing people’s reaction as you song drops in the club, or getting 

the biggest cheer of the night, hearing someone hum or sing your song, these moments are 

priceless and what I live for. The personal memories made far outweigh any satisfaction from 

record sales or commercial achievement. 

26 


"Reading the meta-data of an 

MP3 doesn't come close to taking 

out the inlay of a CD to read the 

song credits." 

27

"Ask yourself the question, 

could this be performed on 

stage?" 


f you had the opportunity to work with anyone no limitations, whom would you choose? Why? 

The producers I’d love to work with are Kenny Dope, Todd Edwards and Boris D’lugosch. I can 

probably credit Todd with the most flattering compliment he could have offered, when he 

commented my drum programming reminded him of Kenny Dope. This being recognised at all, 

made my day but the fact the comment was made by Todd Edwards made it all the more 

special. Todd understood what I was doing. 

Artist wise, I’d have loved to work with Michael Jackson if I’d have had the opportunity. I’d also a 

big fan of JK, Justin Timberlake, Pharrell Williams, Floetry, Erykah Badu and Musiq Soulchild 

amongst many others. Tracy Cruz, Teri Tobin and JRDN are three artists I admire and would 

enjoy collaborating with soon. Tracy and Teri I’m in contact with and JRDN featured on the 

Kardinal Offishall track ‘Freedom’. 

What do you consider when you are looking at working with someone or a particular track? 

How they can compliment the song, or more often than not how I can compliment the artist. 

However, it’s mostly all about the song. I’d love to work with Tracy Cruz not just because I 

admire her voice but also because she is such a good songwriter. I love her hooks and her 

melodies. In the 90’s I grew up surrounded by contemporary rnb with strong, catchy hooks. 

Tracy Cruz delivers! 

What do you find to be the hardest thing about being a producer? 

Finding the time to get everything done. Believe it or not, most of the time is not consumed in 

the studio. I’ve learned to work pretty quickly these days, which I need to because trying to 

manage my career is consuming enough. I hate to miss opportunities, which requires constant 

networking. Social media channels need to be managed, release schedules, marketing, PR and so 

forth. I used to be managed by Junior Palmer Management in Toronto. Junior also ran the label 

Home Recordings and he was superb but unfortunately a few years ago he decided he wanted a 

new career direction. Since then I have managed my own affairs. 

Do you have any recommendations or advice for up and coming producers? 

Think about the song and respect the song. Imagine you are part of the band performing and 

ask yourself the question ‘could this be performed on stage?’. If the answer is no, ask yourself 

why? By way of example, if you need an octopus to play your drums, chances are your doing 

something wrong. Share your music. 

When you are not doing music, what are some of the things you do to pass your time? 

I’m a software developer and hardware engineer working in the Defense sector for one of 

the largest engineering companies in the world and my day is mostly spent conceiving 

ideas, working with new technology and building Proof of Concepts. As a professional 

Creative of multiple disciplines, this is pretty much my life. I don’t watch TV; TV is for 

wimps! I’m constantly dreaming ideas up and then creating them, be it music, software, or 

hardware or any other way I can creatively and productively express myself. I am also 

part of the Wayne Haskett Martial Arts Club and enjoy kickboxing. 

29

When you are not doing music, what are some of the things you do to pass your time? 

I’m a software developer and hardware engineer and my day is mostly spent conceiving ideas, 

working with new technology and building Proof of Concepts. As a professional Creative of 

multiple disciplines, this is pretty much my life. I don’t watch TV; TV is for wimps! I’m constantly 

dreaming ideas up and then creating them, be it music, software, or hardware or any other way I 

can creatively and productively express myself. I am also part of the Wayne Haskett Martial 

Arts Club and enjoy kickboxing. 

If you could travel anywhere, where would you choose to go? Why? 

I’d go back in time in my DeLorean. I couldn’t possibly tell you where or why, apart from to say 

she was blonde and about 5’5! 

Do you have any new and/or exciting things you would like readers to know? 

Early 2015 look out for a remix I have done for Dichali featuring Amrick Channa who starred on 

TV show The Voice. I’m also looking forward to working with Duce Martinez on some new 

material for his label in New York and of course ill be collaborating again soon with my good friend 

and fellow producer James May (8th Note). After nearly 18 months I will also finally release a 

track entitled ‘All my Sons’. The demo mix of ‘All My Sons’ featured as the opening track on my 

last mixtape, Deep & Soulful Mix Series #35 which is available on my website. 

