3. John Stoltenberg, “Eroticism and Violence in the Father-SonRelationship, ” in For <strong>Men</strong> Against Sexism, ed. Jon Snodgrass(Albion, Calif.: Times Change Press, 1977), p. 106.4. Norman O. Brown, Love's Body (New York: Random House,1966), p. 180.5. Brown, Love's Body, p. 244.6. Paul H. Gebhard, John H. Gagnon, Wardell B. Pomeroy, andCornelia V. Christenson, Sex Offenders: An Analysis of Types(New York: Harper & Row, Publishers, and Paul B. Hoeber,1965), p. 6.7. R. D. Laing, The Facts of Life (New York: Pantheon Books,1976), p. 65.8. Martin Luther, cited <strong>by</strong> Margaret Sanger, Margaret Sanger: AnAutobiography (New York: Dover Publications, 1971), p. 210.9. Norman Mailer, The Prisoner of Sex (Boston: Little, Brown &Co., 1971), p. 126.10. Havelock Ellis, Studies in the Psychology of Sex, vol. 2, pt. 2 (NewYork: Random House, 1937), p. 194.11. T. E. Lawrence, in a letter to Charlotte Shaw, March 26, 1924,British Museum, Department of Western Manuscripts, AdditionalManuscripts, cited <strong>by</strong> John E. Mack, A Prince of OurDisorder: The Life of T. E. Lawrence (Boston: Little, Brown &Co., 1976), pp. 419-20.12. Giacomo Casanova, History of My Life, vol. 11, trans. Willard R.Trask (New York: Harcourt Brace Jovanovich, 1971), p. 15.13. Laing, Facts of Life, p. 3.14. D. H. Lawrence, Sex, Literature and Censorship, ed. Harry T .Moore (New York: Twayne Publishers, 1953), p. 49.15. Ellis, Psychology of Sex, vol. 2, pt. 3, p. 21.16. Georges-Michel Sarotte, Like a Brother, Like a Lover, trans.Richard Miller (Garden City, N . Y.: Doubleday & Co., AnchorPress, 1977), p. 165.17. leffrey Klein, “Born Again Porn, ” Mother Jones,F^bruary-March 1978, p. 14.18. Virginia Woolf, A Room of One's Own (New York: Harcourt,Brace & World, 1957), p. 29.C h a p t e r 3: T h e M a r q u is d e S a d e (1740-1814)1. Albert Camus, The Rebel, trans. Anthony Bower (New York:Random House, Vintage Books, 1954), p. 35.2. Camus, The Rebel, p. 36.
3. Cited <strong>by</strong> Ronald Hay man, De Sade: A Critical Biography (NewYork: Thomas Y. Crowell Co., 1978), p. 81.4. Georges Bataille, Death and Sensuality (New York: BallantineBooks, 1969), p. 163.5. Donald Thomas, The Marquis de Sade (Boston: Little, Brown &Co., 1976), p. 103.6. Thom as, Marquis de Sade, p. 104.7. Ibid., p. 7.8. Simone de Beauvoir, “Must We Burn Sade? ” trans. AnnetteMichelson, in The 120 Days of Sodom and Other Writings,Donatien-Alphonse-Fran$ois de Sade, trans. Austryn Wainhouseand Richard Seaver (New York: Grove Press, 1967), p.8.9. Richard Seaver and Austryn Wainhouse, Foreword, Justine;Philosophy in the Bedroom; Eugenie de Franval, and Other Writings,Donatien-Alphonse-Fransois de Sade, trans. Richard Seaverand Austryn Wainhouse (New York: Grove Press, 1966), p. ix.10. Norm an Gear, The Divine Demon: A Portrait of the Marquis deSade (London: Frederick Muller, 1963), p. 135.11. Jean Paulhan, “T he Marquis de Sade and His Accomplice, ” inJustine; Philosophy in the Bedroom; Eugenie de Franval, and OtherWritings, p. 7.12. Hobart Ryland, Introduction, Adelaide of Brunswick, Donatien-Alphonse-Fran^ois de Sade, trans. H obart Ryland (Washington,D . C.: Scarecrow Press, 1954), p. 6.13. Geoffrey Gorer, The Life and Ideas of the Marquis de Sade(London: Peter Owen, 1953), p. 28.14. Thom as, Marquis de Sade, p. 47.15. Ibid.16. Ibid., p. 66.17. Haym an, De Sade, p. 50.18. Angela Carter, The Sadeian Woman and the Ideology of <strong>Pornography</strong>(New York: Pantheon Books, 1979), p. 29.19. Carter, Sadeian Woman, p. 29.20. Haym an, De Sade, p. 49.21. Roland Barthes, Sade! Fourier! Loyola, trans. Richard Miller(New York: Hill & Wang, 1976), p. 8.22. Gear, Divine Demon, p. 60.23. Thom as, Marquis de Sade, p. 76.24. Haym an, De Sade, p. 64.25. Edmund Wilson, “T he Vogue of the Marquis de Sade, ” in TheBit Between My Teeth: A Literary Chronicle of 1950-1965 (NewYork: Farrar, Straus & Giroux, 1965), p. 162.