What is your favorite type of food? 

Unprocessed foods, if possible! I eat a lot of fruit. I love super fruits like cranberries. 

What is your favorite Christmas tradition? 

Everyone getting together and the children of the family open their presents on Christmas Day. 

We also have a family tradition where at the stroke of midnight on NYE, all the children at home 

are given money to put in their pockets and then go outside and walk through the front door. 

Looking in the New Year with money in your pocket brings good luck. 

Do you have any recommended artists to look out for in 2015? 

Evan James, James Sheehan, JRDN. 

Hottest new tracks… 

Ed Sheeran – ‘Don’t’ (Darren Campbell remix) [CDR] 

Stalley ft. TY Dolla $ign – Always into Something (Darren Campbell remix) [CDR] 

Usher ft. Nicki Minaj – She Came to Give it To You (Darren Campbell remix) [CDR] 

Kardinal Offishall ft. JRDN – Freedom (Darren Campbell’s un-offishall remix) [CDR] 

Praxis ft. Kathy Brown – Turn Me Out (Darren Campbell 2014 remix) [CDR] 

30 


Social Networks and more info: 

Website – www.darrencampbell.info 

SoundCloud – www.soundcloud.com/darren-campbell 

Facebook – www.facebook.com/mixthegroove 

Fan Page – www.facebook.com/mixthegroove1 

YouTube – www.youtube.com/mixthegroove 

Twitter – www.twitter.com/mixthegroove 

Podcast - www.itunes.apple.com/gb/podcast/www.darrencampbell.infodeep/id789613416?mt=2 

Shout outs… 

James May, Elijah Phillips, G-Money, Leo, Duce Martinez, Junior Palmer, Ian Mac, Delroy Phillips, 

Jamie Vision X, Paul K-Klass, Jason Kaye, Sacha Brooks, Capital FM, Frankie Vibe, WFDU 89.1FM 

New York, DJ Brite, Benji Candelario, Laurence Deniz, Matt Jam Lamont, Deli G, Mousse T, 

Smokey B, Jason Western, Jazzy D, Freek 90.6FM London, Dewey Cioffi and Diva Down 

Entertainment New York. 

Interview with music producer Darren Campbell 

By The Sassy Yank 

31

32 


Alpines - Saviour 

London duo Alpines have unveiled the brand new video for latest single 

Saviour. 

Directed by the groups’ singer Catherine Pockson, the new video represents 

Alpines’ most daring and visually stunning effort yet. Shot on the Gower in 

Wales, the visuals for Saviour feature idyllic backdrops, where cascading hills 

meet restless coastlines to provide the perfect setting for the emotionally 

charged piece of music the viewer is presented with. 

Speaking of the video, Alpines singer Pockson said, “For me this video came as 

an all encompassing experience, where it took all of my energy and creative 

strength to try and represent the track, which is a very important song to 

me.” 

“Saviour is about the strength of a bond that you have with somebody and 

that bond represents a lifeline and something that is within your blood and 

veins, which to me is so rich and strong.” 

Having burst onto the scene in 2010, Alpines quickly gained acclaim for their 

self produced releases and captivating live shows. The last few years have 

seen the two-piece tour the UK with acts such as Florence & The Machine 

and The Naked & Famous, as well as collaborating with artists including Sub 

Focus, Maya Jane Coles and The Maccabees. 

33

ROKURO 

NEW MUSIC 

Metron Music 

House from Sweden, not Swedish House. This is what you'll be hearing lots of in the 

coming months. New track from RedTop, brand new Remixes from Jamie de Von and the 

the much anticipated Original mix of Super Draft's Anticipation. 

Richard Grey - Positive Vibes EP 

From Legendary DJ/Producer Richard Grey comes the massive new house and garage 

release from Ultra Bass Records. Richard combines early 90s rave stabs with thumping 

basslines to bring you a fresh new speed garage masterpiece for 2015. 

Original Soundbwoys - Redemption EP 

This duo's first solo release combines the massive warping basslines, shuffled drums and 

epic pads prevalent in the Garage music of the late 90's, coupled with a unique and 

impressive 2015 twist. 

Hybrid Theory ft Trilla & Lady Leshurr - That's What It Is 

A fiery track from Hybrid Theory. All three artists hail from Birmingham and are each 

known for their very distinct sounds. Each artist brings the essential component to this 

needed to complete this track. 

July Child - Turn Me On 

A tropical, ambient reworking of Dancehall classic 'Turn Me On' by Kevin Lyttle. 

More Releases to check out... 

Preditah - Selecta 

Majestic - Creeping In The Dark (Grant Nelson Remix) 

Drop Out Orchestra ft Ronika - Dream Denial 


Jem Cooke ft Double S - Catch You 

Jem Cooke is an up and coming UK female artist that has 

just signed to Sony ATV/Naughty Words, Naughty Boy's 

publishing company and announces it with Catch You 

featuring Double S. 

Her soulful voice is crisp and fresh whilst singing about a 

friend of her's who was feeling down and keeping to 

themselves while Jem is letting them know she is around if 

he needs anything. 

The beat builds up slowly from a mellow melody to an 

uplifting record that is catchy and will have you 

encaptured by the lyrics provided by Jem Cooke and a rap 

courtesy of Double S. 

35

ROKURO 

Interview with B1G-PR0J3Ct by The Sassy Yank 

To start with can you tell our readers a bit about youR music background? 

I’ve been in to underground dance music since around 1991 when I first 

stumbled across Pulse FM on the dial and got hooked on the sounds of 

hardcore and early Jungle, I got two Goodmans decks (actually scrap that 

they weren’t decks they were hi-fi turntables) and a cheap Kam mixer the 

following year and started picking up choons from Music Power Records 

in Ilford and Boogietimes in Romford. 

In 1995 after I finished school at the tender age of 16 I visited Ibiza with 

my best mate and we found ourselves kicking every night off with a visit 

to the Simple Bar to listen to Jon Ulysses – we were buying mixtapes from 

him and he’d run out of the commercial stuff and sold us a tape titled 

“Garage” – that was the turning point for me musically, from that point 

forward, while I never lost my love for DnB and Jungle, Garage was my 

thing. 

When I got back from the trip I started to buy stacks of Garage vinyl from 

Music Power from Dean Savonne and Ian the shops Saturday shit! I 

managed to convince my old man to get me some twelves on finance and 

then it was game on – almost every spare bit of cash from my day job went 

on vinyl – but if I’m honest while it was my passion I never dreamed of 

earning a living from it or playing out however... 


My mate Tony Wright had other ideas and blagged us shows on Smoove fm 

back in 1998 – I did my show on Saturday 4-6pm and didn’t look back, shortly 

after joining the station my day job went south and I ended up spending a 

huge amount of time at Music Power – one day Dean was clearing up and 

asked if anybody knew what tune he had in his hand by the catalogue number 

to save him spinning it and I knew that, even on a white with nothing but the 

cat no., it was M-Dubs “49’ers” – he offered me a job at the shop on the spot 

which I gladly accepted. 

Shortly after joining the shop Dean blagged me a set for Trinity at the 

Chunnel and from there my DJ’ing started to pick up and soon I was playing at 

Smove at the Ministry, as well as throughout London and even taking garage 

to Manchester! I moved from Smoove FM to Deja Vu via Freek before finally 

finding my Friday night home on Erotic FM. 

Ian (the Saturday guy) and I began knocking up productions on a breaky tip 

and found ourselves quickly picked up by Damian Lazarus for his Vertical 

Drop label, we put tracks out as Subvert, Re-Animator, Dubwise Selective as 

well as under our own names but due to some licensing issues our 

productions fizzled out in 2001 when I became ill and sadly Music Store 

closed its doors. 

Fast forward to 2004 and after making a recovery from surgery I bumped in to 

DJ Em-Tek in Romford who asked me to pop in to Boogietimes as they needed 

somebody to look after the Garage section – I jumped at the chance and was 

quickly working for Boogietimes sister company Innovation, which to this day 

remains a serious player in the DNB promotions scene, and had found a path 

back in to music. 

After Boogietimes closed and I parted ways with Innovation I found myself 

selling DJ Equipment at DJ Empire in Chadwell Heath – I had already begun to 

dabble in some production kit but in 2009 I had really caught the bug and 

knocked up the B1G remix of Ciara and JT’s “Love Sex and Magic” which was 

the first track that really caught peoples ears – it was battered by EZ and a 

huge amount of DJs on the pirates so I spent the next 12 months knocking up 

2 step bootys of the biggest tracks at the time. The bootlegging continued 

into 2010, 2011 but by 2012 my work rate and output slowed due to my 

expanding family and, if I’m honest, I was losing interest with the 2 step 

sound so I started to make 4x4 bootys. 