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P L U M EP u b l i s h e d b y t h
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F or Jo h n S toltenbergIn M em ory
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C o n t e n t sIntroductionxiiiPref
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sires; and I appealed to them, whet
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who has been bought and sold. She m
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esist; they disappear when the dang
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When he arrived, he informed me tha
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mom’s. [He came after her with a
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word to make it denote a story, pro
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T he burden of proof will be on tho
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new social truth emerged, one that
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“we”? What is the “freedom
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is mine, ” Therese Stanton wrote
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who were the same, never of those w
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the pictures. Instead, some of us u
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us—let us be dumb and die. ”181
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eciprocity, whereas pornography inv
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or scrutiny, that there is an equat
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culture, though it is smothered in
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women evil; he exterminates nine mi
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was to extend in time, to be not on
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adult, impervious to the ambivalenc
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culture, he is a giant, enlarged by
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the dead center of the car hood and
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hunter, think of seals clubbed to d
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in the larger culture, also indicat
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eventually come from the shower. Th
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limited framework of male sexual va
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the greatest and best test of mascu
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another female’s cunt. ” The hu
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studio. Narrator wonders whether he
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sleep. Rod wakes to find Larry assf
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Lesbians are in each vignette. In t
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distinctly pinkish. One of her hand
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Men and BoysJust so docs Miller ret
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The boy will be a witness as the fa
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Body, philosopher Norman O. Brown,
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penis signifies humanity. Though th
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Throughout male culture, the penis
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aggression of the aggressor and use
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does not exist; rape of the sacred
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male who cannot change his devalued
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Male perceptions of women are askew
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The solution, as Dinnerstein sees i
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other century. There are only the o
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3The Marquis de Sade ( 1 7 4 0 —1
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most of the women and girls he abus
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Sade took Keller to his private hou
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another order was issued for his ar
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sporadically). O n Sade’s release
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perhaps fourteen years old, essenti
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With his usual perception about him
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power of the biographers to define
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esistance from “puritanical” or
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had the authority to spend her mone
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degree, is authentic because a man
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collection of Sade’s work, point
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sexuality. The shared victim result
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Sade himself, in a footnote to Juli
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A daughter’s turning on her mothe
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Sade’s work in exciting the imagi
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is movable property— cattle, wive
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The whole world outside man himself
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image of her while being an externa
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falling off a log for her. It is ea
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leave her alone. The moment we leav
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Brain is absolutely clear that “[
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sterile word for the phenomenon tha
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significantly determine the quality
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in the realm of female beauty, the
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The prostitute is seen as the antit
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ment. It can also be seen as the cu
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in other words, ” writes Becker,
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Ullerstam, in The Erotic Minorities
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Mother, whore, beauty, abomination,
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own. H er race is ambiguous. From h
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weapon in her hand. Still, the olde
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W ith both the male and the female,
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is propaganda, whether used for soc
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it that way. ” ’7 The weak are
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means that it also generates incred
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the poisonous materials which are u
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Willy linked the experience of blac
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This cautious statement avoids the
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are not really distinct because the
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maintained; otherwise— especially
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variable. It is determined more by
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aised slightly off the floor. The p
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ut she belongs to the Anglo boyfrie
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something important for his complic
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value to possession of the woman. T
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confusing. She is without purpose.
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sex. Force is sex. The woman who wa
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United States, expressed the weary
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head. They parked near the corpse a
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made her lock herself in the wardro
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her robe or back or head while he w
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sat him in a wooden armchair. Simon
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among intellectuals: he writes of h
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- Page 224 and 225: vs. adults, ” the sexual act was
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- Page 238 and 239: In the introduction to Black Fashio
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- Page 248 and 249: enlarged uterus displaces the rest
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- Page 258 and 259: 26. Gorer, Life and Ideas, p. 37.27
- Page 260 and 261: 18. Otto Weininger, Sex and Charact
- Page 262 and 263: 58. Ibid., p. 14.59. Herbert Marcus
- Page 264 and 265: 43. Ibid., p. 120.44. Ibid., p. 63.
- Page 266 and 267: 9. John Wolfenden, Report of the Co
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- Page 270 and 271: Symons. New York: Albert & Charles
- Page 272 and 273: York: W. VV. Norton & Co., 1978.Bur
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- Page 276 and 277: Didion, Joan. The White Album. New
- Page 278 and 279: Fedder, Ruth. A Girl Grows Up. New
- Page 280 and 281: Fuchs, Estelle. The Second Season:
- Page 282 and 283: Goffman, Erving. Relations in Publi
- Page 284 and 285: York: Random House, Vintage Books,
- Page 286 and 287: Ivinskaya, Olga. A Captive of Time.
- Page 288 and 289: Youth. New York: W. W. Norton & Co.
- Page 290 and 291: Lewis, Oscar. Tbe Children of Sanch
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A r t ic l e s , I n t e r v ie w s
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--------- . “The Lie. ” New Wom
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Kristol, Irving. “T he Shadow of
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“Playboy Gives First Amendment Aw
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IndexAbortionconstraints on rights
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Christ, 53Civilization, as tamer of
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FreedomBrown’s definition of, 52a
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Lerner, Max, 208-9Lesbiansin / Love
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and women as instruments,109-13“O
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Women, ” 160-64Brain on, 112celeb
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Snuff artist, Sade as, 92Snuff film