37

Unfortunately 2012 ended miserably for me personally and 2013 was a 

dark year where as a family we suffered a huge loss – as we came to the 

end of the year I was determined to push on and at the same time I 

downloaded a Mi-Soul radio show by Matt Jam and was shocked to hear 

him playing new music with the kind of vibe that got me in to H’n’G – I 

was hooked and I knew exactly where I was heading, straight to the LAB! 

My first few 4x4 tracks of 2014 were well received and while I was 

knocking stuff up at 124bpm everybody was pitching them up to include 

them in their UKG sets – I believe in supply and demand and started to 

raise the tempo and decided that I’d like to share my music with as many 

people as possible – so with this in mind I created the filthy boots series 

which is nearing the release of volume 10 (which will also see the rerelease 

of a remixed filthy 1) and from this series came the opportunity to 

put together official mixes for CR2 records for artists such as Moon Boots, 

Jumpstar, Ron Carroll and let’s not forget my fellow Nu Skool producers 

DJ Junior, Martin Carr, Elski and Kahniche. I’m currently discussing some 

really exciting remix projects with some old skool veterans as well which 

if they come together will be wicked. 

While knocking up the filthy boots I’ve maintained an output of original 

tracks and was approached by Jepadee to put something out on Bumpa 

Funk and so the Deeper Love EP was created and it’s follow up which will 

feature my latest track “I’ll Give You” will also be released through the 

label. But there’s still a tonne of stuff that remains unreleased which will 

probably find it’s way on to my upcoming mixtape... 

When is the first time you recall music as something you wanted to do in a 

serious way? 

I fell in to music as something to take seriously in 1998 when was offered 

the job at Music Power – I’ve never looked back since! 

What is music to you? 

My escape – the vibe either in the studio or behind the decks takes me 

somewhere that the headaches of everyday life can’t reach me. 

38 


What are your hopes for your music career for the few years? 

I’m going to keep doing what I’m doing right now because, thanks to 

the support I’ve received, I’m sharing my vibe with like-minded people! 

The B1G sounded is constantly evolving and I’m hoping that the 

evolution will take me back in to club land behind the decks to join the 

party! 

What are some if your favorite things to do with your spare time? 

I’m a family guy, I’ve got three amazing children who give me the 

strength to push on no matter what. If I’m not in the lab and I don’t have 

the phone glued to my ear talking music then I’m spending time with 

them. 

Favorite meal? 

Anything fried – that’s why I’m the B1G PR0J3CT ;-) 

What would you say has helped your career the most so far? 

Perseverance and positive attitude – the harder I focus the further I 

seem to progress. I’ve also been a “right place, right time” guy – as 

much as I don’t want to say that luck has played a part I think certainly 

in the early years that’s been the case. 

Any advice for other aspiring artists? 

Believe in yourself, stay focused and network like your life depended on 

it – the bigger your network, be it socially or closer to you, the easier it 

is to get yourself heard. 

www.b1gpr0j3ct.blogspot.co.uk 

39

Yolanda Duke & Arturo Sandoval - Contigo En La Distancia 

Winner of IMA Independent Music Awards 2013, Best Latin Song 

"Stunning voice and composition, full of cultural influence." Mizz Ruby 

Graciously dedicated to the loving memory of The King of Latin Music Tito 

Puente. A gift from Yolanda & Arturo, to honor Tito's 91st birthday on April 

20th 2014. 

Produced, Arranged and Performed by Arturo Sandoval. Duke certainly 

holds a strong connection with the Latin music’s history, but she also looks 

into the future by connecting with another Latin Jazz giant, Arturo 

Sandoval. The two musicians tackle a Cuban standard, the timeless song 

”Contigo En La Distancia,” written by César Portillo de la Luz and loved 

around the world for its lush harmony, gorgeous melody, and potent lyrics. 

From the introductory trumpet flurry to a closing statement that pushes 

notes into the stratosphere, Sandoval approaches the song with a warm 

embrace, reflective of his close connection to the music. In fact, Sandoval 

puts a major mark on the song by creating the arrangement and playing all 

of the different instruments on the track. 

Sandoval’s complete musicianship brings out the best in Duke, helping her 

deliver an impassioned performance, full of powerful dynamic range, subtle 

nuance, and personal interpretation. There’s some reciprocal inspiration 

here as Duke captures with her vocal’s rich tone and wide vibrato 

Sandoval’s lyrical trumpet solo that connects the different pieces of the 

melody in an elegant fashion. 

Between Sandoval and Duke, you’ve got two musicians who understand 

the history of Latin Jazz and hopefully their continued collaboration will help 

open new ground to move it into the future. 

www.yolandaduke.com 


The Indos - Fifty Shades of Blue 

"The Indos are very much a feelgood, pure passion-fueled band. They do not 

try to be flashy or anything they're not, they just want to rock out! Bringing 

back the alternative Britpop style with being influenced by the 60's rebellion 

in the music scene." Mizz Ruby 

Twin City Records are pleased to announce the release of the debut EP 

from Edinburgh five piece 'The Indos' 

The band - Michael Knowles - Guitar/Lead Vocals, Jamie Gilchrist - 

Guitar/Backing Vocals, Robbie Gilchrist - Bass Guitar, Dando Myrillas - 

Guitar and Greg Atkinson - Drums all grew up together in North Edinburgh 

and have been the present line up for over a year now. They got together 

through their mutual love of early 2000's bands Arctic Monkeys and The 

Strokes and also their main influences The Yardbirds, The Kinks and The 

Who. 

Since forming, the band have been playing various venues throughout 

Glasgow and Edinburgh including Sneaky Pete's, Cabaret Voltaire, Electric 

Circus, QMU & Ivory Blacks where they have caught the eye of several 

promoters. 

'Fifty Shades of Blue' was written and composed by The Indos and recorded, 

mixed and mastered by Mark Morrow in his Edinburgh studio in August of 

this year. 

www.twincityrecords.com 

41

Trance maestro Damian Wasse once again 

releases a piece of stunning music on the In 

Trance We Trust imprint. ‘Say Goodbye’ is an 

almost hypnotic and clear sounding trance 

track and a definite must-have for all you 

trance lovers out there. 

Damian Wasse is one of the biggest 

representatives of the progressive and uplifting 

trance genre in Russia. His releases are 

supported by Armin van Buuren, Ferry Corsten, 

Gareth Emery, Ashley Wallbridge, Paul van Dyk, 

Markus Schulz, Rank 1, Lange, Paul Oakenfold, 

Roger Shah, MIKE, Pedro Del Mar and many 

more. 

"Simple, sexy, memorable - a must for 

your dance playlists." Mizz Ruby 

Jeff Retro is back and just in time for the 

holiday season. Get ready to 'Lose It All' 

on the dance floor with this new groovy 

house tune from Hakkasan's #1 

Resident DJ Jeff Retro. 

42 


The project started as a deep house track with a deep organic 

bassline. It had a great sound, however with no breakdown. The 

process of creating the breakdown began methodically, it then came 

to have more of a Trance feel, rather than house. The initiative was 

taken to turn it into a Trance track as the lead melody was so 

inspiring. Elements were twisted, and emotion added for extra oomph 

& Trancey atmosphere. Once completed, the track needed the 

perfect name. Sun in Sand, to fit the surrounding beauty of the 

Mauritian beaches & coastline. 

"The DJ Wad - Sun In 

Sand Original Mix 

has a nice transition 

between a soft 

melody, uplifting and 

driving atmospheric 

baselines and energy, 

it's well balanced and 

a pleasure to turn on. 

Enjoyed this track. 

The (Hypaethrame 

Remix) has a great 

driving force behind it 

right from the getgo, 

the perfect touch 

of energy running 

within it and yet still 

holds a perfect touch 

to the softer side 

within the release 

later in the track 

(atmosphere), well 

produced and 

thought out." 

Bruce Cullen 

43

Frontstreet JT - Jazzy Blues 

The smooth jazz sound of his debut single ‘Jazzy 

Blues’ is a fresh mix of jazz and rap, a brilliant 

pairing of smooth melody and confident lyrics. For 

those who love Jazz and hip hop, ‘Jazzy Blues’ is the 

perfect fusion of vibrant styles, blended perfectly 

to bring out the thoughtful flavour of Frontstreet 

JT’s lyrics. Having a list of big names already lining 

up for remixes, it is set to be a smash hit, JT has 

already gained critical acclaim from music 

professionals everywhere. 

Scorcher - No One Else 

A melodic and intoxicating beat from 

Young Kye, Scorcher lays down a 

captivating vocal and somewhere 

between the two, you drift away in to the 

story getting lost between the melody 

and the words. 

"I'm trying to make music people can live 

with - more than just music for the club, 

radio or car. I'm trying to bring people into 

my world and be a part of it, like IMAX." 

Scorcher 

44 


It’s no secret we love garage here at Slime. Whether its killer floor-fillers or 

ethereal two-step jams, there’s a little place in our hearts for them all. So we’re 

excited to be unveiling the first in an ongoing series of compilations centred 

around up and coming producers making their mark in the genre, from around 

the world. ‘Future Sound Of Garage’ looks to the producers that will be staking a 

claim to the sound in the near future. We’ve assembled ten of the most exciting 

producers coming up in the scene, who have each contributed an exclusive track 

for this release. 

The sultry, low-slung groove of ‘Swerve’ from London-based producer 

A.Motion opens proceedings, full of sparse percussion and seductive vocals, 

before giving way to the bumpy rhythms of Finland’s Sleezy with ‘Wait’, bubbling 

over with retro basslines and snapping clicks. If you prefer that throwback style 

but brought bang up to date, then Londoner Urbani comes correct with 

‘Dangerous’, packed to the brim with that nostalgic skip and swing strapped to a 

killer bassline – something it shares in common with the proceeding thriller from 

Leeds producer Bad Habit. ‘Trying Times’ floats in on subtle chords before 

detonating with expertly-clipped vocals and pulsating bass. 

Dutch producer David Eliza weaponises his contribution ‘Scapegoat’ with 

supersonic beats and deadly basslines built around an insistent vocal sample 

that will have people stampeding to the dancefloor. Similarly, Yorkshire 

newcomer Jonah delivers a blistering mutation of garage with ‘Hazmat’, dark 

chords and staccato basslines swirling in the mix over a thundering 4x4 beat. 

Italian producer Bodwan delivers a warehouse classic in the making with an 

insistent piano loop and see-saw bassline, perfect for strobe-lit tunnel raves 

everywhere. If it’s epic you’re after then look no further than the near 8-minute 

odyssey from Blackboxx. ‘Levitate Me’ starts one way, building swirling chords, 

ethereal vibes and soaring vocals, before exploding into a roaring bassline 

monster that will make your chest rattle. 

Macao-based producer Burnie delivers the penultimate track with the beautiful 

‘Comet Dancing’, expertly built around a sonorous vocal and clipped two-step 

vibes. Deft touches of 808 and deep swashes of melody switch the style, 

keeping you guessing until the very end. Finally, Australian producer Greed closes 

the compilation in fine style with the gorgeous ‘Deep Blue’, replete with 

shimmering piano keys and hazy percussion – guaranteed to elevate your mind 

into a blissful state of being. 

45

Elijah Phillips 

Creative Director/Producer 

Elijah Phillips Media & Productions 

Suite 11 

Penhurst House 

352-356 

Battersea 

London 

SW11 3BY 

Company No. 09287415 

t: 0207 101 4459 

m: 07773552211 

e: elijah@elijahphillips.com 

46 


David Zowie - House Every Weekend 

David Zowie is currently taking off in the U.S 

EDM Club scene. This track is also getting 

loads of support from Dj's such as Kaskade, 

The Magician, Todd Edwards and Steve Aoki 

to name a few! 

www.soundcloud.com/davidzowie 

47

Cessle 

Interviews Alice Rose 

At the tender age of 22, Alice Rose is a young talented 

DJ/Producer from a small town in Kent with what seems to be 

a very bright future ahead of her. Fresh back from a season on 

the white isles of Ibiza Alice is determined to hit the ground 

running in 2015 by keeping herself locked away in the studio 

preparing fresh music. Prior to her up and coming release 

“Bounce That” as part of the Future Underground EP on the 

legendary Cr2 Records, Audiation Magazine managed to catch 

up with Alice Rose for her instalment of the HOT 6. 

Release date: 8th December - Bounce That (Cr2 Records) 

48 


HOT 6 

1st record you ever bought? 

Misteeq – Scandalous… (Cringe, yet. But i was only 10!) 

Favourite track you have made? 

Bounce That (CR2 Records) 

Favourite kit for making music? 

Logic 

Your Dream Line up (self included) 

Noir, Erick Morillo, Jay Lumen, Alice Rose 

If you had to DJ a 3hr set of a different Genre what would it be? 

Drum n Bass 

One sentence that defines house and techno music? 

Four to the floor 

49

50 


@AudiationMag 

AudiationMagazine 

Email: info@AudiationMagazine.com 

Happy Holidays from 

The Sassy Yank, Mizz Ruby, Rokuro, Sarah & Cessle xx

Audiation 

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